Leverenz interprets male American authors in terms of three major ideologies of manhood linked to the social classes in the Northeast-patrician, artisan, and entrepreneurial. He asserts that the older ideologies of patrician gentility and of artisan independence were being challenged from 1820 to 1860 by the
new middle-class ideology of competitive individualism. The male writers of the American Renaissance, patrician almost without exception in their backgrounds and self-expectations, were fascinated yet horrified by the aggressive materialism and the rivalry for dominance they witnessed in the undeferential "new men." In close readings of the works both of well-known male literary figures and of then popular authors such as Richard Henry Dana, Jr., and Francis Parkman, Leverenz discovers a repressed center of manhood beset by fears of humiliation and masochistic fantasies. He discerns different patterns in the works of Whitman, with his artisan's background, and Frederick Douglass, who rose from artisan freedom to entrepreneurial power.
Emphasizing the interplay of class and gender, Leverenz also considers how women viewed manhood. He concludes that male writers portrayed manhood as a rivalry for dominance, but contemporary female writers saw it as patriarchy. Two chapters contrast the work of the genteel writers Sarah Hale and Caroline Kirkland with the evangelical works of Susan Warner and Harriet Beecher Stowe.
A bold and imaginative work, Manhood and the American Renaissance will enlighten and inspire controversy among all students of American literature, nineteenth-century American history, and the relation of gender and literature.
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|Publisher:||Cornell University Press|
|Product dimensions:||6.00(w) x 9.00(h) x 0.86(d)|
|Age Range:||18 Years|
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"A daring, funny, and consistently illuminating book."
"Manhood and the American Renaissance is certain to be acclaimed as a major original interpretation of antebellum literary culture."
"Leverenz makes a persuasive case for understanding the relation between class and gender as a key to making sense of the major works of mid-nineteenth-century American literature.... He sees the literature of the American Renaissance as wracked by tensions of gender and class traceable principally to the rise of entrepreneurial capitalism.... Under his critical eye, one is able to see how masculinity functions in 'classic' texts as contested terrain, not only in opposition to the construction of women's identity, but as part of class identity as well. Moreover, Leverenz's rhetorical construction of himself in the text plays an important part of the persuasiveness of his argument. It is a construction which self-consciously points to the incorporation of bourgeois ideals of manhood in academic prose and acts to undermine them."