Modern Mythology
Between 1860 and 1880, roughly speaking, English people interested in early myths and religions found the mythological theories of Professor Max Müller in possession of the field. These brilliant and attractive theories, taking them in the widest sense, were not, of course, peculiar to the Right Hon. Professor. In France, in Germany, in America, in Italy, many scholars agreed in his opinion that the science of language is the most potent spell for opening the secret chamber of mythology. But while these scholars worked on the same general principle as Mr. Max Müller, while they subjected the names of mythical beings—Zeus, Helen, Achilles, Athênê—to philological analysis, and then explained the stories of gods and heroes by their interpretations of the meanings of their names, they arrived at all sorts of discordant results. Where Mr. Max Müller found a myth of the Sun or of the Dawn, these scholars were apt to see a myth of the wind, of the lightning, of the thunder-cloud, of the crépuscule, of the upper air, of what each of them pleased. But these ideas—the ideas of Kuhn, Welcker, Curtius (when he appeared in the discussion), of Schwartz, of Lauer, of Bréal, of many others—were very little known—if known at all—to the English public. Captivated by the graces of Mr. Max Müller's manner, and by a style so pellucid that it accredited a logic perhaps not so clear, the public hardly knew of the divisions in the philological camp. They were unaware that, as Mannhardt says, the philological school had won 'few sure gains,' and had discredited their method by a 'muster-roll of variegated' and discrepant 'hypotheses.'
1100397809
Modern Mythology
Between 1860 and 1880, roughly speaking, English people interested in early myths and religions found the mythological theories of Professor Max Müller in possession of the field. These brilliant and attractive theories, taking them in the widest sense, were not, of course, peculiar to the Right Hon. Professor. In France, in Germany, in America, in Italy, many scholars agreed in his opinion that the science of language is the most potent spell for opening the secret chamber of mythology. But while these scholars worked on the same general principle as Mr. Max Müller, while they subjected the names of mythical beings—Zeus, Helen, Achilles, Athênê—to philological analysis, and then explained the stories of gods and heroes by their interpretations of the meanings of their names, they arrived at all sorts of discordant results. Where Mr. Max Müller found a myth of the Sun or of the Dawn, these scholars were apt to see a myth of the wind, of the lightning, of the thunder-cloud, of the crépuscule, of the upper air, of what each of them pleased. But these ideas—the ideas of Kuhn, Welcker, Curtius (when he appeared in the discussion), of Schwartz, of Lauer, of Bréal, of many others—were very little known—if known at all—to the English public. Captivated by the graces of Mr. Max Müller's manner, and by a style so pellucid that it accredited a logic perhaps not so clear, the public hardly knew of the divisions in the philological camp. They were unaware that, as Mannhardt says, the philological school had won 'few sure gains,' and had discredited their method by a 'muster-roll of variegated' and discrepant 'hypotheses.'
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Modern Mythology

Modern Mythology

by Andrew Lang
Modern Mythology

Modern Mythology

by Andrew Lang

Paperback

$6.92 
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Overview

Between 1860 and 1880, roughly speaking, English people interested in early myths and religions found the mythological theories of Professor Max Müller in possession of the field. These brilliant and attractive theories, taking them in the widest sense, were not, of course, peculiar to the Right Hon. Professor. In France, in Germany, in America, in Italy, many scholars agreed in his opinion that the science of language is the most potent spell for opening the secret chamber of mythology. But while these scholars worked on the same general principle as Mr. Max Müller, while they subjected the names of mythical beings—Zeus, Helen, Achilles, Athênê—to philological analysis, and then explained the stories of gods and heroes by their interpretations of the meanings of their names, they arrived at all sorts of discordant results. Where Mr. Max Müller found a myth of the Sun or of the Dawn, these scholars were apt to see a myth of the wind, of the lightning, of the thunder-cloud, of the crépuscule, of the upper air, of what each of them pleased. But these ideas—the ideas of Kuhn, Welcker, Curtius (when he appeared in the discussion), of Schwartz, of Lauer, of Bréal, of many others—were very little known—if known at all—to the English public. Captivated by the graces of Mr. Max Müller's manner, and by a style so pellucid that it accredited a logic perhaps not so clear, the public hardly knew of the divisions in the philological camp. They were unaware that, as Mannhardt says, the philological school had won 'few sure gains,' and had discredited their method by a 'muster-roll of variegated' and discrepant 'hypotheses.'

Product Details

ISBN-13: 9781663569141
Publisher: Barnes & Noble Press
Publication date: 09/18/2020
Pages: 164
Product dimensions: 6.00(w) x 9.00(h) x 0.35(d)

About the Author

Andrew Lang, (31 March 1844 – 20 July 1912) was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology.Lang's writings on Scottish history are characterised by a scholarly care for detail, a piquant literary style, and a gift for disentangling complicated questions. The Mystery of Mary Stuart (1901) was a consideration of the fresh light thrown on Mary, Queen of Scots, by the Lennox manuscripts in the University Library, Cambridge, approving of her and criticising her accusers.He also wrote monographs on The Portraits and Jewels of Mary Stuart (1906) and James VI and the Gowrie Mystery (1902). The somewhat unfavourable view of John Knox presented in his book John Knox and the Reformation (1905) aroused considerable controversy.
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