Luka and the Fire of Life

Luka and the Fire of Life

by Salman Rushdie

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“You’ve reached the age at which people in this family cross the border into the magical world. It’s your turn for an adventure—yes, it’s finally here!” So says Haroun to his younger brother, twelve-year-old Luka. The adventure begins one beautiful starry night in the land of Alifbay, when Luka’s father, Rashid, falls suddenly into a sleep so deep that nothing and no one can rouse him. To save him from slipping away entirely, Luka embarks on a journey through the world of magic with his loyal companions, Bear, the dog, and Dog, the bear. Together they encounter a slew of fantastical creatures, strange allies, and challenging obstacles along the way—all in the hope of stealing the Fire of Life, a seemingly impossible and exceedingly treacherous task.

Product Details

ISBN-13: 9780679603948
Publisher: Random House Publishing Group
Publication date: 11/16/2010
Sold by: Random House
Format: NOOK Book
Pages: 240
Sales rank: 303,954
File size: 2 MB
Age Range: 12 Years

About the Author

Salman Rushdie is the author of ten previous novels—Grimus, Midnight’s Children (for which he won the Booker Prize and, recently, the Booker of all Bookers), Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor’s Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown, and The Enchantress of Florence—and one collection of short stories, East, West. He has also published three works of nonfiction—The Jaguar Smile, Imaginary Homelands: Essays and Criticism 1981-1991, and Step Across This Line—and co-edited two anthologies, Mirrorwork and Best American Short Stories 2008. He is a former president of American PEN.


New York, New York

Date of Birth:

June 19, 1947

Place of Birth:

Bombay, Maharashtra, India


M.A. in History, King's College, University of Cambridge

Read an Excerpt

Chapter One

The Terrible Thing That

Happened on the Beautiful Starry Night

There was once, in the city of Kahani, in the land of Alifbay, a boy named Luka who had two pets, a bear named Dog and a dog named Bear, which meant that whenever he called out, "Dog!" the bear waddled up amiably on his hind legs, and when he shouted, "Bear!" the dog bounded toward him, wagging his tail. Dog, the brown bear, could be a little gruff and bearish at times, but he was an expert dancer, able to get up onto his hind legs and perform with subtlety and grace the waltz, the polka, the rhumba, the wah-watusi, and the twist, as well as dances from nearer home, the pounding bhangra, the twirling ghoomar (for which he wore a wide mirror-worked skirt), the warrior dances known as the spaw and the thang-ta, and the peacock dance of the south. Bear, the dog, was a chocolate Labrador, and a gentle, friendly dog, though sometimes a bit excitable and nervous; he absolutely could not dance, having, as the saying goes, four left feet, but to make up for his clumsiness he possessed the gift of perfect pitch, so he could sing up a storm, howling out the melodies of the most popular songs of the day, and never going out of tune. Bear, the dog, and Dog, the bear, quickly became much more than Luka's pets. They turned into his closest allies and most loyal protectors, so fierce in his defense that nobody would ever have dreamed of bully_ing him when they were nearby, not even his appalling classmate Ratshit, whose behavior was usually out of control.

This is how Luka came to have such unusual companions. One fine day when he was twelve years old, the circus came to town-and not just any circus, but the GROF, or Great Rings of Fire, itself; the most celebrated circus in all of Alifbay, "featuring the Famous Incredible Fire Illusion." So Luka was at first bitterly disappointed when his father, the storyteller Rashid Khalifa, told him they would not be going to the show. "Unkind to animals," Rashid explained. "Once it may have had its glory days but these days the GROF has fallen far from Grace." The Lioness had tooth decay, Rashid told Luka, and the Tigress was blind and the Elephants were hungry and the rest of the circus menagerie was just plain miserable. The Ringmaster of the Great Rings of Fire was the terrifying and enormous Captain Aag, a.k.a. Grandmaster Flame. The animals were so scared of the crack of his whip that the Lioness with toothache and the blind Tigress continued to jump through hoops and play dead and the skinny Elephants still made Pachyderm Pyramids for fear of angering him, for Aag was a man who was quick to anger and slow to laugh. And even when he put his cigar-smoking head into the Lioness's yawning mouth, she was too scared to bite it off just in case it decided to kill her from inside her belly.

