'I am not afraid of storms, for I am learning how to sail my ship.' The four March sisters couldn't be more different: Meg, the eldest, is dutiful and patient; Jo is adventurous, with dreams of being a great writer; shy, musical Beth is the peacemaker; and headstrong Amy likes the finer things in life. They may not always get along, but with their father away in the Civil War and their mother struggling to make ends meet, the sisters have never needed each other more. Together, the girls navigate growing up - from first love to sibling rivalry, loss and marriage. Whatever comes their way, they know they can rely on each other. Also available in Virago Children's Classics: Good Wives, Little Men and Jo's Boys
|Publisher:||Pbshop.Co.UK Ltd DBA Echo Library|
|Edition description:||Large Print|
|Product dimensions:||8.25(w) x 11.00(h) x 1.18(d)|
|Age Range:||9 - 14 Years|
About the Author
Louisa May Alcott was born in Pennsylvania in 1832. Like the character of Jo March in Little Women, young Louisa didn't conform to the restrictions placed on girls of the period: 'No boy could be my friend till I had beaten him in a race,' she claimed, 'and no girl if she refused to climb trees, leap fences.' And, also like Jo, she was highly imaginative and writing was an early passion.
As her family was often in financial difficulty, Louisa worked from a young age to support her family, taking any position available: a governess, domestic servant, seamstress and teacher were among her jobs. She also wrote poetry and short stories for popular magazines, and melodramatic novels under a pseudonym. When the American Civil War began, Louisa, who fervently opposed slavery, lamented that women weren't able to fight, and volunteered as a nurse at the Union Hospital in Georgetown, Washington. Her nursing career was brief as she contracted typhoid, but she wrote Hospital Sketches, a truthful and poignant account based on letters she wrote home to her family in Concord, and it was published to great acclaim.
In 1868 Louisa was asked by her publisher to write 'a girls' story'. This resulted in Little Women, which is largely based on the experiences of the author and her three sisters. It was a phenomenal success. In a time when children's books were morality tales featuring idealised, two-dimensional protagonists, Little Women was revolutionary, peopled as it was by relatable, flawed, fully realised characters. Its success guaranteed financial stability for Louisa, who continued the March family's story in Good Wives, Little Men and Jo's Boys. Louisa never married, concluding that 'liberty is a better husband than love.' She died in 1888 and is buried in Sleepy Hollow Cemetery in Concord.
Read an Excerpt
"Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug.
"It's so dreadful to be poor!" sighed Meg, looking down at her old dress.
"I don't think it's fair for some girls to have plenty of pretty things, and other girls nothing at all," added little Amy, with an injured sniff.
"We've got Father and Mother and each other," said Beth contentedly from her corner.
The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly, "We haven't got Father, and shall not have him for a long time." She didn't say "perhaps never," but each silently added it, thinking of Father far away, where the fighting was.
Nobody spoke for a minute; then Meg said in an altered tone, "You know the reason Mother proposed not having any presents this Christmas was because it is going to be a hard winter for everyone; and she thinks we ought not to spend money for pleasure, when our men are suffering so in the army. We can't do much, but we can make our little sacrifices, and ought to do it gladly. But I am afraid I don't." And Meg shook her head, as she thought regretfully of all the pretty things she wanted.
"But I don't think the little we should spend would do any good. We've each got a dollar, and the army wouldn't be much helped by our giving that. I agree not to expect anything from Mother or you, but I do want to buy Undine and Sintram for myself. I've wanted it so long," said Jo, who was a bookworm.
"I planned to spend mine in new music," said Beth, with a little sigh, which no one heard but the hearth brush and kettle holder.
"I shall get a nice box of Faber's drawing pencils. I really need them," said Amy decidedly.
"Mother didn't say anything about our money, and she won't wish us to give up everything. Let's each buy what we want, and have a little fun. I'm sure we work hard enough to earn it," cried Jo, examining the heels of her shoes in a gentlemanly manner.
"I know I do — teaching those tiresome children nearly all day, when I'm longing to enjoy myself at home," began Meg, in the complaining tone again.
