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About the Author
Known as the American Agatha Christie, Mary Roberts Rinehart (1876–1958) is reputed to have originated the expression, "the butler did it" (although she didn't). She is also credited with inventing the "Had-I-But-Known" school of mystery writing. Many of her books and plays have been adapted for movies, and her classic mystery, The Circular Staircase, is available from Dover.
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The Man In Lower Ten
By Mary Roberts Rinehart
Dover Publications, Inc.Copyright © 2017 Mary Roberts Rinehart
All rights reserved.
I Go To Pittsburgh
* * *
McKnightis gradually taking over the criminal end of the business. I never liked it, and since the strange case of the man in lower ten, I have been a bit squeamish. Given a case like that, where you can build up a network of clues that absolutely incriminate three entirely different people, only one of whom can be guilty, and your faith in circumstantial evidence dies of overcrowding. I never see a shivering, white-faced wretch in the prisoners' dock that I do not hark back with shuddering horror to the strange events on the Pullman car Ontario, between Washington and Pittsburgh, on the night of September ninth, last.
McKnight could tell the story a great deal better than I, although he cannot spell three consecutive words correctly. But while he has imagination and humor, he is lazy.
"It didn't happen to me, anyhow," he protested, when I put it up to him. "And nobody cares for secondhand thrills. Besides, you want the unvarnished and ungarnished truth, and I'm no hand for that. I'm a lawyer."
So am I, although there have been times when my assumption in that particular has been disputed. I am unmarried, and just old enough to dance with the grown-up little sisters of the girls I used to know. I am fond of outdoors, prefer horses to the aforesaid grown-up little sisters, am without sentiment (am crossed out and was substituted.-Ed.) and completely ruled and frequently routed by my housekeeper, an elderly widow.
In fact, of all the men of my acquaintance, I was probably the most prosaic, the least adventurous, the one man in a hundred who would be likely to go without a deviation from the normal through the orderly procession of the seasons, summer suits to winter flannels, golf to bridge.
So it was a queer freak of the demons of chance to perch on my unsusceptible thirty-year-old chest, tie me up with a crime, ticket me with a love affair, and start me on that sensational and not always respectable journey that ended so surprisingly less than three weeks later in the firm's private office. It had been the most remarkable period of my life. I would neither give it up nor live it again under any inducement, and yet all that I lost was some twenty yards off my drive!
It was really McKnight's turn to make the next journey. I had a tournament at Chevy Chase for Saturday, and a short yacht cruise planned for Sunday, and when a man has been grinding at statute law for a week, he needs relaxation. But McKnight begged off. It was not the first time he had shirked that summer in order to run down to Richmond, and I was surly about it. But this time he had a new excuse. "I wouldn't be able to look after the business if I did go," he said. He has a sort of wide-eyed frankness that makes one ashamed to doubt him. "I'm always carsick crossing the mountains. It's a fact, Lollie. Seesawing over the peaks does it. Why, crossing the Allegheny Mountains has the Gulf Stream to Bermuda beaten to a frazzle."
So I gave him up finally and went home to pack. He came later in the evening with his machine, the Cannonball, to take me to the station, and he brought the forged notes in the Bronson case.
"Guard them with your life," he warned me. "They are more precious than honor. Sew them in your chest protector, or wherever people keep valuables. I never keep any. I'll not be happy until I see Gentleman Andy doing the lockstep."
He sat down on my clean collars, found my cigarettes and struck a match on the mahogany bedpost with one movement.
"Where's the Pirate?" he demanded. The Pirate is my housekeeper, Mrs. Klopton, a very worthy woman, so labeled — and libeled — because of a ferocious pair of eyes and what McKnight called a bucaneering nose. I quietly closed the door into the hall.
"Keep your voice down, Richey," 1 said. "She is looking for the evening paper to see if it is going to rain. She has my raincoat and an umbrella waiting in the hall."
The collars being damaged beyond repair, he left them and went to the window. He stood there for some time, staring at the blackness that represented the wall of the house next door.
"It's raining now," he said over his shoulder, and closed the window and the shutters. Something in his voice made me glance up, but he was watching me, his hands idly in his pockets.
"Who lives next door?" he inquired in a perfunctory tone, after a pause. I was packing my razor.
"House is empty," I returned absently. "If the landlord would put it in some sort of shape —"
"Did you put those notes in your pocket?" he broke in.
"Yes." I was impatient. "Along with my certificates of registration, baptism and vaccination. Whoever wants them will have to steal my coat to get them."
"Well, I would move them if I were you. Somebody in the next house was confoundedly anxious to see where you put them. Somebody right at that window opposite."
I scoffed at the idea, but nevertheless I moved the papers, putting them in my traveling bag, well down at the bottom. McKnight watched me uneasily.