Rashid was walking Luka home from school, wearing, as usual, one of his brightly colored bush shirts (this one was vermilion) and his beloved, battered Panama hat, and listening to the story of Luka's day. Luka had forgotten the name of the tip of South America and had labeled it "Hawaii" in a geography test. However, he had remembered the name of his country's first president and spelled it correctly in a history test. He had been smacked on the side of the head by Ratshit's hockey stick during games. On the other hand, he had scored two goals in the match and defeated his enemy's team. He had also finally got the hang of snapping his fingers properly, so that they made a satisfying cracking noise. So there were pluses and minuses. Not a bad day overall; but it was about to become a very important day indeed, because this was the day they saw the circus parade going by on its way to raise its Big Top near the banks of the mighty Silsila. The Silsila was the wide, lazy, ugly river with mud-colored water that flowed through the city not far from their home. The sight of the droopy cockatoos in their cages and the sad dromedaries humphing along the street touched Luka's generous young heart. But saddest of all, he thought, was the cage in which a mournful dog and a doleful bear stared wretchedly all about. Bringing up the rear of the cavalcade was Captain Aag with his pirate's hard black eyes and his barbarian's untamed beard. All of a sudden Luka became angry (and he was a boy who was slow to anger and quick to laugh). When Grandmaster Flame was right in front of him Luka shouted out at the top of his voice, "May your animals stop obeying your commands and your rings of fire eat up your stupid tent."

Now it so happened that the moment when Luka shouted out in anger was one of those rare instants when by some inexplicable accident all the noises of the universe fall silent at the same time, the cars stop honking, the scooters stop phut-phuttering, the birds stop squawking in the trees, and everyone stops talking at once, and in that magical hush Luka's voice rang out as clearly as a gunshot, and his words expanded until they filled the sky, and perhaps even found their way to the invisible home of the Fates, who, according to some people, rule the world. Captain Aag winced as if somebody had slapped him on the face, and then he stared straight into Luka's eyes, giving him a look of such blazing hatred that the young boy was almost knocked off his feet. Then the world started making its usual racket again, and the circus parade moved on, and Luka and Rashid went home for dinner. But Luka's words were still out there in the air, doing their secret business.

That night it was reported on the TV news that, in an astonishing development, the animals of the GROF circus had unanimously refused to perform. In a crowded tent, and to the amazement of costumed clowns and plainclothes customers alike, they rebelled against their master in an unprecedented act of defiance. Grandmaster Flame stood in the center ring of the three Great Rings of Fire, bellowing orders and cracking his whip, but when he saw all the animals beginning to walk calmly and slowly to_ward him, in step, as if they were an army, closing in on him from all directions until they formed an animal circle of rage, his nerve cracked and he fell to his knees, weeping and whimpering and begging for his life. The audience began to boo and throw fruit and cushions, and then har_der objects, stones, for example, and walnuts, and telephone directories. Aag turned and fled. The animals parted ranks and let him through, and he ran away crying like a baby.

That was the first amazing thing. The second took place later that night. A noise started up around midnight, a noise like the rustling and crackling of a billion autumn leaves, or maybe even a billion billion, a noise that spread all the way from the Big Top by the banks of the Silsila to Luka's bedroom, and woke him up. When he looked out his bedroom window he saw that the great tent was on fire, burning brightly in the field by the river's edge. The Great Rings of Fire were ablaze; and it was not an illusion.

Luka's curse had worked.