"You don't have half such a hard time as I do," said Jo. "How would you like to be shut up for hours with a nervous, fussy old lady, who keeps you trotting, is never satisfied, and worries you till you're ready to fly out of the window or cry?"
"It's naughty to fret, but I do think washing dishes and keeping things tidy is the worst work in the world. It makes me cross, and my hands get so stiff, I can't practice well at all." And Beth looked at her rough hands with a sigh that any one could hear that time.
"I don't believe any of you suffer as I do," cried Amy, "for you don't have to go to school with impertinent girls, who plague you if you don't know your lessons, and laugh at your dresses, and label your father if he isn't rich, and insult you when your nose isn't nice."
"If you mean libel, I'd say so, and not talk about labels, as if Papa was a pickle bottle," advised Jo, laughing.
"I know what I mean, and you needn't be statirical about it. It's proper to use good words, and improve your vocabilary," returned Amy, with dignity.
"Don't peck at one another, children. Don't you wish we had the money Papa lost when we were little, Jo? Dear me! how happy and good we'd be, if we had no worries!" said Meg, who could remember better times.
"You said the other day you thought we were a deal happier than the King children, for they were fighting and fretting all the time, in spite of their money."
"So I did, Beth. Well, I think we are; for, though we do have to work, we make fun for ourselves, and are a pretty jolly set, as Jo would say."
"Jo does use such slang words!" observed Amy, with a reproving look at the long figure stretched on the rug. Jo immediately sat up, put her hands in her pockets, and began to whistle.
"Don't, Jo, it's so boyish!"
"That's why I do it."
"I detest rude, unladylike girls!"
"I hate affected, niminy-piminy chits!"
"'Birds in their little nests agree,'" sang Beth, the peacemaker, with such a funny face that both sharp voices softened to a laugh, and the "pecking" ended for that time.
"Really, girls, you are both to blame," said Meg, beginning to lecture in her elder-sisterly fashion. "You are old enough to leave off boyish tricks, and to behave better, Josephine. It didn't matter so much when you were a little girl; but now you are so tall, and turn up your hair, you should remember that you are a young lady."
"I'm not! And if turning up my hair makes me one, I'll wear it in two tails till I'm twenty," cried Jo, pulling off her net, and shaking down a chestnut mane. "I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as a China aster! It's bad enough to be a girl, anyway, when I like boys' games and work and manners! I can't get over my disappointment in not being a boy; and it's worse than ever now, for I'm dying to go and fight with Papa, and I can only stay at home and knit, like a poky old woman!" And Jo shook the blue army sock till the needles rattled like castanets, and her ball bounded across the room.
"Poor Jo! It's too bad, but it can't be helped. So you must try to be contented with making your name boyish, and playing brother to us girls," said Beth, stroking the rough head at her knee with a hand that all the dishwashing and dusting in the world could not make ungentle in its touch.
"As for you, Amy," continued Meg, "you are altogether too particular and prim. Your airs are funny now, but you'll grow up an affected little goose, if you don't take care. I like your nice manners and refined ways of speaking, when you don't try to be elegant. But your absurd words are as bad as Jo's slang."
"If Jo is a tomboy and Amy a goose, what am I, please?" asked Beth, ready to share the lecture.
"You're a dear, and nothing else," answered Meg warmly; and no one contradicted her, for the "Mouse" was the pet of the family.
As young readers like to know "how people look," we will take this moment to give them a little sketch of the four sisters, who sat knitting away in the twilight, while the December snow fell quietly without, and the fire crackled cheerfully within. It was a comfortable old room, though the carpet was faded and the furniture very plain; for a good picture or two hung on the walls, books filled the recesses, chrysanthemums and Christmas roses bloomed in the windows, and a pleasant atmosphere of home peace pervaded it.
Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft, brown hair, a sweet mouth, and white hands, of which she was rather vain.
Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth — or Beth, as everyone called her — was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her "Little Tranquillity," and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person — in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.
