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Model Undercover: New York

Model Undercover: New York

by Carina Axelsson
Model Undercover: New York

Model Undercover: New York

by Carina Axelsson


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Unlock the secrets of the fashion world in this fun and breezy mystery!

When the world's most famous black diamond is stolen during a magazine cover shoot, it's up to undercover model Axelle Anderson to crack the case. The only witness is a trendsetting teen fashion blogger who refuses to say anything, and Axelle has a hunch that what appears to be a clear-cut case of jewelry theft is anything but.

Axelle and her sleuthing friends are drawn into a web of blackmail and backstabbing fashionistas. As she struts her way down the New York City runways and juggles her busy modeling schedule and new romance, Axelle must pit herself against a rival who'll stop at nothing to bring her down.

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Product Details

ISBN-13: 9781492607854
Publisher: Sourcebooks
Publication date: 01/06/2015
Series: Model Undercover , #2
Pages: 320
Sales rank: 626,279
Product dimensions: 5.00(w) x 7.50(h) x 0.80(d)
Lexile: 880L (what's this?)
Age Range: 10 - 14 Years

About the Author

Carina Axelsson is a writer, illustrator, and former model. She grew up in California with her Swedish father and Mexican mother. After high school, Carina moved to New York City to model, then on to Paris where she published her first book. She currently lives in in the forests of Germany with four dogs and a very large aquarium full of fish.

Read an Excerpt

The Big Apple

I'm on my way to Chic: New York, the fashion magazine—or more specifically, to their head office located just off Times Square in New York City. And before you start thinking this is another one of my mom's hard-core plans to get me's not.

You see, I'm not in New York City on my way to Chic as a model. I'm on my way to Chic as a detective.

Not that I know many details yet about the case I've been asked to solve.

The call from Chic: New York came two days ago, just as I wrapped up solving my first big mystery during Paris Fashion Week.

"Axelle, I thought you might be interested to hear about a call I've had from New York," my modeling agent, Miriam, said on the phone Saturday afternoon, her breathless voice a conspiratorial whisper. I remember the exasperation I felt as I stood, ice cream in hand, on a bridge over the Seine, trying to formulate an excuse to get out of whatever modeling job this was surely about.

But the call wasn't about a modeling job, and my exasperation quickly turned to excitement when I heard her continue: "Have you ever heard of the Black Amelia? It's the most famous black diamond in the world. Chic: New York is—was—using it on a cover shoot,'s missing. It hasn't been seen since yesterday. Chic would prefer not to involve the police just yet, so they are wondering if you'd be interested in accepting the case."

Interested? Are you kidding? Do fashionistas wear black? Do I like French fries?

The Chic: New York team must have heard about me solving the mystery of missing French fashion designer Belle La Lune—and that I'd managed to find her before the French police! I was thrilled that Chic had asked for my help and accepted the job right away. But before jetting off to the Big Apple, I went home to London with Mom to repack my suitcase, and to see my dad and Halley (my West Highland white terrier). And so this morning I caught a direct flight out of London.

Sitting in the back of the enormous black Cadillac Escalade SUV (sent by Chic) that had picked me up at John F. Kennedy International Airport, I stretched my legs and stifled a quick yawn before pressing my face against the window. I silently ogled the view as the driver, whose name I'd learned was Ira Perlman, deftly wove his way through the late-morning Manhattan traffic.

In case you've never been there, New York City looks like a film set. As we navigated our way out of the Queens-Midtown Tunnel, all around me I could see shiny skyscrapers, pavement crowded with a gazillion people, and honking yellow cabs. And even if it had been my first time in the Big Apple (I'd actually been with my parents a couple of times before), the grid-like street layout would still have felt familiar from various films and television shows (like Law & Order—my grandma loved the U.S. version and watched it for years, in between Midsomer Murders and Miss Marple). The city seemed to vibrate with a frenetic energy all its own.

I watched as plastic bags blew across the streets and leaves fluttered in the early spring wind. Cool, sharp gusts were blowing in off the New Jersey shore. I had to admit that my mom had been right to insist that I pack the new trench coat she'd bought me. ("Burberry!" she'd chirped. "And only half price!")

