Look Both Ways in the Barrio Blanco

by Judith Robbins Rose

Overview

With humor and sensitivity, a debut novelist explores the coming of age of a girl caught between two cultures as she finds the courage to forge a new destiny.

“Miss, will you be my Amiga?”
Amiga means "friend" in Spanish, but at the youth center, it meant a lady to take you places.
I never asked myself if two people as different as Miss and me could ever really be amigas.

When Jacinta Juarez is paired with a rich, famous mentor, she is swept away from the diapers and dishes of her own daily life into a world of new experiences. But crossing la linea into Miss’s world is scary. Half of Jacinta aches for the comfort of Mamá and the familiar safety of the barrio, while the other half longs to embrace a future that offers more than cleaning stuff for white people. When her family is torn apart, Jacinta needs to bring the two halves of herself together to win back everything she's lost. Can she channel the power she’s gained from her mentor and the strength she’s inherited from Mamá to save her shattered home life?

Product Details

ISBN-13:	9780763676940
Publisher:	Candlewick Press
Publication date:	09/08/2015
Sold by:	Barnes & Noble
Format:	eBook
Lexile:	510L (what's this?)
File size:	2 MB
Age Range:	10 Years

About the Author

Judith Robbins Rose lives in the Denver metro area, where she volunteers as a fund-raiser to develop facilities for low-income communities and serves as a mentor and tutor for at-risk youth. Look Both Ways in the Barrio Blanco is her first novel.

I grew up in San Diego, where I’d run around with my two brothers and my sister, trying to stay out of trouble. We did like adventures, though, and there was a tree right outside my bedroom window that you could climb down to reach the ground. I’m not saying we climbed out at night, but sometimes a kid needs to be a kid.
There was an abandoned house in our neighborhood—so we figured it must be haunted. How is a kid supposed to know that the owners are just away for the summer? I don’t think the police should assume it was robbers who broke in.
I do have some advice for kids growing up in an older house, like the one we lived in. 1. Do not try to slide down the laundry chute. 2. Do not put your little brother in the potato bin. The weight of him being inside makes it really hard to open again. 3. When you are using the attic for a clubhouse, be sure to walk only on the rafters. If you step on the part in between the rafters, you fall through the ceiling, maybe into your parents’ bedroom closet. 4. Do not use the glassed-in sun porch when you stack appliance boxes to make your own high-rise apartment building. If you and your older brother get in a fight inside the bottom boxes, that top box with your sister in it could go flying through the plate glass window into a hedge. Your sister might be okay, but you may not be so good when your parents come home.
A couple more thoughts: If you read under the covers with a flashlight at night, do not get caught. If you take apart the backyard fence to build a treehouse, do not expect your parents to be happy about it. As a parent, I did figure out a few of things: When my two boys were young, I made sure we had plenty of good books and working flashlights in the house, and finally, I pulled down our backyard fence and built a fort. Some things don’t change.

Three Things You Might Not Know About Me:
1. Even if you offered me a hundred dollars, I would not eat a marshmallow.
2. I’m afraid of moray eels. If I see one at an aquarium, even if it is behind glass, I go weak in the knees and think I might faint.
3. One of my favorite things about writing is reading. Writers have to be good readers, so it’s a perfect excuse. Not only do I get to read a lot, I also get to meet some of my favorite authors and have them sign my copies of their books. It doesn’t get much better than that.

Editorial Reviews

06/22/2015
Rose’s strong debut explores the challenging lives of undocumented Mexican immigrants whose children are U.S. citizens. Jacinta, almost 12, and her two sisters were born in America; the family ekes out a living in Colorado, in constant fear of her parents’ deportation. When a local television anchorwoman comes into her life, Jacinta—whose mother is caring for her own dying mother in Mexico—longs for her to become her mentor in the community center’s Amiga program; she is unprepared for the cultural issues and conflicting emotions that arise when her wish is granted. Rose convincingly depicts Jacinta’s struggles as she explores aspects of upper-middle-class culture—French and gymnastics lessons, theater and ballet performances—while coping with the instability and grimness of barrio life and desperately missing her mother. The well-meaning anchorwoman has her own flaws, which make her a fully dimensional, credible character. A moving portrayal of a girl’s effort to embrace both her Mexican roots and the possibilities of American life, as well as an affecting look at an important contemporary issue. Ages 10–up. Agent: Sean McCarthy, Sean McCarthy Literary Agency. (Sept.)

