Mad Hatters and March Hares: All-New Stories from the World of Lewis Carroll's Alice in Wonderland

Mad Hatters and March Hares: All-New Stories from the World of Lewis Carroll's Alice in Wonderland

by Ellen Datlow

Hardcover

$26.99 $29.99 Save 10% Current price is $26.99, Original price is $29.99. You Save 10%.
View All Available Formats & Editions
Eligible for FREE SHIPPING
  • Want it by Wednesday, September 26?   Order by 12:00 PM Eastern and choose Expedited Shipping at checkout.
    Same Day shipping in Manhattan. 
    See Details

Overview

Mad Hatters and March Hares: All-New Stories from the World of Lewis Carroll's Alice in Wonderland by Ellen Datlow

From master anthologist Ellen Datlow comes an all-original of weird tales inspired by the strangeness of Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass and What Alice Found There.

Between the hallucinogenic, weird, imaginative wordplay and the brilliant mathematical puzzles and social satire, Alice has been read, enjoyed, and savored by every generation since its publication. Datlow asked eighteen of the most brilliant and acclaimed writers working today to dream up stories inspired by all the strange events and surreal characters found in Wonderland.

Featuring stories and poems from Seanan McGuire, Jane Yolen, Catherynne M. Valente, Delia Sherman, Genevieve Valentine, Priya Sharma, Stephen Graham Jones, Richard Bowes, Jeffrey Ford, Angela Slatter, Andy Duncan, C.S.E. Cooney, Matthew Kressel, Kris Dikeman, Jane Yolen, Kaaron Warren, Ysbeau Wilce, and Katherine Vaz.

Product Details

ISBN-13: 9780765391063
Publisher: Tom Doherty Associates
Publication date: 12/12/2017
Pages: 336
Sales rank: 803,515
Product dimensions: 6.30(w) x 9.40(h) x 1.30(d)

About the Author

Multiple-award-winning editor ELLEN DATLOW has been editing science fiction, fantasy, and horror short fiction for almost thirty years. She was fiction editor of OMNI magazine and SciFiction and has edited more than fifty anthologies.

Read an Excerpt

CHAPTER 1

MY OWN INVENTION

Delia Sherman

Two forward, one across, and I'm in a wood: the seventh square, since I know who I am. My horse is plodding down a path unspooling under her hooves like a ball of wool, only wider, while I think of ways to wake kings or small children or writers, all of whom seem to be constantly sleeping and dreaming of me in the seventh square on a horse with a mind of her own.

My horse's name is Horse. She carries not only me, but also two sets of armor (hers and mine), a saddle, a spiked club, a sword, a mousetrap (sans mice), a bunch of carrots and another of onions, a beehive (sans bees), fire-irons, and a bundle of reeds for a campaign chair. It will fold and have its own sunshade and turn into a table, suitable for cards or tea. All I need is some string to tie it with. Or possibly glue. It's my own invention.

In the clearing, the Red Knight is climbing onto his horse. Beside a large silver dish, suitable for serving plum-cake or sliding down a snowy hill, stands an Alice. The Red Knight brandishes his club and shouts at the Alice, who looks alarmed, as well she might. The Red Knight has a voice like cold pease porridge.

"Ahoy! Ahoy! Check!" I cry.

"She's my prisoner, you know!" says the Red Knight crossly, and we fight. It is awkward and noisy and involves a great deal of Maneuvering and Mountaineering and things beginning with "T," like Tumbling Topsy-Turvey and Tintinnabulation. I beguile the Tedium by Thinking of a way to make a ladder out of eels so that I may remount Horse without banging my shins on the fire-irons. After a while, the Red Knight and I simultaneously knock each other out of our saddles, and the move is over. We pick ourselves up, shake hands, and the Red Knight mounts and gallops off into the wood. I see the Alice standing behind a tree, wearing a curious expression compounded of apprehension, admiration, and amusement.