"I have a hunch that you are going to have trouble," he said, as I locked the alligator bag. "Darned if I like starting anything important on Friday."
"You have a congenital dislike to start anything on any old day," I retorted, still sore from my lost Saturday. "And if you knew the owner of that house as I do, you would know that if there was anyone at that window he is paying rent for the privilege."
Mrs. Klopton rapped at the door and spoke discreetly from the hall.
"Did Mr. McKnight bring the evening paper?" she inquired.
"Sorry, but I didn't, Mrs. Klopton," McKnight called. "The Cubs won, three to nothing." He listened, grinning, as she moved away with little irritated rustles of her black silk gown.
I finished my packing, changed my collar and was ready to go. Then very cautiously we put out the light and opened the shutters. The window across was merely a deeper black in the darkness. It was closed and dirty. And yet, probably owing to Richey's suggestion, I had an uneasy sensation of eyes staring across at me. The next moment we were at the door, poised for flight.
"We'll have to run for it," I said in a whisper. "She's down there with a package of some sort, sandwiches probably. And she's threatened me with overshoes for a month. Ready now!"
I had a kaleidoscopic view of Mrs. Klopton in the lower hall, holding out an armful of such traveling impedimenta as she deemed essential, while beside her, Euphemia, the colored housemaid, grinned over a white-wrapped box.
"Awfully sorry — no time — back Sunday," I panted over my shoulder. Then the door closed and the car was moving away.
McKnight bent forward and stared at the façade of the empty house next door as we passed. It was black, staring, mysterious, as empty buildings are apt to be.
"I'd like to hold a postmortem on that corpse of a house," he said thoughtfully. "By George, I've a notion to get out and take a look."
"Somebody after the brass pipes," I scoffed. "House has been empty for a year."
With one hand on the steering wheel McKnight held out the other for my cigarette case. "Perhaps," he said, "but I don't see what she would want with brass pipe."
"A woman!" I laughed outright. "You have been looking too hard at the picture in the back of your watch, that's all. There's an experiment like that: if you stare long enough —"
But McKnight was growing sulky: he sat looking rigidly ahead, and he did not speak again until he brought the Cannonball to a stop at the station. Even then it was only a perfunctory remark. He went through the gate with me, and with five minutes to spare, we lounged and smoked in the train shed. My mind had slid away from my surroundings and had wandered to a polo pony that 1 couldn't afford and intended to buy anyhow. Then McKnight shook off his taciturnity.
"For Heaven's sake, don't look so martyred," he burst out; "I know you've done all the traveling this summer. I know you're missing a game tomorrow. But don't be a patient mother; confound it, I have to go to Richmond on Sunday. I — I want to see a girl."
"Oh, don't mind me," I observed politely. "Personally, I wouldn't change places with you. What's her name — North? South?"
"West," he snapped. "Don't try to be funny. And all I have to say, Blakeley, is that if you ever fall in love, I hope you make an egregious ass of yourself."
In view of what followed, this came rather close to prophecy.
The trip west was without incident. I played bridge with a furniture dealer from Grand Rapids, a sales agent for a Pittsburgh iron firm and a young professor from an eastern college. I won three rubbers out of four, finished what cigarettes McKnight had left me, and went to bed at one o'clock. It was growing cooler, and the rain had ceased. Once, toward morning, I wakened with a start, for no apparent reason, and sat bolt upright. I had an uneasy feeling that someone had been looking at me, the same sensation I had experienced earlier in the evening at the window. But I could feel the bag with the notes, between me and the window, and with my arm thrown over it for security, I lapsed again into slumber. Later, when I tried to piece together the fragments of that journey, I remembered that my coat, which had been folded and placed beyond my restless tossing, had been rescued in the morning from a heterogeneous jumble of blankets, evening papers and cravat, had been shaken out with profanity and donned with wrath. At the time, nothing occurred to me but the necessity of writing to the Pullman Company and asking them if they ever traveled in their own cars. I even formulated some of the letter.
"If they are built to scale, why not take a man of ordinary stature as your unit?" I wrote mentally. "I cannot fold together like the traveling cup with which I drink your abominable water."
I was more cheerful after I had had a cup of coffee in the Union Station. It was too early to attend to business, and I lounged in the restaurant and hid behind the morning papers. As I had expected, they had got hold of my visit and its object. On the first page was a staring announcement that the forged papers in the Bronson case had been brought to Pittsburgh. Underneath, a telegram from Washington stated that Lawrence Blakeley, of Blakeley and McKnight, had left for Pittsburgh the night before, and that, owing to the approaching trial of the Bronson case and the illness of John Gilmore, the Pittsburgh millionaire, who was the chief witness for the prosecution, it was supposed that the visit was intimately concerned with the trial.
