Mark IV vs A7V: Villers-Bretonneux 1918

Mark IV vs A7V: Villers-Bretonneux 1918

Mark IV vs A7V: Villers-Bretonneux 1918

Mark IV vs A7V: Villers-Bretonneux 1918

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Overview

The German A7V and the British Mark IV were similar in weight, size, and speed, but differed significantly in armour, armament and maneuverability. The A7V had thicker armour, and had nearly double the horsepower per ton. The Mark IV's pair of side-mounted 6pdr cannons forced the vehicle to present its side arc to an enemy in order to fire one of its main guns. Possessing twice as many machine guns as the Mark IV, the A7V had a frontally mounted 57mm gun that proved capable of defeating the Mark IV's armour. The Mark IV's rhomboid design proved superior in crossing trenches, climbing obstacles and moving over rough terrain. As the first tank-versus-tank engagement in history, the fighting around Villers-Bretonneux showcased the British Mark IV and German A7V designs. Although not purpose-built to combat enemy armour, both vehicles proved the viability of such operations, which during the postwar period led to key advances in suspension, armour, gunsights, ammunition, and command and control. While the British continued to develop their armoured forces, German armour development never materialized, and only in the postwar period did they address the issue.

Product Details

ISBN-13: 9781780960067
Publisher: Bloomsbury Publishing
Publication date: 01/20/2013
Series: Duel , #49
Sold by: Barnes & Noble
Format: eBook
Pages: 80
File size: 10 MB

About the Author

David R. Higgins attended the Columbus College of Art&Design, and received a BFA from Ohio State University and an MISM from Keller. In addition to The Roer River Battles and King Tiger vs IS-2: Operation Solstice 1945 he has written over 40 articles for magazines such as Strategy and Tactics, Armchair General, Modern War and World at War, as well as MCS Group's States of Conflict. He lives in Columbus, Ohio.
Peter Dennis was inspired by contemporary magazines such as Look and Learn, leading him to study Illustration at Liverpool Art College. Peter has since contributed to hundreds of books, predominantly on historical subjects, including many Osprey titles. A keen wargamer and modelmaker, he is based in Nottinghamshire, UK.
Ian Palmer is a highly experienced digital artist with two decades of experience in the video games industry, both as a 3D artist and an Art Director. He has a passion for military history, gaming and riding his motorbike. He lives in Warwickshire with his wife, daughter and menagerie of pets.

Table of Contents

Introduction /Chronology /Design and Development /Technical Specifications /The Combatants /The Strategic Situation /Combat /Statistics and Analysis /Further Reading /Index
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