Apparently my mom was psychic too, because at that moment my phone rang. Bracing myself for the onslaught of questions, I answered.

"Axelle, darling! How was the flight? How's New York City? Wonderful, isn't it? I wish I was with you! Your baggage didn't get lost, did it?" The questions came so thick and fast that I didn't even get a chance to respond. Finally I heard, "I have to go now, Axelle, I have to meet a client"—Mom is an interior designer—"but I'll call you later. Your father and I are so proud of you. Modeling in New York City!"

Modeling! Argh! My mom was so in denial! When, I asked myself, will she finally understand that all I want to do is solve mysteries? And that modeling and high heels and hair spray mean nothing to me? At least, nothing more than offering the perfect cover for figuring out fashion crimes, like tracking down a missing designer or a famous black diamond. My mom's big dream has always been for me to model—like, real modeling, not undercover modeling. And clearly—annoyingly!—even after I cracked last week's big, juicy case in Paris, modeling is still her dream for me.


I took a deep breath to control myself and said as lightly as I could, "Well, I have to go now too, Mum. I have an appointment at Chic—about the case."

"Yes, well, have fun! Maybe you'll shoot a cover—I'll keep my fingers crossed! Bye for now, darling."

As I slipped my phone back into my pocket, it vibrated. I pulled it back out and read my new messages. There was a cute one from my dad and another from my BFF at home in Notting Hill, Jenny. Ellie B (non-modeling name: Elizabeth Billingsley), the new friend I'd made last week in Paris, had also sent me a text welcoming me to the Big Apple and asking if we could have dinner together later. She'd just flown into town for New York Fashion Week, which was starting on Wednesday. The last message was from Miriam, my agent, checking that I'd arrived safely and that the car Chic had promised had picked me up from the airport as planned.

Miriam—Miriam Fontaine, Paris-based agent supremo—had been super helpful and kind since the events of last week. I've known her my whole life because she was my fashion-editor aunt's oldest friend, and her agency had represented me when I modeled (undercover) at Paris Fashion Week. After the story of how I'd found Belle came out, Miriam made sure I was all right, fending off the press and keeping my mom calm. She also—together with Chic—organized this trip to find the Black Amelia.

But in the aftermath of all that had happened, I'd occasionally caught her looking surreptitiously at me through slightly narrowed eyes. While she didn't say anything, I knew she'd been completely surprised by the fact that I'd solved the mystery of Belle's disappearance—even though Miriam knew I'd been obsessed with solving mysteries since, like, forever.

Fortunately for me, Miriam also had an agency in New York City and was happy to continue representing me as a fashion model here. Because, yes, I'd decided that the best course of action for solving this crime was once again to go undercover as a model. It was the easiest way for me to infiltrate the closed world of fashion, especially during Fashion Week when no one in the business would have time to spare for my questioning. But to work as a model, I needed the help of an agency. And who better than Miriam and her well-respected team? I knew I could trust her to be discreet, and I knew she'd help me keep up my modeling pretense.

Hervé (my booker at Miriam's agency in Paris) had also sent a message wishing me luck and saying something about an option for a magazine editorial in Paris.

I quickly looked through my messages again. No, there was definitely nothing from Sebastian.

But had I really expected there to be?

My throat tightened at the thought of his cool gray eyes and the warm smell of his leather jacket—not to mention our last conversation. Argh! I fiddled with the buckle of my La Lune shoulder bag for another moment. Then, pushing Sebastian out of my mind, I looked back out the window.

Once we turned north onto Third Avenue, I was fascinated by the speed at which we flew past the bisecting streets: Thirty-Eighth Street, Thirty-Ninth, Fortieth, and on and on. Ira, the driver, was seemingly unfazed by kamikaze bike messengers or the enormous potholes pitting the street like a bad case of acne. Even the yellow cabs coming at us out of intersections or from behind other cars didn't seem to concern him.

At that moment my phone rang again. It was a local number. It must be Miriam's New York office, I thought as I answered.

"Hi, Axelle. This is Pat Washington, your booker here at Miriam's NY," said a loud, energetic voice. "I can't wait to meet you. Miriam and Hervé have told me so much about you. I just wanted to be sure you've arrived safely and are on your way in..." I barely said I was before she kept talking. "Great, because you are going to be busy—very busy. I'm just waiting for Chic: New York to confirm you for a shoot tomorrow, which is fabulous. You've also got several show castings lined up."