I looked around apprehensively. There were no reporters yet in sight, and thankful to have escaped notice, I paid for my breakfast and left. At the cab stand I chose the least dilapidated hansom I could find, and giving the driver the address of the Gilmore residence, in the East end, I got in.
I was just in time. As the cab turned and rolled off, a slim young man in a straw hat separated himself from a little group of men and hurried toward us.
"Hey! Wait a minute there!" he called, breaking into a trot.
But the cabby did not hear, or perhaps did not care to. We jogged comfortably along, to my relief, leaving the young man far behind. I avoid reporters on principle, having learned long ago that I am an easy mark for a clever interviewer.
It was perhaps nine o'clock when I left the station. Our way was along the boulevard which hugged the side of one of the city's great hills. Far below, to the left, lay the railroad tracks and the seventy times seven looming stacks of the mills. The white mist of the river, the grays and blacks of the smoke blended into a half-revealing haze, dotted here and there with fire. It was unlovely, tremendous. Whistler might have painted it with its pathos, its majesty, but he would have missed what made it infinitely suggestive — the rattle and roar of iron on iron, the rumble of wheels, the throbbing beat, against the ears, of fire and heat and brawn welding prosperity.
Something of this I voiced to the grim old millionaire who was responsible for at least part of it. He was propped up in bed in his East end home, listening to the market reports read by a nurse, and he smiled a little at my enthusiasm.
"I can't see much beauty in it myself," he said. "But it's our badge of prosperity. The full dinner pail here means a nose that looks like a flue. Pittsburgh without smoke wouldn't be Pittsburgh, any more than New York prohibition would be New York. Sit down for a few minutes, Mr. Blakeley. Now, Miss Gardner, Westinghouse Electric."
The nurse resumed her reading in a monotonous voice. She read literally and without understanding, using initials and abbreviations as they came. But the shrewd old man followed her easily. Once, however, he stopped her.
"D-o is ditto," he said gently, "not do."
As the nurse droned along, I found myself looking curiously at a photograph in a silver frame on the bedside table. It was the picture of a girl in white, with her hands clasped loosely before her. Against the dark background her figure stood out slim and young. Perhaps it was the rather grim environment, possibly it was my mood, but although as a general thing photographs of young girls make no appeal to me, this one did. I found my eyes straying back to it. By a little finesse 1 even made out the name written across the corner, "Alison."
Mr. Gilmore lay back among his pillows and listened to the nurse's listless voice. But he was watching me from under his heavy eyebrows, for when the reading was over, and we were alone, he indicated the picture with a gesture.
"I keep it there to remind myself that I am an old man," he said. "That is my granddaughter, Alison West."
I expressed the customary polite surprise, at which, finding me responsive, he told me his age with a chuckle of pride. More surprise, this time genuine. From that we went to what he ate for breakfast and did not eat for luncheon, and then to his reserve power, which at sixty-five becomes a matter for thought. And so, in a wide circle, back to where we started, the picture.
"Father was a rascal," John Gilmore said, picking up the frame. "The happiest day of my life was when I knew he was safely dead in bed and not hanged. If the child had looked like him, I — well, she doesn't. She's a Gilmore, every inch. Supposed to look like me."
"Very noticeably," I agreed soberly.
I had produced the notes by that time, and replacing the picture, Mr. Gilmore gathered his spectacles from beside it. He went over the four notes methodically, examining each carefully and putting it down before he picked up the next. Then he leaned back and took off his glasses.
"They're not so bad," he said thoughtfully. "Not so bad. But I never saw them before. That's my unofficial signature. I am inclined to think" — he was speaking partly to himself — "to think that he has got hold of a letter of mine, probably to Alison. Bronson was a friend of her rapscallion of a father."
I took Mr. Gilmore's deposition and put it into my traveling bag with the forged notes. When I saw them again, almost three weeks later, they were unrecognizable, a mass of charred paper on a copper ashtray. In the interval other and bigger things had happened: the Bronson forgery case had shrunk beside the greater and more imminent mystery of the man in lower ten. And Alison West had come into the story and into my life.CHAPTER 2
A Torn Telegram
* * *
I lunched alone at the Gilmore house, and went back to the city at once. The sun had lifted the mists, and a fresh summer wind had cleared away the smoke pall. The boulevard was full of cars flying countryward for the Saturday half-holiday, toward golf and tennis, green fields and babbling girls. I gritted my teeth and thought of McKnight at Richmond, visiting the lady with the geographical name. And then, for the first time, I associated John Gilmore's granddaughter with the "West" that McKnight had irritably flung at me.