The third amazing thing happened the next morning. A dog with a tag on its collar reading "Bear" and a bear with a tag on its collar reading "Dog" showed up at Luka's door-afterward Luka would wonder exactly how they had found their way there-and Dog, the bear, began to twirl and jig enthusiastically while Bear, the dog, yowled out a foot-tapping melody. Luka and his father, Rashid Khalifa, and his mother, Soraya, and his older brother, Haroun, gathered at the door of their house to watch, while from her verandah their neighbor Miss Oneeta shouted, "Have a care! When animals begin to sing and dance, then plainly some witchy business is afoot!" But Soraya Khalifa laughed. "The animals are celebrating their freedom," she said. Then Rashid adopted a grave expression, and told his wife about Luka's curse. "It seems to me," he opined, "that if any witchy business has been done it is our young Luka who has done it, and these good creatures have come to thank him."

The other circus animals had escaped into the Wild and were never seen again, but the dog and the bear had plainly come to stay. They had even brought their own snacks. The bear was carrying a bucket of fish, and the dog wore a little coat with a pocket full of bones. "Why not, after all?" cried Rashid Khalifa gaily. "My storytelling performances could do with a little help. Nothing like a dog-and-bear song-and-dance act to get an audience's attention." So it was settled, and later that day it was Luka's brother, Haroun, who had the last word. "I knew it would happen soon," he said. "You've reached the age at which people in this family cross the border into the magical world. It's your turn for an adventure-yes, it's finally here!-and it certainly looks like you've started something now. But be careful. Cursing is a dangerous power. I was never able to do anything so, well, dark."

"An adventure of my very own," Luka thought in wonderment, and his big brother smiled, because he knew perfectly well about Luka's Secret Jealousy, which was actually Not So Secret At All. When Haroun had been Luka's age he had traveled to the Earth's second moon, befriended fishes who spoke in rhyme and a gardener made of lotus roots, and helped to overthrow the evil Cultmaster Khattam-Shud, who was trying to destroy the Sea of Stories itself. By contrast, Luka's biggest adventures to date had taken place during the Great Playground Wars at school, in which he had led his gang, the Intergalactic Penguins Team, to a famous victory over the Imperial Highness Army led by his hated rival Adi Ratshit, a.k.a. Red Bottom, winning the day with a daring aerial attack involving paper planes loaded with itching powder. It had been extremely satisfying to watch Ratshit jump into the playground pond to calm down the itch that had spread all over his body; but Luka knew that, compared to Haroun's achievements, his really didn't amount to very much at all. Haroun, for his part, knew about Luka's desire for a real adventure, preferably one involving improbable creatures, travel to other planets (or at least satellites), and P2C2Es, or Processes Too Complicated to Explain. But until now he had always tried to damp down Luka's lusts. "Be careful what you wish for," he told Luka, who replied, "To be honest with you, that is easily the most annoying thing you have ever said."

In general, however, the two brothers, Haroun, and Luka, rarely quarreled and, in fact, got on unusually well. An eighteen-year age gap had turned out to be a good place to dump most of the problems that can sometimes crop up between brothers, all those little irritations that make the older brother accidentally knock the kid's head against a stone wall or put a pillow over his sleeping face by mistake; or persuade the younger brother that it's a good idea to fill the big fellow's shoes with sweet, sticky mango pickle, or to call the big guy's new girlfriend by a different girlfriend's name and then pretend it was just a really unfortunate slip of the tongue. So none of that happened. Instead Haroun taught his younger brother many useful things, kickboxing, for example, and the rules of cricket, and what music was cool and what was not; and Luka uncomplicatedly adored his older brother, and thought he looked like a big bear-a bit like Dog, the bear, in fact-or, perhaps, like a comfortable stubbly mountain with a wide grin near the top.

Luka had first amazed people just by getting born, because his brother, Haroun, was already eighteen years old when his mother, Soraya, at the age of forty-one gave birth to a second fine young boy. Her husband, Rashid, was lost for words, and so, as usual, found far too many of them. In Soraya's hospital ward he picked up his newborn son, cradled him gently in his arms, and peppered him with unreasonable questions. "Who'd have thought it? Where did you come from, buster? How did you get here? What do you have to say for yourself? What's your name? What will you grow up to be? What is it you want?" He had a question for Soraya, too. "At our age," he marveled, shaking his balding head. "What's the meaning of a wonder like this?" Rashid was fifty years old when Luka arrived, but at that moment he sounded like any young, greenhorn father flummoxed by the arrival of responsibility, and even a little scared.

