- Explores the theme of 'Location', including transatlanticexchanges and global connections, and the nature of hospitalitythat arises in acknowledging migration and diaspora
- Questions how important location is in producing, understandingand curating art.
- Contributors consider such topics as site-specificity,examinations of the trans-national/trans-cultural, howimages/visual forms migrate, and the repositioning ofownership
About the Author
Fintan Cullen is Professor of Art History at theUniversity of Nottingham.
Table of ContentsOn location: Deborah Cherry and Fintan Cullen.
The errant image: Rogier van derWeyden’s Deposition fromthe Cross and its copies: Amy Powell.
Signposts of invention: artists’ signatures in ItalianRenaissance art: Patricia Rubin.
Locating ‘China’ in the arts of sixteenth-centuryJapan: Andrew M. Watsky.
Georgianism and the tenements, Dublin 1908–1926: MarkCrinson.
Statues in the square: hauntings at the heart of empire: DeborahCherry.
The Buddha goes global: some thoughts towards a transnationalart history: Clare Harris.
Rebecca Belmore and James Luna on location at Venice: theallegorical Indian redux: Charlotte Townsend-Gault.