There is always an Alice in the seventh square. They are generally yellow-haired, with pinafores over blue dresses, striped stockings, and little black slippers. Male Alices are rare, as are whales and crickets and mice and any non-chess piece over the age of seven years and six months, give or take a decade.

This Alice's hair is shorter than usual, and less golden.

"It was a glorious victory, wasn't it?" I ask.

"It was not a victory, not really," the Alice observes, brushing at her pinafore. "It was a draw. He just gave up and left."

Here in Looking-Glass Land, everyone disagrees with one another more or less constantly — except for the Red King, because he is asleep, and me, because I can never be sure I'm not wrong.

"I'll see you safe until the end of the wood," I say soothingly. "And then you can be a queen."

The Alice shrugs. "And it's all feasting and fun. I know." A sigh, not enraptured. "Come on. Let's get it over with."

We go through the business of getting my helmet off, I fasten it to Horse's saddle, and we set off through the wood. It is getting on towards brillig, and I want to get the Alice disposed of quickly so I can have my tea. I have a fat borogove in my bag that should stew up very fine, with treacle.

Almost immediately, Horse snorts, stops short, and I tumble off her back into a ditch. The trees are like cobwebs against a glassy sky. Or perhaps the cobwebs are like trees. In my present position, it all comes to the same thing.

The Alice's scowl comes between me and the cobwebs or trees. "You do that on purpose, don't you?" she asks as she pulls me upright.

It occurs to me that this Alice, like a mouse on horseback, is not altogether comfortable with Looking-Glass ways. Perhaps she has tumbled into the wrong dream by mistake. "Do what?" I ask.

"Fall off your horse all the time. Nobody could be that clumsy."

"Did you ever wonder," I say mildly, "if a good cure for baldness might not be to coat your head in mud and plant grass?"

The scowl becomes a glare. "What's with you, anyway? Do you have ADD?"

"Alice Daily Demands," I say dreamily, climbing back up on Horse. "Articled Dozing Dormouse. Antique Doily Dolls. No, I don't have any of those."

One black-shod foot stamps dust from the path. "No! It's a syndrome: Attention Deficit Disorder. It means you can't pay attention in class."

"I have been in a box and in a wood and in an order, child, but never in a class."

The Alice makes a sound like an angry cat and marches away, leaving me to follow. When Horse and I catch up: "I don't know why I'm dreaming about you," the Alice grumbles. "This isn't even my favorite book."

I fall off again, into a ditch this time. To my surprise, the Alice pulls me out again. "Are you going to keep doing this? Because if you are, I think I'd rather go on by myself."

"I was thinking, too!" I exclaim, "About names. There are all sorts, you know, just as there are all sorts of creatures. Take Humpty-Dumpty, for instance. His name means the kind of shape he is —"

"And a good, handsome shape it is, too," the Alice murmurs.

"Just so. But the rest of us have to make do with names that say what kind of thing we are. The Sheep. The Red King. The Jabberwock. True," I add thoughtfully, "there's only one of each of them, so it's not as confusing for them as it is for us Knights. Still, it's not the same as having a real name."

"Like Alice?"

The Alice's tone is scornful, underscored with melancholy, and so far from the self-satisfied smugness I am accustomed to in Alices that I say, quite spontaneously, "Alice isn't your name."

Another scowl. "If it's not, why am I wearing this stupid outfit?"

"Well, that's it, you see. Here, Alice is what you do. If you flew, you would be a Gnat, or perhaps an Elephant. If you knitted, you'd be —"

"A Sheep," the Alice interrupted. "That's dumb. What you do isn't what you are. I mean it is, in a way, but not like that."

Disagreements, it seems, are like boats. Once you are in one, it is impossible to get out again without falling into deep waters. I sigh so deeply my armor rattles and my mustache flutters like eyelashes. "It certainly isn't what I am. Perhaps that's why I make such a bad one."

We walk in silence for a space, and then the Alice says, "I feel you."

I am about to ask for an explanation, or perhaps talk about mousetraps, when a furious outgribing breaks out in the distance.