The clock struck six and, having swept up the hearth, Beth put a pair of slippers down to warm. Somehow the sight of the old shoes had a good effect upon the girls, for Mother was coming, and everyone brightened to welcome her. Meg stopped lecturing, and lighted the lamp, Amy got out of the easy chair without being asked, and Jo forgot how tired she was as she sat up to hold the slippers nearer to the blaze.
"They are quite worn out. Marmee must have a new pair."
"I thought I'd get her some with my dollar," said Beth.
"No, I shall!" cried Amy.
"I'm the oldest," began Meg, but Jo cut in with a decided —
"I'm the man of the family now Papa is away, and I shall provide the slippers, for he told me to take special care of Mother while he was gone."
"I'll tell you what we'll do," said Beth, "let's each get her something for Christmas, and not get anything for ourselves."
"That's like you, dear! What will we get?" exclaimed Jo.
Everyone thought soberly for a minute, then Meg announced, as if the idea was suggested by the sight of her own pretty hands, "I shall give her a nice pair of gloves."
"Army shoes, best to be had," cried Jo.
"Some handkerchiefs, all hemmed," said Beth.
"I'll get a little bottle of cologne. She likes it, and it won't cost much, so I'll have some left to buy my pencils," added Amy.
"How will we give the things?" asked Meg.
"Put them on the table, and bring her in and see her open the bundles. Don't you remember how we used to do on our birthdays?" answered Jo.
"I used to be so frightened when it was my turn to sit in the big chair with the crown on, and see you all come marching round to give the presents, with a kiss. I liked the things and the kisses, but it was dreadful to have you sit looking at me while I opened the bundles," said Beth, who was toasting her face and the bread for tea at the same time.
"Let Marmee think we are getting things for ourselves, and then surprise her. We must go shopping tomorrow afternoon, Meg. There is so much to do about the play for Christmas night," said Jo, marching up and down, with her hands behind her back and her nose in the air.
"I don't mean to act any more after this time. I'm getting too old for such things," observed Meg, who was as much a child as ever about "dressing-up" frolics.
"You won't stop, I know, as long as you can trail round in a white gown with your hair down, and wear gold-paper jewelry. You are the best actress we've got, and there'll be an end of everything if you quit the boards," said Jo. "We ought to rehearse tonight. Come here, Amy, and do the fainting scene, for you are as stiff as a poker in that."
"I can't help it; I never saw anyone faint, and I don't choose to make myself all black and blue, tumbling flat as you do. If I can go down easily, I'll drop; if I can't, I shall fall into a chair and be graceful.
I don't care if Hugo does come at me with a pistol," returned Amy, who was not gifted with dramatic power, but was chosen because she was small enough to be borne out shrieking by the villain of the piece.
"Do it this way: clasp your hands so, and stagger across the room, crying frantically, 'Roderigo! save me! save me!'" and away went Jo, with a melodramatic scream which was truly thrilling.
Amy followed, but she poked her hands out stiffly before her, and jerked herself along as if she went by machinery, and her "Ow!" was more suggestive of pins being run into her than of fear and anguish. Jo gave a despairing groan, and Meg laughed outright, while Beth let her bread burn as she watched the fun with interest.
"It's no use! Do the best you can when the time comes, and if the audience laughs, don't blame me. Come on, Meg."
Then things went smoothly, for Don Pedro defied the world in a speech of two pages without a single break; Hagar, the witch, chanted an awful incantation over her kettleful of simmering toads, with weird effect; Roderigo rent his chains asunder manfully, and Hugo died in agonies of remorse and arsenic, with a wild "Ha! ha!" "It's the best we've had yet," said Meg, as the dead villain sat up and rubbed his elbows.
"I don't see how you can write and act such splendid things, Jo. You're a regular Shakespeare!" exclaimed Beth, who firmly believed that her sisters were gifted with wonderful genius in all things.
"Not quite," replied Jo modestly. "I do think The Witch's Curse, an Operatic Tragedy is rather a nice thing, but I'd like to try Macbeth, if we only had a trapdoor for Banquo. I always wanted to do the killing part. 'Is that a dagger that I see before me?'" muttered Jo, rolling her eyes and clutching at the air, as she had seen a famous tragedian do.
