Moby-Dick: or, The Whale

by Herman Melville, Jessica Hische (Illustrator)

Overview

Notes From Your Bookseller

A tried-and-true classic, the story of a whaling ship and its mark—the great white whale Moby Dick. Deeply allegorical with stirring prose, this is more about the old whaling industry than you ever needed to know, yet still profound and moving.

From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische

It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Brönte's Jane Eyre, and a 'C' for Willa Cather's My Ántonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves.

M is for Melville, who wrote of his masterpiece, "It is the horrible texture of a fabric that should be woven of ships' cables and hawsers. A Polar wind blows through it, and birds of prey hover over it." In part, Moby-Dick is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopedia of whaling lore and legend, Moby-Dick is a haunting, mesmerizing, and important social commentary populated with several of the most unforgettable and enduring characters in literature. Written with wonderfully redemptive humor, Moby-Dick is a profound and timeless inquiry into character, faith, and the nature of perception.
 

Product Details

ISBN-13:	9780143124672
Publisher:	Penguin Publishing Group
Publication date:	08/27/2013
Series:	Penguin Drop Caps
Edition description:	Reprint
Pages:	688
Sales rank:	647,135
Product dimensions:	7.80(w) x 5.50(h) x 1.90(d)
Age Range:	18 Years

About the Author

HERMAN MELVILLE was born in August 1, 1819, in New York City, the son of a merchant. Only twelve when his father died bankrupt, young Herman tried work as a bank clerk, as a cabin-boy on a trip to Liverpool, and as an elementary schoolteacher, before shipping in January 1841 on the whaler Acushnet, bound for the Pacific. Deserting ship the following year in the Marquesas, he made his way to Tahiti and Honolulu, returning as ordinary seaman on the frigate United States to Boston, where he was discharged in October 1844. Books based on these adventures won him immediate success. By 1850 he was married, had acquired a farm near Pittsfield, Massachussetts (where he was the impetuous friend and neighbor of Nathaniel Hawthorne), and was hard at work on his masterpiece Moby-Dick. But literary success soon faded; his complexity increasingly alienated readers. After a visit to the Holy Land in January 1857, he turned from writing prose fiction to poetry. In 1863, during the Civil War, he moved back to New York City, where from 1866-1885 he was a deputy inspector in the Custom House, and where, in 1891, he died. A draft of a final prose work, Billy Budd, Sailor, was left unfinished and uncollated, packed tidily away by his widow, where it remained until its rediscovery and publication in 1924.
JESSICA HISCHE is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a Forbes Magazine "30 under 30" in art and design as well as an ADC Young Gun and one of Print Magazine’s "New Visual Artists". She has designed for Wes Anderson, McSweeney's, Tiffany & Co, Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn.

Date of Birth:

August 1, 1819

Date of Death:

September 28, 1891

Place of Birth:

New York, New York

Place of Death:

New York, New York

Education:

Attended the Albany Academy in Albany, New York, until age 15

Read an Excerpt

Call me Ishmael. This resonant opening of Moby-Dick, the greatest novel in American literature, announces the narrator, Herman Melville, as he with a measure of slyness thought of himself. In the Scriptures Ishmael, a wild man sired by the overwhelming patriarch Abraham, was nevertheless the bastard son of a serving girl Hagar. The author himself was the offspring of two distinguished American families, the Melvilles of Boston and the Gansevoorts of Albany.
(Continues…)

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Excerpted from "Moby-Dick"
by .
Copyright © 2013 Herman Melville.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

