Corton, a senior member of Wolfson College, University of Cambridge, undertakes a definitive study of London’s “pea-souper” fogs, deftly tracing the history of a weather condition that became a defining feature of the city in the world’s imagination. As Corton shows, the fog, which first appeared early in the 19th century, proved a ready metaphor for an array of Victorian anxieties, from Jack the Ripper’s reign of terror to a perceived decline in public morals. She perceptively examines the literary manifestations of these fears in chapters covering a number of famous authors, including Charles Dickens, Robert Louis Stevenson, and T.S. Eliot. Readers may be surprised that the history of London fog requires a detour through the politics of the day as much as through literature; however, Corton proves a sensible guide through the labyrinthine parliamentary measures arising from public outrage over the “great killer fog” and bureaucratic inaction in service of the manufacturers that were largely responsible for the pollution. Though the “London particular” was finally legislated out of existence in the 1960s, Corton asserts convincingly that the fog will remain enshrined in cultural memory, a romantic if no longer accurate symbol of a great city. 28 color illus., 63 halftones. (Nov.)
It’s a definite must-read for anyone concerned with air quality and environmental history.
Brit + Co. - Ashley Macey
The sheer scale of the pollution described by
Corton is hard to grasp…Corton leads the way, like a linklighter of old, through the poisonous clouds of times gone by, and arrives, eventually, at present day Oxford Street, where nitrogen dioxide concentrations are ‘worse than they are anywhere on earth.’
Independent on Sunday - Charlie Gilmour
If you want to know every last thing to know about London fogthe toxic, impenetrable moist soot that used to blanket the city in the winterthis is the book for you. Even to an outsider, it is fascinating, even astonishing, that the English put up for so long with a condition that killed people and often caused commerce to grind to a halt.
Providence Journal - Donald D. Breed
Christine Corton’s London Fog: The Biography special is that it demystifies the sulphurous yellow mass that once plagued the city. In this nicely written and beautifully illustrated book, fog gets its proper due as the coal-laden, murderous monstrosity it really was, beloved of novelists from Dickens to Stevenson.
Country Life - Philippa Stockley
One of the most characteristic and important features of London was its ‘pea-souper’ fogs, or smogs, which determined so many aspects of Londoners’ lives until the 1950scrime, romance, commerce, and of course, health. A comprehensive work on the impact and influence of fog upon the denizens of London is overdue.
This is an unexpectedly riveting book, scholarly, thorough yet eminently readable.
In the history of London, the Fog is a character in its own right. Now along comes a biography to do justice to this mysterious entity. Christine Corton's
London Fog is a valuable addition to the London canon.
Corton’s eye for social history is superb. We are led with wit and intelligence through a London in which clerks in counting-houses are forbidden to leave their books lying open lest the sooty fogs blacken the pages…Corton is excellent on the extent to which, in the twentieth century and since, the close association between Victorian London and Gothic fog has clouded perceptions of Victorian life and art.
Times Literary Supplement - Richard Smyth
An admirable and enjoyable book, full of exemplary research. The writing is always clear and accessible, even breezy.
The idea of a biography of fog in London might initially appear a doubtful enterprise, but in
Christine Corton’s capable hands it works brilliantly. The liveliness of metropolitan fog is beautifully charted here in a long chronology from the Stuart era to the Clean Air Acts of the 1950s to 1990s…[A] most extraordinarily rich collection of material from scientific, journalistic, literary, humorous, artistic and medical sources…She has created a history of fog’s material and immaterial culture…The text is interspersed with some astonishing visual material, appropriately placed, making the book a visual feast especially of little-known artworks, caricatures and photographs of great beauty. Corton’s use of the perceptions of foreign visitors, especially those from China and Japan, is revelatory… London Fog is not just a literary exercise; it also charts the long trajectory of a deeply serious public health matter that we have yet to confront, as we should, once again…This fine book has real substance, generously shared, and is very timely indeed.
Times Higher Education - Ruth Richardson
London’s ‘pea-soupers’opaque, yellowish smogswere an environmental catastrophe, a cloak for nefarious activities and an artistic inspiration. An odiferous wig of soot from coal fires, sulfur dioxide and mist settled regularly over the city from the 1840s to the 1960s. In this richly nuanced history, scholar
Christine Corton takes us from polymath Robert Hooke spotting a pall of smoke over London in 1676 through the killer fogs that felled zoo animals, spurred crime and caused traffic accidents, and that ultimately galvanized scientists and the government to craft the 1956 Clean Air Act.
