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4.1 166
by Chris Bohjalian

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In the pastoral community of Reddington, Vermont, during the harsh winter of 1981, Sibyl Danforth makes a life-or-death decision based on fifteen years of experience as a respected midwife -- a decision intended to save a child, a decision that will change her life forever.

In the midst of a brutally cold night, cut off from the area hospital and even from the


In the pastoral community of Reddington, Vermont, during the harsh winter of 1981, Sibyl Danforth makes a life-or-death decision based on fifteen years of experience as a respected midwife -- a decision intended to save a child, a decision that will change her life forever.

In the midst of a brutally cold night, cut off from the area hospital and even from the rescue squad by an ice storm that has downed phone lines and made roads impassable, Sibyl Danforth feels she has no alternative except to attempt to save the baby of a woman in her care who she fears has died of a stroke during a long and difficult labor. Later that day, however, the midwife's assistant tells the police that she believes the mother was still very much alive when the cesarean section was performed in the cold and isolated farmhouse. The story of this tragedy and its aftermath is narrated by Sibyl's daughter, Connie, now an obstetrician, who is remembering the events that occurred the year she turned fourteen, when her mother's freedom and her family's fate rested in the hands of twelve men and women.

Editorial Reviews

When Sibyl Danforth, an experienced midwife, makes a decision that leads to the unfortunate death of her patient, the entire community of Reddington, Vermont, is thrown into turmoil. Sibyl is charged with murder and forced to stand trial as the harsh media attention reaches a frenzied pitch. Read by Kate Burton.
People Magazine
Superbly crafted...powerful. It will thrill readers who cherish their worn copies of To Kill a Mockingbird.
Superbly crafted...powerful. It will thrill readers who cherish their worn copies of To Kill a Mockingbird.
Boston Globe
The courtroom settings provide...ample suspense....A writer of unusual heart.
Washington Post Book World
An 'astonishing' suspense bestseller about a woman on trial for murder that will keep readers up late at night until the last page is turned.
Washington Washington Post Book World
An 'astonishing' suspense bestseller about a woman on trial for murder that 'will keep readers up late at night until the last page is turned.
Publishers Weekly - Publisher's Weekly
Among the many achievements of this gripping, insightful novel is the remarkable fullness with which Bohjalian (Water Witches) writes about both the physicality and the spirituality of childbirth.

OB/GYN physician Connie Danforth looks back on the events of a wrenching summer when she was 14 and her mother, Sibyl, a Vermont midwife and ex-hippie with a "distaste for most traditional and institutional authority," was on trial for murder. Sybil has successfully home-delivered more than 500 babies, but one freezing March night, the phone line down and the roads impassable, the laboring woman she is attending suddenly suffers what appears to be a fatal stroke. Sibyl saves the child with an emergency C-section only to find herself arrested after her assistant tells police that the operation was performed on a still-living woman. Is there, in fact, blood on Sibyl's hands? Or is she just a target of the hostile New England medical community, whose persecution of midwives dates back to the 17th-century expulsion of Anne Hutchinson from the Massachusetts Bay? As Connie wrestles with increasing doubts about whether or not her mother acted correctly, the Danforth family struggles to remain intact in the face of community ostracism and unrelenting media scrutiny.

Readers will find themselves mesmerized by the irresistible momentum of the narrative and by Bohjalian's graceful and lucid, irony-laced prose. His warm, vivid evocations of child-bearing capture the wonder and terror of bringing a baby into the world. With acutely sensitive character delineation, he manages to present all the participants in this drama, from the family members to the grieving widower, as complex, fully realized individuals. This is a story with no obvious villains or heroes, which only renders the tragedy all the more haunting.

Library Journal
In this new tale from the author of the acclaimed Water Witches, a New England midwife is accused of murder.
A thoughtful combination of ethical angst and courtroom drama.
Chris Bohjalian
[His books are about] everyday people dealing with the complex moral ambiguities that fill this world....What is most important to me is that my narrator's voice is believable and that, though it is clearly an absolute fiction, it has the emotional resonance of memoir. -- Interviewed in Publishers Weekly, January 4, 1999
Washington Wash. Post Book World
An 'astonishing' suspense bestseller about a woman on trial for murder that 'will keep readers up late at night until the last page is turned.
Kirkus Reviews
Bohjalian (Water Witches, 1995, etc.) blends some provocative moral, medical, and political issues into a classic coming-of-age story in this To Kill a Mockingbird like reminiscence of the murder trial of a midwife, as witnessed by her teenaged daughter.