The Alice whirls like a grig. "What's that?"

"Too loud for a mome rath," I say thoughtfully. "Unless there's a herd, but it's unlikely, this distance from a wabe."

The outgribing gives way to whiffling. I unstrap my club. Though it might be large enough to give a Bandersnatch pause, it's like hay for a headache against a Jabberwock. Still, it makes me feel better.

A wind sighs through the branches, wafting a stench of burned toast, and then the Jabberwock is upon us, burbling as it comes. It is clad in a scarlet cap with a little bill in front and a blousy white jacket, trimmed in scarlet and emblazoned with the mystical letters R-E-D-S-O-X.

The torpid mouth gapes, the lantern eyes goggle. I swing my club, miss, and fall off Horse from sheer momentum.

The Alice gives a little scream of absolute fury. "Get out, get out, get out! This is my dream!"

"Perhaps it's a nightmare," I offer from the prickle holly bush where I have landed.

"Joshjoshjoshjosh," whiffles the Jabberwock.

The air fills with carrots, onions, and cabbages (alas for my borogove stew!), followed by the mousetrap, an ash-shovel, and a bellows. The Jabberwock burbles and roars, crashing its guillotine teeth, whirling its glaucous eyes. Huge clawed mitts clutch at the Alice, who has gained some inches of girth and height and is brandishing a vorpal blade that looks very like a fire-iron.

"Snicker-Snak! Snicker-Snak!" the Alice cries, and swings mightily.

The iron shears the whiskers from the Jabberwock's chin as neatly as a razor and the monster rears back, tumbling along its long, scaly tail like a lizardly hoop, a look of blank astonishment on its fearsome countenance.

The Alice is nearly as tall as I, now, and considerably sturdier. The hair is shorter than ever and quite dark, the dress and pinafore transmogrified into blue pantaloons and a kind of buttonless shirt with short sleeves.

"Joshjoshjoshjosh," burbles the Jabberwock.

"Go away," shouts the child, who is most certainly not an Alice. "Or I'll cut your head off and throw it to the crabs!"

The Jabberwock swells and gibbers. The not-Alice throws the vorpal fire-iron at it and it disappears like a bun at breakfast.

"That was too easy," the not-Alice remarks, and extracts me from the bush.

"What were we talking about?" I ask.

"Names," the not-Alice says. "You said mine wasn't Alice."

"Nor is it. Will you give me a leg up onto Horse? You seem to have thrown my stirrup at the Jabberwock."

"Sorry."

"Don't mention it."

Horse, unburdened of fire-irons and vegetables, is inclined to be frisky, but the not-Alice is now tall enough to steady me in the saddle. As we progress side by side, through the wood, I reflect how pleasant it is to ride without the trouble of falling off and clambering back up again. I regret the carrots, also the fire-irons and the stirrup. But the saddle is certainly more comfortable without the mousetrap.

The not-Alice flexes a strong arm and surveys it critically. "This isn't right."

"It is, you know," I say apologetically. "Your right arm, that is."

The not-Alice's eyes roll briefly skywards. "Right. But it's not my right arm."

"Isn't it attached?"

A sigh. "Yes, it's attached, but that's not what I mean. It's the wrong arm; it's not my arm!"

Horse stops short and lowers her head, expecting me to dive forward. When I do not, she looks reproachfully over her shoulder at the not-Alice holding me in the saddle, snorts, and walks on, ears at an offended angle.

"What kind of thing would you like to be?" I ask.

"Not sure," the not-Alice says. "Not what my dad wants me to be, anyway."

"And what's that?"

"A real boy."

For a moment, a boy walks at my stirrup. He is strong, like Horse, and his appearance hovers somewhere between Tweedledum and the Beamish Boy, with a touch of Bully and Bore about the eyes and mouth. Then the not-Alice returns, smaller and wispier than before, like a guttering candle.

"You could be an Alice if you like," I say soothingly. "A real Alice."