I still carried my traveling bag, for McKnight's vision at the window of the empty house had not been without effect. I did not transfer the notes to my pocket, and, if I had, it would not have altered the situation later. Only the other day McKnight put this very thing up to me.
"I warned you," he reminded me. "I told you there were queer things coming, and to be on your guard. You ought to have taken your revolver."
"It would have been of exactly as much use as a bucket of snow in Africa," I retorted. "If I had never closed my eyes, or if I had kept my finger on the trigger of a six-shooter (which is novelesque for revolver), the result would have been the same. And the next time you want a little excitement with every variety of thrill thrown in, I can put you by way of it. You begin by getting the wrong berth in a Pullman car, and end —"
"Oh, I know how it ends," he finished shortly. "Don't you suppose the whole thing's written on my spinal marrow?"
But I am wandering again. That is the difficulty with the unprofessional storyteller: he yaws back and forth and can't keep in the wind; he drops his characters overboard when he hasn't any further use for them and drowns them; he forgets the coffeepot and the frying pan and all the other small essentials, and, if he carries a love affair, he mutters a fervent "Allah be praised" when he lands them, drenched with adventures, at the matrimonial dock at the end of the final chapter.
Excerpted from The Man In Lower Ten by Mary Roberts Rinehart. Copyright © 2017 Mary Roberts Rinehart. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
I. Go to Pittsburgh
II. A Torn Telegram
III. Across the Aisle
IV. Numbers Seven and Nine
V. The Woman in the Next Car
VI. The Girl in Blue
VII. A Fine Gold Chain
VIII. The Second Section
IX. The Halcyon Breakfast
X. Miss West's Request
XI. The Name was Sullivan
XII. The Gold Bug
XIII. Faded Roses
XIV. The Trapdoor
XV. The Cinemat graph
XVI. The Shadow of a Girl
XVII. At the Farmhouse Again
XVIII. A New World
XIX. At the Table Next
XX. The Notes and a Bargain
XXI. McKnight's Theory
XXII. At the Boardinghouse
XXIII. A Night at the Laurels
XXIV. His Wife's Father
XXV. At the Station
XXVI. On to Richmond
XXVII. The Sea, the Sand, the Stars
XXVIII. Alkison's Story
XXIX. In the Dining Room
XXX. Finer Details
XXXI. And Only One Hand
Most Helpful Customer Reviews
Rinehart was a mistress of suspense and clever plot twists. The fact that it is a bit dated doesn't detract from its charm, and the love interest is sweet.
A story of murder, blackmail, mistaken identity, and two friends competing for the love of the same girl. One of the minor characters is a delightful send-up of the "amateur detective" archetype we all know and love. Plenty of typos and scanning errors, but really, what do you expect from a free book?
Good srory bad spellling <----- spelling was like that
A horrid transcription from text to digital!!!
This was a fun book to read
Though it was a bit confusing at times, it kept me intrigued and guessing at what really happened. A very entertaining and engaging mystery, with a bit of humor, too.
The story is a fun one, very much of its time. Should appeal to fans of Agatha Christie as it reads a bit like some of her lesser works.The author was popular in her day although mostly forgotten today. This book was her first big hit.It contains murder, forgery, train wrecks, mysterious "hauntings", romance, and an amusing first person narrative.The edition I was reading (Barnes and Noble Library of Essential Readings) is probably an OCR'd text and contains several text errors which are a bit distracting. I'd probably have enjoyed this more in a vintage copy or a better edited one.Has some nice details of life (and train travel) in the time period, which is something I enjoy reading about.As a train fan, I particularly was interested in it and enjoyed those details.
Good story with a messed up word or two on each page.
But horrible transcribinng. Nevertheless, thanks to whoever is making these classics available to younger readers to keep them alive!
Great mystery! I enjoy period pieces. Read Mary Roberts Rinehart books when I was a teenager many, many years ago when they were more current. I enjoyed this book much more than when I originally read it. Am looking forward to rereading more of her works.
E books are not edited for gross errors by the publisher they are formated to print out and no one bothers author or keyboarder to spell check or proof for typos spelling gramar in other words is desk top publishing without a paper printer with some pride to catch gross errors. copy from an actual book can be a scrambled nightmare thats those frees and under threes. An older popular author may agree to a free of a first book to get younger readers to read as a lost leader. check a new hard print copy as they have poor proofing too many words have debased all print media to spam and delite
I enjoyed this book though I didn't expect to. Not sure why I did'nt expect to, but I didn't (expect to I mean).
I read 25% of this horribly written novel. It is a difficult, convoluted scattering of thoughts, not worthy of anyones time. I'm amazed this trash was ever published.
She keeps you interested and always has plot twists. I have read her mysteries several times each. I did not enjoy her "romance books".