From the day back in the '60s when Sibyl Danforth stepped forward in an emergency to help a pregnant friend give birth, she fell in love with the birthing process and dedicated herself to a calling as a lay midwife in rural Vermont. But as her obstetrician daughter, Connie, points out, Sibyl never bothered to obtain certification from the American College of Nurse-Midwives. Still, neighbors who wanted to have their babies at home felt comfortable calling on her. Among Sibyl's patients in 1981, the year Connie turned 14, was a minister's wife named Charlotte Bedford, a fragile woman whose incredibly difficult labor led to a stroke and what appeared to be Charlotte's death. Prevented by a heavy snowstorm from getting Charlotte to a hospital, Sibyl frantically tried to save the baby's life by performing an emergency cesarean on the presumably dead woman. Only after Charlotte is carted away does the question arise: Was the woman actually dead when Sibyl cut her open? In a strong, ruminative voice, Connie re-creates that terrible year when the state's attorney, Charlotte Bedford's family, the local medical community, and even members of the Danforths' small hometown seemed to conspire to put not just Sibyl but the entire practice of home birthing on trial. Connie, fearing witch-huntstyle reprisals, eventually broke the law to protect her beloved mother's freedom. But the question remains: Did Sibyl kill Charlotte for the sake of her baby?

Rich in moral ambiguity, informative to a fault on the methods and politics of childbirth, and perceptive regarding the whipsawing desires and loyalties of a perfectly normal teenaged girl: a compelling, complex novel and the strongest yet from the talented Bohjalian.

From the Publisher
"Superbly crafted and astonishingly powerful. . . . Will thrill readers who cherish their worn copies of To Kill A Mockingbird."People

Product Details

Turtleback Books: A Division of Sanval
Publication date:
Product dimensions:
5.40(w) x 7.92(h) x 1.08(d)
Age Range:
12 - 17 Years

Read an Excerpt

Throughout the long summer before my mother's trial began, and then during those crisp days in the fall when her life was paraded publicly before the county—her character lynched, her wisdom impugned—I overheard much more than my parents realized, and I understood more than they would have liked.

Through the register in the floor of my bedroom I could listen to the discussions my parents would have with my mother's attorney in the den late at night, after the adults had assumed I'd been sleeping for hours. If the three of them happened to be in the suite off the kitchen my mother used as her office and examining room, perhaps searching for an old document in her records or a patient's prenatal history, I would lie on the bathroom floor above them and listen as their words traveled up to me through the holes that had been cut for the water pipes to the sink. And while I never went so far as to lift the receiver of an upstairs telephone when I heard my mother speaking on the kitchen extension, often I stepped silently down the stairs until I could hear every word that she said. I must have listened to dozens of phone conversations this way—standing completely still on the bottom step, invisible from the kitchen because the phone cord stretched barely six feet—and by the time the trial began, I believe I could have reconstructed almost exactly what the lawyer, friend, or midwife was saying at the other end of the line.

I was always an avid parent watcher, but in those months surrounding the trial I became especially fanatic. I monitored their fights, and noted how the arguments grew nasty fast under pressure; I listened to them apologize, one of them oftensobbing, and then I'd wait for the more muffled (but still decipherable) sounds they would make when they would climb into bed and make love. I caught the gist of their debates with doctors and lawyers, I understood why some witnesses would be more damning than others, I learned to hate people I'd never met and whose faces I'd never seen. The state's medical examiner. The state's attorney. An apparently expert midwife from Washington, D.C.

The morning the judge gave the jury its instructions and sent them away to decide my mother's fate, I overheard her attorney explain to my parents what he said was one of the great myths in litigation: You can tell what a jury has decided the moment they reenter the courtroom after their deliberations, by the way they look at the defendant. Or refuse to look at him. But don't believe it, he told them. It's just a myth.

I was fourteen years old that fall, however, and it sounded like more than a myth to me. It had that ring of truth to it that I heard in many wives'—and midwives'—tales, a core of common sense hardened firm by centuries of observation. Babies come when the moon is full. If the boiled potatoes burn, it'll rain before dark. A bushy caterpillar's a sign of a cold winter. Don't ever sugar till the river runs free.

My mother's attorney may not have believed the myth that he shared with my parents, but I sure did. It made sense to me. I had heard much over the past six months. I'd learned well which myths to take to my heart and which ones to discard.

And so when the jury filed into the courtroom, an apostolic procession of twelve, I studied their eyes. I watched to see whether they would look at my mother or whether they would look away. Sitting beside my father in the first row, sitting directly behind my mother and her attorney as I had every day for two weeks, I began to pray to myself, Please don't look at your shoes, please don't look at the judge. Don't look down or up or out the window. Please, please, look at me, look at my mother. Look at us, look here, look here, look here.

I'd watched the jurors for days, I'd seen them watch me. I'd counted beards, I'd noted wrinkles, I'd stared beyond reason and courtesy at the way the fellow who would become the foreman had sat with his arms folded across his chest, hiding the hand disfigured years earlier by a chain saw. He had a thumb but no fingers.