"No, it's the toasting fork, with mother's shoe on it instead of the bread. Beth's stage-struck!" cried Meg, and the rehearsal ended in a general burst of laughter.
"Glad to find you so merry, my girls," said a cheery voice at the door, and actors and audience turned to welcome a tall, motherly lady with a "can-I-help-you" look about her which was truly delightful. She was not elegantly dressed, but a noble-looking woman, and the girls thought the gray cloak and unfashionable bonnet covered the most splendid mother in the world.
"Well, dearies, how have you got on today? There was so much to do, getting the boxes ready to go tomorrow, that I didn't come home to dinner. Has anyone called, Beth? How is your cold, Meg? Jo, you look tired to death. Come and kiss me, baby."
While making these maternal inquiries Mrs. March got her wet things off, her warm slippers on, and sitting down in the easy chair, drew Amy to her lap, preparing to enjoy the happiest hour of her busy day. The girls flew about, trying to make things comfortable, each in her own way. Meg arranged the tea table, Jo brought wood and set chairs, dropping, overturning, and clattering everything she touched, Beth trotted to and fro between parlor and kitchen, quiet and busy, while Amy gave directions to everyone, as she sat with her hands folded.
As they gathered about the table, Mrs. March said, with a particularly happy face, "I've got a treat for you after supper."
A quick, bright smile went round like a streak of sunshine.
Beth clapped her hands, regardless of the biscuit she held, and Jo tossed up her napkin, crying, "A letter! a letter! Three cheers for Father!"
"Yes, a nice long letter. He is well, and thinks he shall get through the cold season better than we feared. He sends all sorts of loving wishes for Christmas, and an especial message to you girls," said Mrs. March, patting her pocket as if she had got a treasure there.
"Hurry and get done! Don't stop to quirk your little finger and simper over your plate, Amy," cried Jo, choking in her tea and dropping her bread, butter side down, on the carpet in her haste to get at the treat.
Beth ate no more, but crept away to sit in her shadowy corner and brood over the delight to come, till the others were ready.
"I think it was so splendid in Father to go as a chaplain when he was too old to be drafted, and not strong enough for a soldier," said Meg warmly.
"Don't I wish I could go as a drummer, a vivan — what's its name? or a nurse, so I could be near him and help him," exclaimed Jo, with a groan.
"It must be very disagreeable to sleep in a tent, and eat all sorts of bad-tasting things, and drink out of a tin mug," sighed Amy.
"When will he come home, Marmee?" asked Beth, with a little quiver in her voice.
"Not for many months, dear, unless he is sick. He will stay and do his work faithfully as long as he can, and we won't ask for him back a minute sooner than he can be spared. Now come and hear the letter."
They all drew to the fire, Mother in the big chair with Beth at her feet, Meg and Amy perched on either arm of the chair, and Jo leaning on the back, where no one would see any sign of emotion if the letter should happen to be touching. Very few letters were written in those hard times that were not touching, especially those which fathers sent home. In this one little was said of the hardships endured, the dangers faced, or the homesickness conquered.
It was a cheerful, hopeful letter, full of lively descriptions of camp life, marches, and military news, and only at the end did the writer's heart overflow with fatherly love and longing for the little girls at home.
"Give them all my dear love and a kiss. Tell them I think of them by day, pray for them by night, and find my best comfort in their affection at all times. A year seems very long to wait before I see them, but remind them that while we wait we may all work, so that these hard days need not be wasted. I know they will remember all I said to them, that they will be loving children to you, will do their duty faithfully, fight their bosom enemies bravely, and conquer themselves so beautifully that when I come back to them I may be fonder and prouder than ever of my little women."(Continues…)
Excerpted from "Little Women"
Copyright © 2018 Louisa May Alcott.
Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
|Suggestions for Further Reading||xxix|
|A Note on the Text||xxxi|
Reading Group Guide
1. In the first two chapters, the girls use John Bunyan's The Pilgrim's Progress as a model for their own journey to becoming "little women." What was Alcott trying to say by using such a strongly philosophical piece of literature as the girls' model?