As Christine Corton emphasizes in her well-informed, original, and stimulating survey, the history of London fog is humorous and cozy but has aspects of the awesome and apocalyptic too.
New York Review of Books - Fiona MacCarthy
London Fog, Christine L. Corton guides us through the history of the ‘pea-souper’ (the phrase first used in print in 1849 by Herman Melville); from Victorian women, fearful of attack in the impenetrable murk, to the poets, artists and film-makers who thrived on its metaphorical potential; from the political rows over domestic coal fires to the dreadful 1952 Great Smog which claimed thousands of lives and was so thick that, even indoors, office workers could not see to the end of the corridor.
Daily Telegraph - Sinclair McKay
Christine L. Corton’s London Fog is an illuminating expedition through the literal and metaphorical meanings of pollution in the company of such artists as Dickens, Conrad, Monet and Hitchcock.
Evening Standard - Mark Sanderson
Corton’s wonderfully detailed and original exploration of foggy London ranges from the earliest mists to the last great pea-souper of 1962…Her account is rich in memorable anecdotes and descriptions, gleaned from popular culture, literature, journals and contemporary letters as well as cartoons and art history: the book is also splendidly illustrated.
The Guardian - P. D. Smith
Christine Corton’s excellent book explores three questions: how people accounted for London fog, what they did about it, and how it became such an enormous, apparently inexhaustible cultural resource and metaphor…Corton has assembled an astonishing display of fog fiction…Corton has written a thoughtful, vivid, very memorable book.
London Review of Books - Neal Ascherson
Engrossing and magnificently researched…
Corton’s book combines meticulous social history with a wealth of eccentric detail. Thus we learn that London’s ubiquitous plane trees were chosen for their shiny, fog-resistant foliage. And since Jack the Ripper actually went out to stalk his victims on fog-free nights, filmmakers had to fake the sort of dank, smoke-wreathed London scenes audiences craved. It’s discoveries like these that make reading London Fog such an unusual, enthralling and enlightening experience.
New York Times Book Review - Miranda Seymour
Christine L. Corton shows in her lively and engaging cultural history, for more than 100 years London fog did not only creep into people’s homes and bodies. It saturated their way of thinking. If fog was an inescapable part of city lifein Dickens’s famous opening to Bleak House, the word is repeated so often it sounds more like a curseit was an equally omnipresent element in the cultural imagination.
The Spectator - Robert Douglas-Fairhurst
Corton has done a prodigious amount of research into the phenomenon of the ‘pea-soup’ fogs that enveloped London at regular intervals throughout the Industrial Age… Corton’s book is merrily chock-full of illustrations… But the real star attraction in these pages is Corton’s exuberant omniscience about her subject. She seems to have read every tenth-rate serialized novel in the whole of the Victorian and Edwardian literary shrubbery, hunting out every mention and dramatization of the great fogs and in the process giving some truly wretched writers what will surely be the most intelligent reading they’re ever likely to get. And she’s got an equally good ear for reportage, finding piercing quotes from every era of the fog’s domination… London Fog has enjoyed a nicely wide critical reception since its appearance, and it deserves every accolade it gets. This is tight-focus popular history at its finest.
Open Letters Monthly - Steve Donoghue
Christine L. Corton’s beautifully illustrated London Fog: The Biography, the mysterious mist takes center stage in all its noxious, stygian, primeval delicacy…Drawing on novels and poems, paintings and films, Corton’s [book] is crammed with thought-provoking elucidations. It sounds hokey to say it, but she has shed a bright light on the fog.
Wall Street Journal - Alexandra Mullen
[An] engrossing book…This book could almost make one nostalgic for the days of the pea souper were it not for the fact that it was clearly a terrible threat to health.
The Times - Daisy Goodwin
Christine L. Corton, clad in an overcoat, with a linklighter before her, takes us into the gloomier, long 19th century, where she revels in its Gothic grasp. Beautifully illustrated, London Fog delves fascinatingly into that swirling miasma.
New Statesman - Philip Hoare
Christine Corton’s absorbing and handsomely produced book directs a steady beam at both the phenomenon and the place that made [fog] famous: London.
The Observer - Anthony Quinn
Corton’s] fascinating history traces London’s unique brand of photochemical smog from its surprisingly early birth in the 13th century, when complaints about the burning of ‘sea coal’ in London hearths began, through its malign maturity in the 19th, to its death throes in the second half of the 20th…The many well-chosen images in London Fog include works by minor painters of London scenes and by various illustrators, photojournalists and cartoonists playing on the terror, confusion and comedy caused by fog. These add greatly to the interest of Corton’s book.