They walked in from the room adjacent to their twelve chairs and found their seats. Some of the women crossed their legs at their knees, one of the men rubbed his eyes and rocked his chair back for a brief second on its rear legs. Some scanned the far wall of the courtroom, some looked toward the exit sign above the front door as if they realized their ordeal was almost over and emancipation was at hand.

One, the elderly woman with white hair and a closet full of absolutely beautiful red flowered dresses, the woman who I was sure was a Lipponcott from Craftsbury, looked toward the table behind which the state's attorney and his deputy were sitting.

And that's when I broke down. I tried not to, but I could feel my eyes fill with tears, I could feel my shoulders beginning to quiver. I blinked, but a fourteen-year-old girl's eyelids are no match for the lament I had welling inside me. My cries were quiet at first, the sound of a mournful whisper, but they gathered fury fast. I have been told that I howled.

And while I am not proud of whatever hysteria I succumbed to that day in the courtroom, I am not ashamed of it either. If anyone should feel shame for whatever occurred that moment in a small courthouse in northeastern Vermont, in my mind it is the jury: Amidst my sobs and wails, people have said that I pleaded aloud, "Look at us! Oh, God, please, please look at us!" and still not one of the jurors would even glance in my mother's or my direction.

From the eBook edition.

Meet the Author

CHRIS BOHJALIAN is the author of eighteen books, including The Guest Room, Close Your Eyes, Hold Hands, The Sandcastle Girls, Skeletons at the Feast, and The Double Bind. His novel Midwives was a number one New York Times bestseller and a selection of Oprah's Book Club. His work has been translated into more than thirty languages, and three of his novels have become movies (Secrets of Eden, Midwives, and Past the Bleachers). He lives in Vermont. Visit him at www.chrisbohjalian.com or on Facebook.

Brief Biography

Lincoln, Vermont
Date of Birth:
August 12, 1961
Place of Birth:
White Plains, New York
Amherst College

