ISBN-10:
0415940222
ISBN-13:
9780415940221
Pub. Date:
09/20/2002
Publisher:
Taylor & Francis
Maracatu Atomico: Tradition, Modernity, and Postmodernity in the Mangue Movement and the ''New Music Scene'' of Recife, Pernambuco, Brazil / Edition 1

Maracatu Atomico: Tradition, Modernity, and Postmodernity in the Mangue Movement and the ''New Music Scene'' of Recife, Pernambuco, Brazil / Edition 1

by Philip Galinsky

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Product Details

ISBN-13: 9780415940221
Publisher: Taylor & Francis
Publication date: 09/20/2002
Series: Current Research in Ethnomusicology: Outstanding Dissertations Series
Pages: 250
Product dimensions: 6.00(w) x 9.00(h) x 0.69(d)

About the Author

Philip Galinsky, PhD is Director of Samba New York!

Table of Contents

Acknowledgments Preface Chapter 1. Introduction My Introduction to Mangue and the "New Music Scene" of Recife The Objective, Scope, and Basic Findings of The Research A Review of Literature on Brazilian Popular Music Theoretical Orientation Research Methods and Fieldwork Synopsis Organization of the Dissertation Some Background on Recife Chapter 2. "Da Lama Ao Caos" (From Mud to Chaos): A History of the Mangue Movement and "New Music Scene" of Recife Introduction Setting the Scene: Recife in the 1980s The Emergence of Chico Science and Nação Zumbi Mundo Livre S/A (Free World Ltd.) Fred Zero Quatro and Chico Science Meet: the Making Of Mangue The Beginnings of a"New Music Scene" The Manifesto Mangue The Consolidation of Recife's "New Music Scene" Mangue to the World The Recife Scene Loses Its "Greatest Exponent" Chapter 3. Mangue In The Context Of Brazilian Pop Music History: A Comparison With Other Movements Introduction Tropicália Pernambucan Precedents to Mangue Rock Brasil: The 1980s Boom in Brazilian Rock Chapter 4. "É Do Caralho Ser Pernambucano, Pôrra!" ("It's Damn Cool To Be Pernambucan!"): An Ethnography of the Recife Music Scene

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