Soraya took the baby back and calmed its father down. "His name is Luka," she said, "and the meaning of the wonder is that we appear to have brought into the world a fellow who can turn back Time itself, make it flow the wrong way, and make us young again."

Soraya knew what she was talking about. As Luka grew older, his parents seemed to get younger. When baby Luka sat up straight for the first time, for example, his parents became incapable of sitting still. When he began to crawl, they hopped up and down like excited rabbits. When he walked, they jumped for joy. And when he spoke for the first time-well!-you'd have thought the whole of the legendary Torrent of Words had started gushing out of Rashid's mouth, and he was never going to stop spouting on about his son's great achievement.

The Torrent of Words, by the way, thunders down from the Sea of Stories into the Lake of Wisdom, whose waters are illumined by the Dawn of Days, and out of which flows the River of Time. The Lake of Wisdom, as is well known, stands in the shadow of the Mountain of Knowledge, at whose summit burns the Fire of Life. This important information regarding the layout-and, in fact, the very existence-of the Magical World was kept hidden for thousands of years, guarded by mysterious, cloaked spoilsports who called themselves the Aalim, or Learned Ones. However, the secret was out now. It had been made available to the general public by Rashid Khalifa in many celebrated tales. So everyone in Kahani was fully aware that there was a World of Magic existing in parallel with our own non-Magic one, and from that Reality came White Magic, Black Magic, dreams, nightmares, stories, lies, dragons, fairies, blue-bearded genies, mechanical mind-reading birds, buried treasure, music, fiction, hope, fear, the gift of eternal life, the angel of death, the angel of love, interruptions, jokes, good ideas, rotten ideas, happy endings, in fact almost everything of any interest at all.

What People are Saying About This

From the Publisher


"Rushdie’s 11th novel is a sequel to his charming 1990 fable Haroun and the Sea of Stories, written—as was its predecessor—for one of its author’s two sons.
Visions of Kipling and J.M. Barrie may swim through readers’ heads as we meet 12-year-old Luka Khalifa, the child of his parents’ middle age (and younger sibling to the previously eponymous Haroun), and an eager listener to lavish tales of the Magical World dreamed into being by his father Rashid, a celebrated storyteller aka “the Shah of Blah.” When Rashid falls into a mysterious prolonged sleep (and hence a silence that raises memories of Rushdie’s own “silenced” life as a writer following the fatwa issued by Ayatollah Khomeini), everything Luka has ever learned tells him he must brave the dangers of the Magical World, steal the revivifying Fire of Life from the Mountain of Knowledge and restore his beloved dad to consciousness. Guarded by animal companions (Bear the Dog, and Dog the Bear) and bedeviled by a “phantom Rashid” (aka “Nobodaddy”), the young Prometheus undertakes his heroic deed. He wins a riddling contest against the cantankerous Old Man of the River, encounters vicious Border Rats and compassionate Otters and assorted celebrities (including Mark Twain’s Connecticut Yankee and The Terminator), en route to confronting the petty, egomaniacal gods of antiquity. Adult readers will rightfully delight in Rushdie’s brilliant wordplay throughout, but younger ones may yearn for less cleverness and more narrative. Fortunately, the story gathers whiz-bang velocity once Luka has heatedly persuaded the sulky gods and monsters that “it’s only through Stories that you can get out into the Real World and have some sort of power again.” Everything races briskly toward the satisfactory completion of Luka’s quest, and a quite perfect final scene.