The not-Alice shrinks a little further. "No!"

"Without the pinafore?"

"The pinafore isn't the point."

Deep waters indeed, and not a boat in sight.

"You are sad," I say. "Let me sing you a song to comfort you."

"No way," the not-Alice says.

"You haven't heard the song yet," I say, stung.

"I don't need to. I've read it. It's dumb. And kind of pathetic and self-pitying." The not-Alice stops, and so does Horse. I fall off.

The not-Alice watches as I get to my feet. "Josh."

"I beg your pardon?"

The not-Alice is smaller now, and wispier than ever. "It's my name. It's short for Joshua, who was a mighty warrior. It's a kind of joke, if you think about it, but it's a pretty lame one."

Smaller and smaller, less than Alice-sized, and shrinking. I cast around in my mind for something to say that will stop the process, but the best I can come up with is, "That's not your name."

"IT IS," says a voice like an avalanche.

The sky is coming on very dark. The not-Alice-nor-Josh looks up and up at the giant bestriding the path. Or at least the giant's foothills, which are covered with black-and-white shoes of no recognizable type, tied up with white rope, with two massive towers rising out of them into the clouds. The towers are pale, like dirty pinkish brick, and one of them is plastered with a shiny yellow banner decorated with what looks to be a giant bat.

"WEIRDO," the avalanche adds.

The not-Alice-nor-Josh is sheep-sized now. In a moment, it becomes kitten-sized, then gnat-sized, then pawn-sized, after which I lose sight of it in the grass. I fear it has gone out altogether, like a candle.

"Quick," I cry. "Who are you? Are you Jack? Are you Jill? Are you Beast? Are you Beauty? Tell me what you are!"

A pause, and then I hear a tiny squeak in the grass at my feet. The next moment, not-Alice-nor-Josh is visible, and visibly thinking hard. I know the look. I have felt it on my own face often enough, although my face is not as round, my mouth as determined, my eyes as dark, my hair as thickly bristling as the not-Alice-nor-Josh's have grown.

The ground groans as the giant shifts its black-and-white shoes impatiently. "I'LL GRIND YOUR SOUL TO MAKE MY BREAD!" it thunders.

I unhook my club from Horse's saddle and hold it in my arms, determined to do or die.

The not-Alice-nor-Josh looks at me, dark eyes glittering like poison, then cups two hands into a trumpet and shouts, "Hey! Giant-face! I have a riddle for you!"

"A RIDDLE?" The avalanche sounds curious.

"I am here and there, neither and both, impossible and present. I come and go as I please, and nobody can pin me down. What am I?"

"LOSER!"

"Wrong!" the not-Alice-nor-Josh cries. "Give up?"

"NO! I GET THREE GUESSES!"

A sigh. "Okay. Go for it. What's guess number two?"

A pause as the giant gives the question some thought. "A CATERPILLAR!"

"Wrong!" The voice is triumphant.

"NOT FAIR!" The giant roars. "THERE'S NOTHING LIKE THAT IN THE WORLD! YOU'RE A DIRTY LYING CHEAT!"

"Third guess!" crows the not-Alice-nor-Josh triumphantly. "And it's wrong!"

The foothills shuffle, the leg towers tremble. I hold my breath; Horse lifts her nose out of the patch of clover she is cropping. Not-Alice-nor-Josh is holding the vorpal fire-iron and looking a little pale.

"Me! That's the answer: Me! I'm Me!"

Three times, as any fool can tell you, is magic, even in a backwards place like Looking-Glass Land.

The sun comes out, the warm wind stills, the foothills and leg towers (and, presumably, the giant above them) have disappeared, leaving simply rocks and trees, with observable tops. Me is swelling with pride, beamish, solidly and uniquely Me-like. "Wow," they say. "That was pretty cool, huh?"

"A glorious victory," I agree, and sigh. "And now I must leave you. You've only a few yards to go. Down that hill and over that brook, and then you'll be a Queen."