Literary Review - Catherine Peters
Excellent, if dark.
This anatomy of the impenetrable London pea-souperfrom Dickens to modern timesis a delight. It is beautifully written, its historical learning is lightly worn, and its literary insights are intelligent, entertaining, and apt.
This detailed, well-researched study is copiously illustrated with prints, cartoons, paintings and photos of the metropolitan health hazard. It is the photos which convince us that it was not a myth…London fog became inextricably linked with the image of the Victorian capital. Sherlock Holmes, Jack the Ripper and Soames Forsyte all loom out at us from the past, under gaslight, wreathed in fog…The best place to read this engrossing but goose-bump-making book is under a sunshade on a Mediterranean beach in mid August.
The Tablet - Robert Carver
London Fog: The Biography successfully captures the enormous impact this atmospheric had on a major city’s everyday life. Ironically, the result is a portrait that is both well-defined and sharply delineated.
Weekly Standard - Amy Henderson
A thoroughly researched and generally enjoyable account of the social, natural and cultural history of the peasoupers, from their first appearance in the early 1800s to the final fog of 1962.
Seattle Times - David B. Williams
Corton has a deft historical, literary and visual eye. While tracing the birth, maturity and death of fog, she pays careful attention to the ways it affected everyday lives and locations…But her real interest is in the way fog played in the imagination. For centuries, she shows, novelists, essayists, cartoonists and painters used fog as a metaphor for human relationships and the moral order…Corton’s book is an unsentimental and elegant reflection on a world that has passed.
Daily Telegraph - Joanna Bourke
No one, not even the most frenzied fog obsessive, could find fault with
Christine Corton’s thoroughness. Wherever there’s a reference to fog in nature or art, she seems to have tracked it down. But her book is far more than just a glorified laundry list of foggy facts. Rather it’s a genuine biography in which she very cleverly treats fog less as an atmospheric phenomenon and more as though it’s a real charactersinister, beautiful and elusive, but no less fascinating for that.
Mail on Sunday - John Preston
Christine Corton takes a subject that is now scarcely more than a heritage itemlike gaslight and hansom cabsand puts it where it belongs among the great public-health movements of the 19th and 20th centuries… Of course, fog was not solely a public-health problem. With the help of wonderful contemporary illustrations, Corton vividly describes the chaos it broughtpedestrians groping, traffic crawling, accidents, crime and drunkenness soaring. The melting, blurring, looming transformations of fog seemed to symbolize the dissolution of society itself. Writers saw the possibilities, and Corton pursues their metaphorical fogs through every kind of moral, psychological and social disintegration. Charles Dickens, Henry James, Joseph Conrad, Robert Louis Stevenson, all are hereplus a mass of fascinating and forgotten popular literaturetheir cultural meanings perceptively analyzed… This is a rich and multifaceted book.
Most readers would doubt that an entire book about fog could be interesting, but Corton, in her first publication, presents an intriguing biography of the weather effect that defined a national character. We tend to think of life in a pea-souper, or "London particular," as filled with romantic trysts or dastardly attacks à la Jack the Ripper. What the author really drives home is the deadliness of the winter fogs, during which, over the course of London's history, countless coal fires burned in the city's hearths. Homes as well as industries burned soft bituminous coal from Newcastle, one of the dirtiest fuels. The thickness of the fog even led to hundreds of choking deaths. One couldn't see to walk, horses couldn't see to carry passengers, and theaters closed because the audiences couldn't see the performances. One didn't open a window for ventilation because it would allow the soot into the house. Corton explains the windless London Basin, which has always gathered moisture, the temperature inversions that trapped it, and the makeup of the yellow, sulfurous killer. The author discusses whether it's smoke or fog, a problem solved by the introduction of the term "smog," and painters, writers, and other artists become a large part of the narrative. Dickens used fog as a metaphor for London, while Stevenson's Dr. Jekyll and Mr. Hyde used the fog as a cloak for moral degeneracy. Painters found that fog distorted form and perspective, but the impressionists relished it. Monet loved the fog, and Whistler made it his specialty. Oscar Wilde's quip shows the general attitude to fog: "where the cultured catch an effect, the uncultured catch cold." The author also chronicles unsuccessful attempts to clear the air, with industry fighting it and Londoners fearing the loss of their home fires. An eye-opening and highly readable picture of London's reactions to the killer fog that has characterized it for centuries.