A celebration of storytelling, a possible prequel to the book Rushdie is said to be writing about his own enforced “slumber,” and a colorful, kick-up-your-heels delight."
—Kirkus Review, starred review
"Luka and the Fire of Life is a beautiful book. Well-written (obviously), imaginative (astonishingly so) and wonderful in the way it builds heartfelt magical fiction for kids who love video games: It's like a bridge, built between generations, fabulous and strange and from the heart."
Neil Gaiman

"A book that can reach out to meet and move and touch a reader at any time of the reader's life, from childhood to middle age and beyond, is a rare and magical book, and Salman Rushdie is a rare and magical writer."
Michael Chabon


Haroun and the Sea of Stories

“Affectionate, tender, comical and joyful . . . The exuberance of this book makes one laugh with relief and pleasure.”
—The Washington Post Book World

“Fantastical, funny, whooping through drama and comedy, good and evil, introducing creatures delightful or frightening, this joyous and tender book is a whole Arabian Nights entertainment.”
—The Times Literary Supplement

“A lively, wonderfully inventive comic tale . . . [Rushdie’s] own Sea of Stories from which he drew this entertaining and moving book continues to flow as clear and brilliant as ever.”
—The New York Times Book Review

The Enchantress of Florence

“A baroque whirlwind of a narrative . . . [Rushdie helps] us escape from the present into a dreamlike past that ultimately makes us more aware of the dangers and illusions of our everyday lives.”
—Chicago Tribune

“Brilliant . . . Rushdie’s sumptuous mixture of history and fable is magnificent.”
—The Guardian (London)

“For Rushdie, as for the artists he writes about, the pen is a magician’s wand.”
—Financial Times

Reading Group Guide


Luka and the Fire of Life was written for Rushdie’s son Milan – in fact, Luka is Milan. How do you think Milan will like his gift?


What do you think of the fact that Rushdie models the story on the narrative of a video game? Would it make the story appeal more to kids, or is it just awkward?


Rushdie emphasizes again and again that the world we live in is woven out of imagination and storytelling, and this includes even everyday things like online games. But Soraya worries that magic is fading from the real world, because people don’t think they need it anymore – because of technology. What do you think? And what do you think Rushdie is getting at?


The book is full of both childish jokes and highbrow literary references. Do you think these elements work against each other, or did you enjoy the effect?


Despite its good humour and adventures, Luka and the Fire of Life clearly touches on some pretty serious themes, specifically a boy’s relationship with his father. Luka’s ghost-father is named Nobodaddy, a figure Rushdie has borrowed from William Blake, whose Nobodaddy is a tyrant. Yet Rashid is gentle and fun-loving. In other words, Luka is fighting both for his father and against him. What do you think Milan’s relationship with his father might be like?


The adventure in Luka and the Fire of Life goes upstream on the River of Time. What do you think Rushdie is saying about the relationship between time and imagination?


The least likeable characters in the book, the rats, are the ones most fixated on the notion of “respect.” What do you think Rushdie is getting at with this parody?


The danger of the Swamp in the Mists of Time is that travellers will be so contented there that they’ll simply stretch out happily and never leave. What’s so bad about that?


At one point, Nobodaddy says, “The Fire of Life is the only flame that creates – that restores instead of destroying” (p. 119). What is the Fire of Life?


Rushdie brings many mythological figures into the story, often for comic effect, but he stays very quiet about the two most important ones: the “Old Boy” who is so helpful at the end of the story, is one of the most famous of all the Greek gods, yet Rushdie never names him. And Captain Aag, it turns out, was once named Menetius, and in Greek myth, Menetius was the brother of the “Old Boy.” What is Rushdie getting at? Who is the “Old Boy”? And, since this is a book at least partly about brothers, why does Rushdie make a villain and a good guy into brothers?


What do you think of the way Rushdie brings together the gods of very different traditions and mixes them up with fairy tales as well? Do you think it is disrespectful, or is he paying a compliment?


Do you think it’s strange that the person Luka falls in love with has the same name as his mother? And why is she an otter? And why do otters love insulting others so much?


At one point Luka thinks: “there is no such thing as a purely good deed” (p. 160). What do you think he means by that? Do you think it’s true?


In the end, Luka figures out that the World of Magic is contained by his father. He doesn’t seem disappointed by this at all. Were you?


At the end of the story, Luka has misgivings about the Ott Potatoes and wishes they might just disappear. Given that one of them just saved his father, why would he want to get rid of the rest?