2. What purpose does Beth's death serve? Was Alcott simply making a sentimental novel even more so, or was this a play on morality and philosophy? Do you think Beth was intended to be a Christ figure?
3. Consider the fact that Beth will never reach sexual maturity or marry. What do you think this says about the institution of marriage and, more important, about womanhood?
4. Consider Jo's writing: While we are treated to citations from "The Pickwick Portfolio" and the family's letters to one another, we are never presented with an excerpt from Jo's many literary works, though the text tells us they are quite successful. Why is this?
5. Do you find it surprising that once Laurie is rejected by Jo, he falls in love with Amy? Do you feel his characterization is complete and he is acting within the "norm" of the personality Alcott has created for him, or does Alcott simply dispose of him once our heroine rejects him?
6. Some critics argue that the characters are masochistic. Meg is the perfect little wife, Amy is the social gold digger, and Beth is the eternally loving and patient woman. Do you believe these characterizations are masochistic? If so, do you think Alcott could have characterized them any other way while maintaining the realism of the society she lived in? And if this is true, what of Jo's character?
7. The last two chapters find Jo setting aside her budding literary career to run a school with her husband. Why do you think Alcott made her strongest feminine figure sacrifice her own life plans for her husband's?
8. Alcott was a student of transcendentalism. How and where does this philosophy affect Alcott's writing, plot, and characterization?
9. Do you believe this is a feminine or a feminist piece of work?
"I am not afraid of storms, for I am learning how to sail my ship."
Louisa May Alcott (quote from Little Women
Most Helpful Customer Reviews
The March family is forced to be with out their father during the war. The four sisters: Meg, the beautiful eldest, Jo, the tomboy author, Beth, the tender-hearted, and Amy, the romantic artist, face many timeless struggles that girls of all ages face. Their story only brings them closer and captures you in the process. In my opinion, the book Little Women is a classic book for many ages. I thought the book was interesting and I personally have read the book at least twice. The book has a timeless theme. It also has characters that relates to most. In conclusion, I would suggest you read it at least once. The March family reminds you that even in rough times you can get through it. Louisa May Alcott has created in my opinion a timeless book. This book will probably remain popular for many years. The book was interesting and great for girls especially, but don't let that stop you boys from reading it, too. I liked it so much I watched the movie.
I absolutley loved this book. It gave you everything you could ask for in a novel. Drama, thrill, compasion, love. The ups and downs in this book really kept me interested. I laughed and I cried. I know that sounds cheesy; but its true. This is definitely one of my favorite books and one to keep on my shelf in my collection!
I was quite young when i first read this book, and till today no other book fascinates me like this one. When ever i'm frustrated or feeling low, this book helps me to regain my lost spirit..because it is the story of a family which faces the challenges of life, without letting go of faith in God, and their love for each other to come out triumphant.
Years ago, my aunt gave me this book as a gift. Of course then I didn't have my love for reading as I do now. Finally, I read it and loved it! I love everything about it, the story line, lessons, the characters, the way it was written. Granted I read this book years ago, I still remember the story line vividly. There is no question in my mind why this book is a classic. I will even go so far as to say the movie does it justice. this book is great for school, book clubs, rainy days, well actually any time. The story will suck you in and you wouldn't be able to put it down!
This is one of those books that I finish and want to go back to page one and start reading all over again. Each of the March sisters is special and interesting in her own way, and even now my friends and I go back and forth about who is who among the sisters...Most of us want to be Jo, the headstrong, independent sister, who is the fictional version of the writer herself, Louisa May Alcott. Alcott wrote a couple sequels, and a serial about the Marches, but Little Women is the one that has endeared itself to so many...Although a work of fiction, Little Women has many biographical qualities...Louisa herself had three sisters: her elder sister, Anna is Meg in the book, Elizabeth is Elizabeth (Although I believe she was called Betty, not Beth), Abby May (usually just called May) is Amy...sadly, there was no real Laurie...But many of the situations that the sisters find them in were situations similar to those they really experienced--including the loss of Beth who never fully recovered from Scarlett Fever...
