- Pub. Date:
- Cambridge University Press
Scholars and performers of the nineteenth and twentieth centuries attempted to revive music that could evoke the Middle Ages. They invented new sounds and new ways of understanding medieval music. This is the fascinating story of the musicians and the societies in which they worked to remake a lost musical world.
|Publisher:||Cambridge University Press|
|Series:||Musical Performance and Reception Series|
|Edition description:||New Edition|
|Product dimensions:||5.98(w) x 8.98(h) x 0.94(d)|
Table of Contents
Acknowledgements; Introduction; 1. The invention of the voices-and-instruments hypothesis; 2. The re-invention of the a cappella hypothesis; 3. Hearing medieval harmonies; 4. Evidence, interpretation, power and persuasion; Conclusion; Notes; Bibliography; Index.