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Luka and the Fire of Life 3.7 out of 5 based on 0 ratings. 38 reviews.
sandiek More than 1 year ago
Luka is a twelve year old boy who lives in India with his family. He has a big brother, Haroun, and his parents, Rashid and Soraya. He was a perfectly normal boy, except. Except that his big brother had gone on a magical adventure. Except that his father was a famous storyteller, known as the Shah of Blab. Except that Luka had been born when his parents were in their forties, and had the magical ability to make them younger instead of their real age. Except that Luka was left-handed, with all the magical and sinister facets that fact opened up. Except that Luka had the power of the curse. He had cursed the local circus which treated its animals horribly and had thus acquired his two best friends, Dog and Bear. Dog was a famous dancing bear, while Bear, the dog, could sing any song. One day the unimaginable happened. Luka’s father, Rashid, fell ill. He went to sleep and wouldn’t wake up and as time went by, started to disappear a bit at a time. What could be done? The doctors held out no hope and everyone else seemed willing to give up. Luka could not accept that. Out for a walk, he met a strange man, a man who looked like his father named Nobodaddy, and he told Luka what could save Rashid. Luka would need to enter the world of magic and steal the Fire of Life. The Fire of Life could revive his father. The man agreed to go with Luka and be his guide through all the dangers such a trip would entail. Thus the journey began. Luka, Dog, Bear and Nobodaddy had many adventures and encountered magical beings. Some were friends who helped on the mission, others were deadly enemies. There were the elephant-ducks, who remembered all things. The Respectorate of Rats was populated by politically correct rats, who were determined to jail Luka and his friends, but they were saved by the sudden appearance of The Insultana of Ott, a vibrant, exultant, insulting female ruler. There were magical beings galore, and all the ancient gods and goddesses of all cultures and countries were encountered, some to help, some trying their best to stop the band of travelers. Could Luka overcome the obstacles and capture the Fire of Life, the fire that no one in history had been able to steal, in time to save his father? Salman Rushdie has created a magical place in which the reader can frolic for a time. The language is glorious, painting marvelous images and full of inventive word-play. This is Rushdie at his best yet more accessible so that even children can delight in his inventive mind. This book is recommended for all readers who remain young at heart, ready to be amazed and uplifted.
Anonymous More than 1 year ago
Love it!
indiereaderhouston on LibraryThing More than 1 year ago
Luka and the Fire of Life is a modern day fairy tale, complete with evil monsters ( such as the Aalim) and beautiful, powerful women ( specifically, the Insultana of Ott). Rushdie does a masterful job of blending together the modern world and the traditional fairy tale, a feat that is mirrored in the character of Rashid, Luka's father and a professional storyteller, in his creation of the World of Magic. It is in this world, and not the real one where his father is dying, that Luka's adventure takes place.The pacing of the novel is a bit slow in some spots, but moves quite quickly in others. It would appear that Rushdie allowed his fascination with the World of Magic that he created to distract him from time to time; rarely will one find a real 12-year-old who is as introspective as Luka. It does not help that there are only eight chapters. Splitting it up a bit would have made the slow spots seem less noticeable.The novel is classified as young adult. Rushdie, however, has said that he hopes this novel¿demolishes the boundary between `adult¿ and `children¿s¿ literature.¿ I would say that he has done just that. Where he might have lost a younger reader in some of the mythological references or by sticking to closely to a traditional fairy tale format, he blends their world with that of the their parents by structuring the adventure as a video game, with levels to be completed and multiple lives to be lost. The blend is such that both generations are able to learn something about the other; children are given insight into the way their parents think, and parents are allowed to experience the wonder of the World of Magic in the same way their children do.In my mind, this book is a perfect candidate for parents to read aloud to their children or vice versa.
capriciousreader on LibraryThing More than 1 year ago