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Midwives 4.1 out of 5 based on 0 ratings. 166 reviews.
Morning-Star More than 1 year ago
A courageous story of a Vermont midwife attempting to save a mother and her unborn after intensive labor showed no promise of birth, causing a risky health situation for them both. I believe the point of view this story is told from really impacted my enjoyment and eager interest while reading. Many significant, acute details are smudged and hidden throughout the book, but the author skillfully places them in spots I never seemed to forget. This made it important for complete comprehension. It truly is a unique plot that adds momentum as its told and allows the reader to see both points of view, which I think is a big part of the writer's intention for the story. I very much enjoyed this.
JHiggy23 More than 1 year ago
I was an English major when I was in college and have read at least a book a week for years. Midwives was one of the better books I've read in the past year. It is not a unique story in its construction, but it is unique in its topic. Some critics have referred to it as the modern To Kill a Mockingbird. While it certainly is not up to that level (what is?), it is a great book in its own right. The characters were immediately involving, even if characterization is not extensive. Bohjalian did a great job of taking me inside the mind of a 14 year old girl witnessing the trial of her mother. There is no doubt that he has a simplistic but elegant prose style that is both involving and enjoyable to read. The previous two reviewers really missed the point of the novel, I must say.
Guest More than 1 year ago
This novel is a must read which narrates the case of Sybil Danfoth, a midwife by heart, who attends the childbirth of Charlotte Bedford on a cold and stormy winter night at Charlotte's Vermont home. Charlotte is a fragile woman who, although tries very hard to push, cannot make the baby crown. After hours of trying, Charlotte doesn't have any pulse nor heart bit and Sybil, aware that the former has perished, performs a cesarean section with a kitchen knife and accomplishes to save the newborn. Nevertheless, before she does so, she tries to reach both her backup doctor and an ambulance, but she couldn't get through any of them. Sybil also tries to get to her station wagon however, the freezing climate doesn't permit her to start it. Here commences the story. The state prosecutes Sibyl Danforth for 'involuntary manslaughter' that could send her to jail from one to fifteen years and no more midwifery, do to what the prosecution calls extraordinary negligence from the midwife. In addition to this fact, the prosecution suspects Charlotte was not death prior to the cesarean section. So a trial begins and both the prosecution and defense witnesses declare. The narration and prose in general throughout the novel are outstanding and specifically the recounting of the trial is superb. However, when Sibyl is cross questioned she gives out a clue that might be horrendous for her defense...and so it goes. The narration of all the comings and goings is done by Sybil's daughter, Connie, a fourteen year old adolescent, in the first person singular. This fact definitely turns into an excellent narrative prose. I give 5 stars for believable and credible story. I give 5 stars for excellent narration. I give 5 stars since I couldn't stop reading till the end. And, above all, I give 5 stars to the author, Chris Bohjalian since he must have gone through a profound research on trials, midwifery, doctors, and obstetrics, among others.
CathieArms More than 1 year ago
I'm not a fan of home births, so I really didn't expect to love this book or to find any sympathy for the characters in the story. I'm not saying women shouldn't be allowed to have home births, or that they must have a board-certified doctor present during labor; I'm simply saying it's an option I would never have entertained for even a second. With those thoughts in mind, I picked this book up with low expectations and never expected to find the least bit of empathy for the main character. Boy was I surprised! Regardless of one's personal feelings on home births and lay midwives, it would be very difficult to read this book and not be lured into a strong feeling of empathy for the main characters in this book. I found myself turning the pages, almost against my will. I found myself siding with the midwife and hoping that the legal proceedings would find her innocent and set her free to continue her life's calling. I expected a lot of things from this book - mostly negative. What I didn't expect was to truly love it, or to find myself having to pick up my jaw off the floor as I turned the last page. Excellent read!
Anonymous More than 1 year ago
Midwives, by Bohjalian, is an EXCELLENT read! Treat yourself!
Guest More than 1 year ago
Of all the Oprah's book club books I've read, Midwives is the best. It is definitely a thinking book -- not a good choice for general audiences. While not a feel good book (as is the case with most Oprah books), it does not depress the reader to the point of making it unpleasant to read (as in White Oleander), or shock the reader so violently as to cause apathy for the characters (as in She's Come Undone). Even though parts of the book were unquestionably slow, the heart of the story was engaging enough to justify reading on to the end.
Anonymous More than 1 year ago
I'm really coming to like chris b as a writer. This is the third novel of his I've read ( the double bind, and secret of eden) and they've all been great. A little suspense and mystery in each. I have two more on my nook i'll get to soon. Midwives was no disappointment.
songcatchers More than 1 year ago
Midwives is an engrossing, well written story. It follows the trial of Sybil Danforth, a midwife accused of involuntary manslaughter, after one of her patients dies. The book is told from the perspective of Sybil's 14 year old daughter. The death in question occurs in Vermont in March amid an ice storm. Sybil and her patient are trapped at the house with no option of getting to a hospital when things turn bad. The patient dies and Sybil performs an (illegal) emergency C-section to save the baby. The baby lives but Sybil is accused of performing the C-section on a living woman, resulting in the woman's death. Midwives is a page turner where we see the main characters on a roller coaster ride of emotions. I couldn't wait to get to the end to see what the verdict was and how that verdict would effect the Danforth family and everyone else involved.
levly More than 1 year ago
This book was not original. Although the topic is dramatic, I found the book to be lacking in any real depth. Perhaps because it is being told from the point of view of a young teen it seemed too generic. Had the story been told from the point of view of a woman who had given birth or even the midwife there may have been more emotional tension in the book. This book left me unsatisfied.
Guest More than 1 year ago
i selected this book to read from a book list given to me for my college reading class. i have plans to become a nurse midwife when i finish my schooling. i found this book exciting and heart wrenching at times it is a great read if for nothing elce to learn about how dramatic it can be for a child to enter this world and also to gain knowledge of the process of a criminal trial. i found this book hard to put down and when i was not reading i was going over the story line making my own conclusions and questions
Guest More than 1 year ago
I have just finished reading 'Midwives'.This book is very scary! I am a nurse midwife who trained in England in the early 70's. I came to America in 1977, went to live in New Hampshire and almost got involved with the lay midwives up there. I backed out as I was only too well aware of the risks of home deliveries, especially in an area where hospitals were few and far between. My only dissappointments with the book were that Mr.Bohjalian did not mention the meaning of the word 'midwife' which is 'with women', and I also did not like the words 'catching babies' - that infers a ball of some kind that is tossed into the air and has to be caught. Delivering a baby is a hands-on skill that assists the emergence of the baby.But it was a darned good read, and I am already looking for more books by the same author.
Guest More than 1 year ago
Midwives was a great read. Not only was it superbly suspenseful, but I learned a great deal about midwifery and what happens in a courtroom. I also enjoyed the narrator, Connie. She observed what was going on around her with the eyes of an adolescent, but told the story with the heart and mind of a wise adult. Both of these perspectives made this book an awesome read.
Guest More than 1 year ago
Why I didn¿t like this book, David 16, March 13, 2002 I didn¿t really like this book because, it was very boring and it didn¿t keep me interested long. It seemed like it dragged on. It was very descriptive in parts and other parts it wasn¿t. I guess though I am a guy and things like this don¿t really interest me, but I also understand that this is part of life. It just did not grab my attention like some other books do.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
I justed started reading this author ans so glad i did!
ibmom More than 1 year ago
One of my all time favorite books and author!
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Anonymous More than 1 year ago
Something you don't see a lot. Loved the story and the. Characters.
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Anonymous More than 1 year ago
Too close for comfort. Can this happen now!