How Jews think about and work with objects is the subject of this fascinating study of the interplay between material culture and Jewish thought. Ken Koltun-Fromm draws from philosophy, cultural studies, literature, psychology, film, and photography to portray the vibrancy and richness of Jewish practice in America. His analyses of Mordecai Kaplan's obsession with journal writing, Joseph Soloveitchik's urban religion, Abraham Joshua Heschel's fascination with objects in The Sabbath, and material identity in the works of Anzia Yezierska, Cynthia Ozick, Bernard Malamud, and Philip Roth, as well as Jewish images on the covers of Lilith magazine and in the Jazz Singer films, offer a groundbreaking approach to an understanding of modern Jewish thought and its relation to American culture.
|Publisher:||Indiana University Press|
|Product dimensions:||6.00(w) x 9.00(h) x 0.90(d)|
About the Author
Ken Koltun-Fromm is Professor of Religion at Haverford College and author of Moses Hess and Modern Jewish Identity (IUP, 2001), winner of the Koret Jewish Book Award for Philosophy and Thought, and Abraham Geiger's Liberal Judaism (IUP, 2006).
Table of Contents
Introduction: Material Culture and Jewish Identity in America
1. The Material Self: Mordecai Kaplan and the Art of Writing
2. The Material Past: Edward Bernays, Joshua Liebman, and Erich Fromm
3. Material Place: Joseph Soloveitchik and the Urban Holy
4. Material Presence: Abraham Joshua Heschel and The Sabbath
5. The Material Narrative: Yezierska, Roth, Ozick, Malamud
6. The Material Gaze: American Jewish Identity and Heritage Production
Conclusion: American or Jewish Material Identity?
What People are Saying About This
The most profound and uniquely conceived study of modern Jewish thought to appear in a long, long time. . . . The reader learns that Judaism cannot be thought apart from space and the things that both constitute and mark it.