When it was first published in 1968, the critically acclaimed LOST NEW YORK became an instant classic for the way it reawakened a lost city. Now expanded and updated, with 118 new photographs, the book reveals a fresh, true picture of New York as it has lived and grown, with startling reminders of how much that has vanished remains part of us. From the grandeur of the old Metropolitan Opera and Pennsylvania Station to the fabulous lost night clubs of 52nd Street and Harlem, from the opulence of the old Vanderbilt mansions to the Madison Square Garden rooftop where architect Stanford White was shot, this is both a unique testament to New York's past and a story of the vitality that makes the city continue to connect with us.
Illustrated with rare and stunning photographs and marked by engaging, lively text, this new edition of LOST NEW YORK provides a unique and unforgettable look at the places in New York that are no more. Beyond that, it evokes the significant moments in time and memory that make us reflect on our passions about change and the reasons we remain concerned about the future of cities.
|Publisher:||Houghton Mifflin Harcourt|
|Product dimensions:||9.00(w) x 11.00(h) x 0.56(d)|
About the Author
Nathan Silver is an architect, teacher, critic, and the author of several books on architecture. He lived in New York for many years before moving to London.
Most Helpful Customer Reviews
The first edition of LOST NEW YORK (1968) was heavy on the preservation/conservation debate which cropped up after the disastrous demolition of McKim, Mead & White's Pennsylvania Station. It was filled with outrage. This edition is more reflective and personal. In both instances, however, Mr. Silver has made an incredible contribution to the study of New York history--not just its architecture, but to the thinking that went into the creation of these lost structures, and the lack of thinking that destroyed them. Like Jane Jacobs, Mr. Silver shares a passion for the city and how its monuments, public buildings and spaces, and private residences have a direct and fortifying effect on its citizens. The photographs are stunning, as is the quality of the printing. Mr. Silver's text is equally powerful and just as relevant. At times the effect of seeing these representations of a lost time, and reading about their ends, can be upsetting; the sense of loss is very powerful. But there is a point to all of it beyond the seeming nostalgia: we had better start appreciating those gems of the past that are still rooted in the schist of Manhattan before they wind up in the next edition of LOST NEW YORK. One last note: As rebuilding begins on the site of the World Trade Center (a part of lost New York that wasn't our fault), this book indirectly compels New Yorkers to participate in some forward-thinking. It makes one wonder, not only what was lost to us, but what will we give to future generations?