Merle Haggard: The Running Kind

Merle Haggard: The Running Kind

by David Cantwell


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Product Details

ISBN-13: 9780292717718
Publisher: University of Texas Press
Publication date: 09/15/2013
Pages: 294
Sales rank: 662,791
Product dimensions: 5.00(w) x 7.90(h) x 0.80(d)

About the Author

Music critic and longtime Haggard fan, David Cantwell is the coauthor of the acclaimed Heartaches by the Number: Country Music’s 500 Greatest Singles, and his work has appeared in the Oxford American, Salon, and No Depression, among other publications.

Table of Contents


Introduction: "Silver Wings," Kansas City, Missouri, September 14, 2001

  1. "Hungry Eyes," 1969
  2. The Roots of His Raising
  3. Mama Tried," 1968
  4. Toward the Bad He Kept on Turnin'
  5. He Loves Them So: A Playlist of Early Influences
  6. "Leonard," 1981
  7. The Bakersfield Sound and Fury
  8. Someone Told His Story in a Song
  9. "I Started Loving You Again," 1968
  10. The Legend of Bonnie and Him
  11. "Sing Me Back Home," 1967
  12. He's Living in the Good Old Days
  13. He Likes Living Right and Being Free
  14. "Irma Jackson," 1969
  15. His Fightin' Side
  16. He'd Rather Be Gone
  17. "It's Not Love (But It's Not Bad)," 1972
  18. He Wishes He Was Santa Claus
  19. He Takes a Lot of Pride in What He Is (Hint: He's a White Boy)
  20. "A Working Man Can't Get Nowhere Today," 1977
  21. His Country Girl with Hot Pants On
  22. He's Always on a Mountain When He Falls
  23. "Rainbow Stew," 1981
  24. He Wishes a Buck Was Still Silver (Not Really) and Likes the Taste of Yesterday's Wine (Really)
  25. "Kern River," 1985
  26. He's Going Where the Lonely Go
  27. "Me and Crippled Soldiers," 1990
  28. The Hag versus the Man in Black
  29. If He Could Only Fly: Merle Haggard in the Twenty-first Century

Cuba, Missouri, July 15, 2010

Selected Discography


What People are Saying About This

John Morthland

"Since ‘Okie from Muskogee’ was released in 1969 and made Haggard a lightning rod, he’s been perhaps the most-written-about artist in country music history. Yet all that writing has been in periodicals. . . . Now here is a book that takes a serious look at Haggard’s place in American culture and art, and that is no small thing. . . . This book is long overdue and will hopefully open up a dialogue on an artist who provides plenty of fodder."

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