Publishers Weekly

Rose presents characters in crisis, whose stories are personal, rather than broadly representative, and the book is better for it. Ultimately, this is a story about code switching, and about the different skill sets and assumptions required for complex cross-cultural and cross-class situations. An interesting first novel that treats its complex characters with unusual dignity.
—School Library Journal

Rose convincingly depicts Jacinta’s struggles as she explores aspects of upper-middle-class culture—French and gymnastics lessons, theater and ballet performances—while coping with the instability and grimness of barrio life and desperately missing her mother...A moving portrayal of a girl’s effort to embrace both her Mexican roots and the possibilities of American life, as well as an affecting look at an important contemporary issue.
—Publishers Weekly

This smart debut is a poignant exploration of cultural variations and family ties through the eyes of a lovable and funny narrator. Timely in its look at the plight of undocumented immigrants and their American-born children, it is a story of empowerment against the shadows of life in the barrio.
—Booklist

Jacinta’s story gives readers insight into the world of immigrant families and their difficult lives: the fear of discovery, the poverty, distrust of anyone who is not Mexican.
—VOYA

I loved "Look Both Ways in the Barrio Blanco" for its passionate story telling and unflagging integrity. I kept on turning the page thinking there's no way the author can sustain the tension and feeling without resorting to cliches and sentimentality, but somehow she does.
—Chicago Tribune

A valiant effort that wrestles with important, complex themes.
—Kirkus Reviews

From the Publisher

07/01/2015
Gr 4–7—Jacinta may not know much about the world outside the barrio, but she knows how to grab a chance with both hands and make it work for her. When a well-known news anchorwoman comes to report on her youth center, Jacinta uses a combination of luck, cunning, and raw emotion to guilt "Miss" into becoming her amiga and mentor. As she and and Miss get closer and come to know each other's families over the next year, they frustrate and learn from one another, and ultimately precipitate a crisis in Jacinta's already fraught life. Miss is also far from perfect, and she struggles openly with professional, personal, and financial issues, but Jacinta's dangers tend to be more immediate—her parents are both undocumented, and her family faces eviction, deportation, and the violence and uncertainty of re-entry. The story is narrated from Jacinta's point of view after the fact, with both additional exposition and regretful foreshadowing. This allows the author a greater range of perspective, but makes Jacinta's experiences less immediate, more told than shown. The plotting is rough and choppy but the characters burn through the page. Jacinta with her fierce neediness, Miss with her irritability, fear, condescension/confusion, and basic decency. It's as pleasurable to watch these characters take one another by surprise as it is horribly anxiety-producing to see them hurt, stumble, insult, and misunderstand nearly every situation requiring contextual awareness. Rose doesn't sugarcoat the hypocrisies and tough realities of the relationship, and of the very real reasons that they mistrust one another. Nearly everyone in the book makes some some pretty serious and unforgivable mistakes, but as flawed humans they are allowed to wear their flaws, to make mature decisions and stupid childish ones. Rather than writing an "issue book," Rose presents characters in crisis, whose stories are personal, rather than broadly representative, and the book is better for it. Ultimately, this is a story about code switching, and about the different skill sets and assumptions required for complex cross-cultural and cross-class situations. VERDICT An interesting first novel that treats its complex characters with unusual dignity.—Katya Schapiro, Brooklyn Public Library

School Library Journal

Marisol Ramirez’s narration reflects the many facets of middle schooler Jacinta Juarez’s character, letting listeners hear her neediness and immaturity while also letting her intelligence and strength shine through. Ramirez moves beautifully between English and Spanish and various levels of accents to reflect characters’ backgrounds. When a news anchor takes an interest in Jacinta, she finds herself straddling her community of undocumented immigrants and the world of privilege the journalist exposes her to. Ramirez keeps listeners on Jacinta’s side, even when some of her selfish decisions lead to serious consequences for her family. Emotionally complicated and sensitive, Jacinta’s story gives voice to the types of struggles undocumented immigrants and their families face in the United States. A.F. © AudioFile 2016, Portland, Maine

MARCH 2016 - AudioFile

2015-05-06
A preteen Mexican-American girl gains a locally famous white woman as her mentor—but feels like she's losing her identity. Jacinta Juárez is struggling with the absence of her mother when she meets newscaster Kathryn Dawson Dahl, whom Jacinta calls "Miss," and decides the journalist will be her mentor no matter what. Jacinta has no qualms manipulating the people and situations around her to reach her goal, making her a difficult protagonist to sympathize with. While Jacinta and Miss' relationship is anything but sweet, Miss offers an escape from stifling responsibilities and new experiences: Jacinta takes gymnastics lessons, French class, and attends the ballet. But as the once-naïve Jacinta's world expands, so does her confusion about where she belongs. When her undocumented parents are threatened, Jacinta looks to Miss for help but finds her new experiences have given her new confidence to face challenges. Sometimes Jacinta's ignorance makes sense given her situation, but at other times it feels forced. More distressing, however, are statements like, "I realized power doesn't come from your job or the color of your skin. Real power comes from inside. It's not something that someone can give you. And it's not something that anyone can take away," which paint a positive veneer on difficult, complex issues without simple fixes. Still, a valiant effort that wrestles with important, complex themes. (Fiction. 10-14)

Kirkus Reviews