Love It to Life

Love It to Life

by Jesse Malin & the St. Marks Social
5.0 1


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Love It to Life

For a guy who virtually grew up in a spotlight -- fronting hardcore punk band Heart Attack and glam punk sensations D Generation, and as a solo artist -- Jesse Malin is still out there trying to prove himself. With a new band and ten solid songs, Malin's Love It to Life sounds world-weary and wise, but still crackling with New York's rock & roll, live-wire energy. The band recorded with producer Ted Hutt and whoever happened to be hanging out around the Bowery: Ryan Adams is here, Brian Fallon, and former teen star Mandy Moore, among others. Musically, Malin is more literate, disciplined, and even tougher than on previous offerings; his lyrics are more poignant, leaner, and raw; his melodies have muscle and taut hooks. Stinging electric guitars usher in the opener, "Burning the Bowery." Its near Celtic melody is tempered by layers of high-strung acoustics, a raggedy drum kit, and an in-the-red bassline. Malin lays out a tale of a kid growing up and burning through life at alarming speed; yet no matter how fast his protagonist moves, he always ends up in the same place. "All the Way from Moscow," is faster, harder. Malin's voice bursts with alley poetry. He's close to the bone lyrically and melodically; his dynamic is pure street romance without delusion or false irony as guitars roil around him and drums thunder under his sung lines. "Low Life in a Highrise" is a slower, fingerpopping soul-ish tale of times gone by. The protagonist observes life passing him by and wonders how to find a place in the flow of what he observes. Another beautiful aspect of this record lies in the places Malin comes close to stumbling; he doesn't try to mask it. (Check some of the lines and guitar parts in "Disco Ghetto.") "Burn the Bridge" is a street rock anthem from a survivor of the life wars -- he knows that the losses, cuts, and bruises are always worth the gamble. "Black Boombox" is full of fire, romance, and swagger; Bruce Springsteen, Lou Reed, and Mitch Ryder could once write like this -- and perhaps wish they still could. The set ends with "Lonely at Heart," which contains more bald-faced truth than Malin's ever let himself reveal before; it's sad, powerful, naked. Love It to Life is Malin at his most vital, writing and singing the best material of his career thus far with a scarred heart and bloody but unbowed attitude and genuine laughter on full display. There isn't anything left to prove: as a fine straight-up rock & roll poet and songwriter, he's as fine as they come; the only places to go now are wider and deeper.

Product Details

Release Date: 04/27/2010
Label: Side One Dummy
UPC: 0603967141528
catalogNumber: 71415
Rank: 145547

Album Credits

Performance Credits

Jesse Malin & the St. Marks Social   Primary Artist
Jesse Malin   Acoustic Guitar,Electric Guitar,Vocals
Howie Pyro   Bass
Danny Sage   Background Vocals
Joe Sib   Background Vocals
Harry Trumfio   Bongos
Ryan Adams   Bass,Guitar,Piano,Background Vocals
Mandy Moore   Background Vocals
Ted Hutt   Acoustic Guitar,Percussion,Electric Guitar,Background Vocals
Don DiLego   Bass,Percussion,Background Vocals
Matt Hogan   Guitar
Randy Schrager   Percussion,Piano,Drums,Background Vocals
Brian Fallon   Background Vocals
Matty "Hoboken" Madly   Background Vocals

Technical Credits

Adam Yellin   Art Direction
Jesse Malin   Composer
Ted Hutt   Producer
Don DiLego   Setup
Ryan Mall   Engineer
Gentile   Composer
Gary Schwindt   Management
Corrie Christopher   Booking
Alyssa Taylor Wendt   Concept
Steve Zapp   Booking

Customer Reviews

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Love It to Life 5 out of 5 based on 0 ratings. 1 reviews.
OldMarine More than 1 year ago
I rarely "really like" more than half of the songs on an album, this is an exception to the rule. I will be succinct, all I can say is this, is a very good album.