So, this dude comes up from the city to take an eco-writing workshop at a little college in way-northern Vermont, where I happen to teach watershed analysis, wildlife habitat, advanced chain saw, and self-defense for women. He's not my type--actually, nomanhas been my type for a while now, but I bumped into him on campus, and he turned out to be teachable, and kind of attractive in a noir, 1950's American clueless hetero male jackass John Wayne kind of way. Had creases on his pants I really wanted to mess up. Drove a Buick! Also, he made me laugh--a lot--and that can go a long way to breaking down barriers. We spent the night together: we went dancing; I showed him my favorite swimming hole--I played a bit with his fear of being alone up here in the forest in the middle of the night. I thought, put him through some paces; maybe he won't mind joining the fight against wind turbines on our ridgelines. We're already an eclectic lot: me with my tattoos and dreadlocks, a few of my lumbersexual students, some of the old farm wives still sportin' granny dress couture, skinny science guys with pocket protectors, fighting monster turbines…So, it was an interesting night, to hear him tell about it . . .
|Publisher:||Green Writers Press|
|Product dimensions:||5.04(w) x 8.10(h) x 0.30(d)|
About the Author
PETER GOULD is a founder of youth Shakespeare camps around Northern Vermont, and a professor of meditation-for-conflict-transformation at Brandeis University. Peter was a member of the original back-to-the-land movement in Vermont in the 1970's, a way of life he has chronicled in fictional form in the novels Burnt Toast (Alfred A. Knopf, 1971) and Write Naked (Farrar, Straus, & Giroux, 2008). Peter has worked to perfect his ear for dialogue in more than 4000 live physical theater performances (Gould & Stearns, etc) all over the world, and in directing young people in more than 70 theater productions. His experimental novella, MARLY, was conceived and begun at the Wildbranch Writers Workshop at Sterling College, Vermont, in 2011 and published by Green Writers Press in 2015.
AUTHOR PETER GOULD SAYS: “On the third day of the Wildbranch Environmental Writing Workshop in June, 2011, our teacher Sandra Steingraber said, “Okay. Too much about cancer and toxic tap water, and what goes into hot dogs. Tonight, try to write light-hearted. Write something funny, if you can.”
It wasn’t easy. The subjects that came up in class weren’t funny. Our little earnest group had a worried, wounded pall that needed to be lifted. We were all in awe of Sandra; we wanted to be as righteous and heroic as she is.
That evening, while I sat outside Sterling College library in Vermont’s north woods, this story popped into my head. The character and voice came to me entirenot a phenomenon I’m used to, and certainly not a voice I’d ever heard before. He started beating around my head like a bat at sundown. He kept coming back again and again in the weeks to come.
The literary form arrived at the same time. Never saw anything like it before. (That doesn’t mean someone else hasn’t tried it. Not claiming that.)
My advice to the reader? Get comfortable, pour yourself a local beer, and read the whole thing outloud. Choose a name and an appropriate voice for the guy. You’ll have to fill in everything she says, and wait while she says it, but, there’s nothing intrinsically wrong with an interactive book, is there?
Right. That’s what I thought, too.”