One of my favorite books ever is Salman Rushdie's Haroun and the Sea of Stories so when I found out he was coming out with a sequel, I was over the moon. Luckily, Rushdie delivered...for the most part.Luka and the Fire of Life returns to the same world and the same family as Haroun and the Sea of Stories. Haroun is now a grown man and now has a little brother, Luka. Luka has grown up hearing about the adventures Haroun had when he was eleven and now that Luka is eleven himself, he wants an adventure of his own. When he insults a strange man in the street and his father, the legendary storyteller of Kahani, falls into a deep sleep that no one can wake him up from, it looks like Luka will get his wish. Luka must travel to the Magic World and steal the Fire of Life to save his father.Luka's story is just as magical as Haroun's. Rushdie almost outdoes himself, with all the magic, mystery and pop culture references. Luka's adventure reads a lot like a video game, with power-ups, multiple lives, challenges and bosses he must defeat to go to the next level. Seeing as how this was written for an eleven year old boy (Rushdie's own son, just like Haroun was), this made sense to me. My own nephew (who is six) is obsessed with games and so is my thirty-three year old husband for that matter. Luka himself was just as adorable, resourceful, and as smart as Haroun. Rushdie's writing was just as sharp, intelligent and fun. I can see this being a great book for boys. For ME, Luka hasn't reached the beloved status of Haroun, but that is simply because I haven't read it as many times as Haroun, yet. I definitely will.Haroun and Luka both are great introductions to Rushdie, especially if like me, you're too scared to read him. His writing is so much fun for a reader. The word play is fun, and the the themes for love and loyalty are things all readers love. Definitely start with Haroun and get acquainted with Salman Rushdie.
bibliophyte on LibraryThing More than 1 year ago
This is a deliciously written book with a story you can sink into and drift along on. It is rich with mythological figures and tales, as well as many original characters directly from the author's imagination. Luka and the Fire of Life is whimsical and dreamy, even recalling Alice in Wonderland at certain points. I loved it when a little "white rabbit wearing a waistcoat and looking worriedly at a clock" popped up on the bank of the River of Time, for instance. There are lots of issues broached that have a universal appeal as well, the main issue being the nature of time. In this book time is represented as a river flowing away from the mists of the past and toward the mists of the future. Luka wrestles with the idea of predestination: does the future already exist so that the course of the river follows a predetermined path? Or can our actions shape, even change, the river's flow? Luka is also told that "...if you want to travel up the River, Memory is the fuel you need." This is a very important concept to plant in the mind of a young reader to help him or her realize that memories are much more than the static remains of the past. Rather, they are the seeds of the future and memories are absolutely vital if a person is to grow and reap knowledge from prior experiences. Towards the end of Luka's journey he begins to reflect on something his father had said that before sounded like nonsense: time is not a constant marching forward, one precise second after another. Rather, it speeds up and slows down depending on what you are doing, and it does not mean the same thing to everybody as each person experiences life differently. There are several other issues presented to the reader for consideration, including whether tyranny is excusable or not if created and maintained in the name of respect, if exemption from consequences when following orders is acceptable or not, and how justifiable the sacrifice of innocents is, even if perceived as benefiting the greater good. I love how thought-provoking this novel is, particularly for young readers, and that the author brings issues to the forefront that are not usually discussed in Young Adult literature. I also appreciate that he does not neatly resolve each issue, allowing the reader to come to his or her own conclusions. The only problem a reader may run into is the fact that the story does move a little slowly. It is definitely a book you need to fully immerse yourself in and forget about the page numbers. Simply read it to enjoy the experience and the journey. Ah yes, one more thing I'd like to share: my favorite passage... "Man is the Storytelling Animal, Stories are his identity, his meaning, and his lifeblood. Do rats tell tales? Do porpoises have narrative purposes? Do elephants ele-phantasize? You know as well as I do that they do not. Man alone burns with books."
wortklauberlein on LibraryThing More than 1 year ago
Full of wordplay and the excellent conceit of a quest with many of the trappings of a video game, "Luka and the Fire of Life" is a wonderful book to read aloud to children of, say, 9 to 12. (And yes, please do keep reading to your children years after they are able to read to themselves.)
doggonelaura on LibraryThing More than 1 year ago