"I'm good," Me says gently. "Thank you anyway. You want to sing your song now?"

"No," I say firmly. "I do not. But if you will wave to me until I reach that turn in the road, I would be grateful."

Me nods. "You got it. Um. Thank you. For everything."

"Don't mention it."

With Me's help, I drag Horse away from the clover, mount, and head back along the road. The sky is blue, the air is sweet, the trees cast dancing shadows upon the path. Horse stops short. I cling to the saddle and the bundle of reeds; I do not fall off — then, or when Horse starts up again.

When I am nearly to the turn, I pull on the reins until Horse stops, I suspect from sheer astonishment.

Me is standing by the brook. They are dressed in a blue overall and big, black boots, and waving a scarlet bandana.

I stand in my stirrups. "Me," I shout, "is not a real name, you know."

Me grins like a Cheshire Cat. "I know. It's my own invention."

CHAPTER 2

LILY-WHITE & THE THIEF OF LESSER NIGHT

C. S. E. Cooney

"And 'the wabe' is the grass-plot round a sun-dial, I suppose?" said Alice, surprised at her own ingenuity.

"Of course it is. It's called 'wabe,' you know, because it goes a long way before it, and a long way behind it."

— Lewis Carroll, Through the Looking-Glass

"Four buzzards in a storm-belted sky — and someone," Mother said, "has been stealing caterpillar silk again."

Mother did not look at Lily-White when she said it, but Lily-White bridled at the implied reprimand.

She had not kipped a single thread of that ever-sticking silk since she was thorn-high to a vorpal rose — and that had been a unique situation. A dangerous venture, denuding a caterpillar of silks. Not only is the Borogovian Caterpillar a gregarious species, she is also gargantuan, a colossus of nature. The last thing anyone wants, especially when that anyone was not a very tall anyone at all, is for an entire sibling society of large larval lepidopterons to aggressively pursue one home.

The "four buzzards" part meant nothing, Lily-White decided. That was just Mother being dramatic. When you were Hetch of the Borogoves, you spoke in riddles from underneath ominously lowered eyebrows, even to — especially to! — your own daughters.

Ruby-Red looked up from polishing her sword. "Which silks were taken, Mimsy?"

"All," Mother replied. "Tents and trellises ripped from their moorings, hunting webs cut down — prey included — and the nursery emptied of cocoons. The caterpillars themselves ..." She shook her head. "Pierced through. Chewed. Spinners hacked off — those taken, too. Naught much left but blue guts and fuzz."

Lily-White, whom nothing much bothered when it actually happened, remembered waking up that morning awash in forefeeling. (The Edible Dictionary of Wabish Verbs once defined the infinitive "to forefeel" as "Suffering the emotions of a traumatic event before it occurs without divining any actionable knowledge about it." The last copy was eaten four hundred years ago.) She had cried and cried, her body wracked with shock, then nausea, succeeded at last by sadness. Now she knew why.

(Continues…)



Excerpted from "Mad Hatters and March Hares"
by .
Copyright © 2017 Ellen Datlow.
Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Gentle Alice / Kris Dikeman

My Own Invention / Delia Sherman

Lily White & the Thief of Lesser Night / C. S. E. Cooney

Conjoined / Jane Yolen

Mercury / Priya Sharma

Some Kind of Wonderland / Richard Bowes

Alis / Stephen Graham Jones

All the King’s Men / Jeffrey Ford

Run, Rabbit / Angela Slatter

In Memory of a Summer’s Day / Matthew Kressel

Sentence Like a Saturday / Seanan McGuire

Worrity, Worrity / Andy Duncan

Eating the Alice Cake / Kaaron Warren

The Queen of Hats / Ysabeau S. Wilce

A Comfort, One Way / Genevieve Valentine

The Flame After the Candle / Catherynne M. Valente

Moon, and Memory, and Muchness / Katherine Vaz

Run, Rabbit, Run / Jane Yolen

Customer Reviews

Most Helpful Customer Reviews

See All Customer Reviews