Honestly the orginal was the best. Don't buy this one it's not the real Little Women
What can I say, I love it, you can't ask for anything more than to have the book and the movie at the same time, is the perfect present for your little girl that likes to read. One of the classic novels of all times. Buy it!!! You wont regret it.
Please don't get it on the nook. It takes a really long time to load and turn pages.
Little Women often includes the second book, Good Wives, as Part II of the same story. It's not, it's two different books in one. both are charming, sweet, sad, and quiet lessons in kindness. A true classic of literature. The characters are fit for any time period. Though the details may be in the 19th century, the attitudes are of women who are not simply subjective to society. Each character has their own traits, faults, and virtues.
I have loved this book for years! I actually own it in print, but it was pre-loaded on my nook when I bought it, so that's just a plus! Wonderful, wonderful book!!!
I have read this book four times and cried and laughed and gasped through the well done classic story i read every year since 3rd grade and adored it all times!!!!!!!!!!!!
This is a great read if 1,u like classic stories 2,fallowing the characters as they get older 3,the 1800s I highly recomend this book to women of all ages and i garenty that u will get something out of it (this book helped me have more pacience and control with my sister who has adhd)
Little Women is one of those books that can be read multiple times. Women and girls can relate to at least one of the personalities of these sisters or at least to the fighting between the sisters! A great novel that will be recommended to my girls when they are old enough.
An inspiring, epic novel that reminds us of the most valuable things in life: not money or station, but humiliy and love. A well-written and easy-to-read, classic that all young women should read.
This book is very touching and how they showed kindness to each other. And yes it is a very long book but I think it is worth reading it. In my opinion this is a must read book during middle school to high school. But I as an adult think you shiuld read this bokk again when you are an adult because you might find some thing you never noticed when you are reading it. This book is a real historical fiction book af it shows love for each other and I am not ashamed to tell you tis but I cried at some parts of this story because it was soooooooo touching. Parents/gardian you have to tell your kids to read this book because it changed my life when I was 12 years old. And this was the first time I read this book and I am really happy that I read this book. I hope you are goin to read this book and HAPPY READING!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
This is the best book ever! The auorther of this book should get an award for writing such a amazinly great book!
Loisa may alcott is the best auther of all
A beautiful piece of literiture
Being a teenager, i enjiyed this book. I love reading the classics and to me it is absolutly beautifully written. I laughed and cried and will definatly not leave book sitting on the shelf for too long.
This is a very good book and I think anyone who likes reading would enjoy it. Although it is taking me a while to read. It keeps on getting stuck when I try to read it and I can't find the page I'm onand that is really annoying but other then that i think this is a very good book.
Little Women is a classic of American literature, and worth reading, even 150 years after its publication. However, readers do need to accept the fact that the pacing is a bit uneven and there are frequent narrative asides pointing out exactly "what we should learn from this anecdote," usually occurring just as the pace starts to pick up. Still, it's a good look at another time and place. The Barnes & Noble Classics ebook edition of Little Women is, for the most part, quite good. It comes with quite a bit of supplementary material in the form of a biography of the author; historical background of both when the book was written and the time period in which it was set; and approximately twenty pages of endnotes and footnotes, all hyper-linked within the book itself. I would have preferred to see the information about the author and her history placed at the end of the text rather than the beginning. Ditto with the introduction, which, like most such introductions, assumes the reader is already familiar with the text. The proofreading of the ebook text is...spotty. As far as I can tell it was typeset by scanning an existing print copy of the book, using OCR technology to render the text. On the whole, this works quite well, but there are a number of places where words are split oddly (e.g. "beg inning" instead of "beginning"), or specific letters were not translated correctly, leading to spelling errors (e.g. "tor" instead of "for").
it was very heartwarming story
She padded in. She was a normal kit, no wings or powers. She had a large claw scar on her left side of her face. "May I join this clan?"
Beth does not die and Amy and Laurie does not get married!