Introduction
Suggestions for Further Reading
A Note on the Text

Etymology
Extracts

Moby Dick

Loomings
The Carpet Bag
The Spouter-Inn
The Counterpane
Breakfast
The Street
The Chapel
The Pulpit
The Sermon
A Bosom Friend
Nightgown
Biographical
Wheelbarrow
Nantucket
Chowder
The Ship
The Ramadan
His Mark
The Prophet
All Astir
Going Aboard
Merry Christmas
The Lee Shore
The Advocate
Postscript
Knights and Squires
Knights and Squires
Ahab
Enter Ahab; to him, Stubb
The Pipe
Queen Mab
Cetology
The Specksynder
The Cabin Table
The Mast-Head
The Quarter-Deck • Ahab and all
Sunset
Dusk
First Night-Watch
Forecastle—-Midnight
Moby Dick
The Whiteness of the Whale
Hark!
The Chart
The Affidavit
Surmises
The Mat-Maker
The First Lowering
The Hyena
Ahab's Boat and Crew—-Fedallah
The Spirit-Spout
The Pequod meets the Albatross
The Gam
The Town Ho's Story
Monstrous Pictures of Whales
Less Erroneous Pictures of Whales
Of Whales in Paint, in Teeth, &c.
Brit
Squid
The Line
Stubb kills a Whale
The Dart
The Crotch
Stubb's Supper
The Whale as a Dish
The Shark Massacre
Cutting In
The Blanket
The Funeral
The Sphynx
The Pequod meets the Jeroboam • Her Story
The Monkey-rope
Stubb & Flask kill a Right Whale
The Sperm Whale's Head
The Right Whale's Head
The Battering-Ram
The Great Heidelburgh Tun
Cistern and Buckets
The Prairie
The Nut
The Pequod meets the Virgin
The Honor and Glory of Whaling
Jonah Historically Regarded
Pitchpoling
The Fountain
The Tail
The Grand Armada
Schools & Schoolmasters
Fast Fish and Loose Fish
Heads or Tails
The Pequod meets the Rose Bud
Ambergris
The Castaway
A Squeeze of the Hand
The Cassock
The Try-Works
The Lamp
Stowing Down & Clearing Up
The Doubloon
The Pequod meets the Samuel Enderby of London
The Decanter
A Bower in the Arsacides
Measurement of the Whale's Skeleton
The Fossil Whale
Does the Whale Diminish?
Ahab's Leg
The Carpenter
The Deck • Ahab and the Carpenter
The Cabin • Ahab and Starbuck
Queequeg in his Coffin
The Pacific
The Blacksmith
The Forge
The Gilder
The Pequod meets the Bachelor
The Dying Whale
The Whale-Watch
The Quadrant
The Candles
The Deck
Midnight, on the Forecastle
Midnight, Aloft
The Musket
The Needle
The Log and Line
The Life-Buoy
Ahab and the Carpenter
The Pequod meets the Rachel
The Cabin •Ahab and Pip
The Hat
The Pequod meets the Delight
The Symphony
The Chase • First Day
The Chase • Second Day
The Chase • Third Day
Epilogue

List of Textual Emendations
Explanatory Notes
Glossary of Nautical Terms
Maps and Illustrations

What People are Saying About This

From the Publisher

Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books

Praise for Penguin Drop Caps:

“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings

"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times

"Drool-inducing."
—Flavorwire

"Classic reads in stunning covers—your book club will be dying."
—Redbook

Reading Group Guide

1. What is the significance of the whale? What do you think Melville intends in developing such a vicious antagonism between Ahab and the whale?

2. How does the presence of Queequeg, particularly his status as a "savage, " inform the novel? How does Melville depict this cultural clash?

3. How does whaling as an industry function metaphorically throughout the novel? Where does man fit in in this scenario?

4. Melville explores the divide between evil and virtue, justice and vengeance throughout the novel. What, ultimately, is his conclusion? What is Ahab's?

5. What do you think of the role, if any, played by religion in the novel? Do you think religious conventions are replaced or subverted in some way? Discuss.

6. Discuss the novel's philosophical subtext. How does this contribute to the basic plot involving Ahab's search for the whale? Is this Ishmael's purpose in the novel?

7. Discuss the role of women in the novel. What does their conspicuous absence mean in the overall context of the novel?

Editorial Reviews

Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books

Winner of the 2014 Type Directors Club Communication Design Award

Praise for Penguin Drop Caps:

"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
—Fast Company

“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings

"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Brontë’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times

"Drool-inducing."
—Flavorwire

"Classic reads in stunning covers—your book club will be dying."
—Redbook

From the Publisher