Alice meets a video game. Pleasant, but as said in another review, not compelling. Luka's impassioned speech at the near end--the best part of the book.
mojomomma on LibraryThing More than 1 year ago
Any book I can sit down and read in one day must be pretty good, even if its far outside what I usually read. It helps that I had nothing planned for New Year's Day except reading. Luka, a 12-year-old, battles the World of Magic and the gods and goddesses of all the mythic traditions of the world to save his father's life. If you like Harry Potter you'll like this--its written with similar twists and turns and has a similar type of humor.
Anonymous More than 1 year ago
No u wont do that. Sighs
Anonymous More than 1 year ago
Any1 on
Anonymous More than 1 year ago
Srry gtg
Anonymous More than 1 year ago
Waits .
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DubiumInfinity More than 1 year ago
This book has perhaps changed my perception of what fantasy can be and has definitely become a favorite of mine- I will buy it and read it over continuously! If anyone has read Salman Rushdie's other work, you would know that he is not a man with very little to say, yet at the same time, everything he says is worthwhile. There are so many wonderful quotes in this story and he is a masterful story teller! He definitely got me thinking and laughing at his ideas involving mythology and its gods. There are a lot of traditional fairy tale elements that are recognizable and really fun- such as the importance of riddles and names :) If you love mythology, I think you would be the one to enjoy this immensely, since he references a lot- Greek, Roman, Aztec, Eqyptian, Japanese, etc...all of them in there! All the characters are very likable and you always feel like you kind of know them personally and think of them fondly. Not to mention the fact that the plot is intricate yet it flows nicely and you definitely feel like you've stepped into another world with Luka. It definitley has a Wonderland feel to it. And despite it being a "short" book, in my opinion, he manages to pace all the events so well that nothing seems too rushed. One of the things I must point out though, is Rushdie's writing style. He writes in a way which affords no distractions, his style seems slow paced and I admit, I would have to put down the book a few times, but it's worth reading. The beginning of the story IS slow, considering it is within the real world and deals with introductions within Luka and his family's life. This book isn't an easy read and some people will probably not like the book because of it- but if you are steadfast and continue reading, you will find yourself loving the way he writes- it's so descriptive and vivd. In my opnion, it is exactly the style of what a traditional story teller would tell it, so it is very appropriate.
Anonymous More than 1 year ago
Bronco Mendenhall More than 1 year ago
I really loved this book because of all the adventure and excitement, it is one of those rare books you can't stop reading.
cpauthor More than 1 year ago
I've looked at a lot of different fantasy forums online and lists people make of fun fantasy books and I'm surprised to never see Rushdie on the list. I'd say just because he has an esteemed literary reputation, he shouldn't be precluded from having some of his books considered fantasy. There's a whole demographic ignoring his books--and they'd probably love them! This is written in the same vein as a lot of contemporary fantasy books. If you like Neil Gaiman's books (Anansi Boys and Neverwhere in particular) you'll like this one too. Its basically about a boy caught up in an Alice in Wonderland situation, whisked away to a world unfamilar to him. This world is meant to resemble a video game. There's lots of metafiction and wordplay to satisfy readers of literary fiction too.
ZoeA93 More than 1 year ago
This book is bright in every aspect of the writing. The language is rich and colorful. The characters are for the most realistic, bright and happy. The plot is bright and twisting if not a little predictable at points. I could really relate to the main character because if my father was falling deathly ill, I would do anything in my power to save him. I would even risk my own life. The thing that bothered me about this book was that, the plot was completely shaped by outside forces. I felt as though Luka, the main character, did not do enough, and was not really strong enough to feel like the real savior and true protagonist. There were many great characters in the story such as Bear the Dog and Dog the Bear. These characters were so quirky and creative, that you almost didn't mind that they were the ones who solved Luka's problems. Be warned, if you don't like fantasy, this book is not for you. However, if you are looking for a fun, enlightening, and cultural read, then try this out and it will be greatly enjoyed.
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