Very busy? Fleetingly I wondered if she knew I was here to solve a crime or—

"Jared Moor," Pat continued, "should confirm for tomorrow—I'll let you know later today—and I'm still waiting to hear back from DKNY, Jorge Cruz, Diane von Furstenberg, and The Isle. But don't worry, there'll be others."

Great, I thought. And when am I supposed to solve the case?

"As for your non-modeling business," she continued pointedly, as if reading my mind, "we can discuss that in more detail when you get here."

Her brisk dismissal of my true reason for flying this far made me slightly nervous. Somehow I'd have to make it clear to her that I needed time to follow up on leads and clues—but surely Miriam had done that?

"Although," Pat continued, "if you've looked at your printed schedule—did Ira give it to you? Yes? Good. Well, then you'll know that you are going straight to Chic for a go-see before coming here. You'll be seeing Cazzie Kinlan herself! She wants to meet you and maybe see you in some clothes before tomorrow's shoot."

As Pat continued talking about the coming week, I looked into the folder Ira had pointed out when I'd climbed into the car. Pat was right. There was a printed schedule...but behind it was a slim envelope addressed to me. Inside was a letter from Miriam. And according to the letter, the go-see at Chic was actually a briefing from their editor-in-chief about the either Pat had no idea why I was really going to Chic—despite her earlier allusion to my "non-modeling business"—or she was being discreet. But before I could finish reading the letter, she cut through my jet lag with the following loud announcement:

"And, Axelle, I hope you look good, girl. Chic magazine is at the top of the fashion pyramid—you have to look your best going in there. Clean hair, some cute little outfit—"

"Yes, but I just got off an international flight! I hardly—"

"Girl, I don't care if you just came in from Mars. You better freshen up and get it together. A model has to look like a model—got it? I'll see you here after Chic. I'll introduce you to everyone and then we'll have lunch. Now look sharp, girl!"

Look sharp? I hung up and slumped back into the soft leather seat. Great. I'd just arrived, and already I had a fashionista breathing down my neck!

"Are we nearly there?" I asked Ira, picking up Miriam's letter again.

Ira nodded, his long, frizzy orange hair bobbing. He was wearing Ray-Ban aviator sunglasses and a gold-and-diamond pinky ring that glinted in the sunlight every time he moved his right hand. "Yup. Traffic hasn't been too bad this morning and I was able to avoid the construction work around the Chrysler Building, so I'd say we've made pretty good time." As he turned left onto Seventh Avenue, he continued with a sideways nod of his head, "That's the famous Times Square. The Chic offices are a little farther down on the left. The tall silver building, you see it?"

I nodded, eyes glued to the window as I took it all in. So far on our drive through Manhattan, the loud, brash, and bold attitude of the city was exactly as I'd remembered it. But at Times Square that attitude was amplified by, like, ten—and those enormous billboards loomed over everything. I couldn't think of an equivalent at home in London. Trafalgar Square? No way. Too grand and Old World. Piccadilly Circus? Yes, that came much closer—but without the darker Batman-Gotham vibe.

I caught Ira smiling at me in the mirror as he parked. "You know, Axelle..." (Unlike Pat, Ira pronounced my name like the car part, instead of the correct way, which is to rhyme it with the verb "excel.") "I've been to Europe. I've seen a lot. London, Paris, Madrid. They got a lotta nice things, those cities, but not one of 'em has Times Square. You know what I'm saying?"

I sure did.

"Anyway, it's quarter after twelve, Axelle. I was told to be sure you weren't late," he said with a nod toward the silver skyscraper. "Must be important."

"It might be," I answered, shrugging my shoulders as visions of the missing diamond sparkled in my mind. "Anyway, thank you, Ira, for getting me here on time."

"No problem, kiddo. I'll be out here waiting for you. Good luck."

"Thanks, Ira," I said. I quickly ran my hands through my hair and popped a mint in my mouth. So much for looking sharp, I thought. Then I grabbed my shoulder bag and stepped out onto the sidewalk.

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