Moments of Glad Grace: A Memoir

Moments of Glad Grace: A Memoir

by Alison Wearing

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Overview

Moments of Glad Grace is a moving and witty memoir about a daughter’s evolving relationship with her aging father, the small moments we share, and the hunt for roots and belonging.

The story begins as a trip from Canada to Ireland in search of genealogical data and documents. Being 80 and in the early stages of Parkinson’s disease, Joe invites his daughter Alison to come along as his research assistant, which might have worked very well had she any interest — any at all — in genealogy.

Very quickly, the father-daughter pilgrimage becomes more comical than fruitful, more of a bittersweet adventure than a studious mission. And rather than rigorous genealogy, their explorations move into the realm of family and forgiveness, the primal search for identity and belonging, and questions about responsibility to our ancestors and the extent to which we are shaped by the people who came before us.

Though continually bursting with humor, Moments of Glad Grace is a story about identity, history, and ultimately becomes a song of appreciation for the precious and limited time we have with our parents.

“A richly layered journey, charmingly told.” — Plum Johnson, author of  They Left Us Everything

Product Details

ISBN-13: 9781770415133
Publisher: ECW Press
Publication date: 04/07/2020
Pages: 256
Sales rank: 316,952
Product dimensions: 5.50(w) x 8.50(h) x 0.59(d)
Lexile: 1120L (what's this?)

About the Author

Alison Wearing is the bestselling author of Confessions of a Fairy’s Daughter , an Indigo Top 50 pick shortlisted for the Edna Staebler Prize and longlisted for the RBC Taylor Prize, and Honeymoon in Purdah: An Iranian Journey . She teaches, performs solo multimedia plays, and leads writing workshops internationally.

Read an Excerpt

The customs officer has the face of a merry alcoholic who also enjoys his pie. His friendly eyes flutter when I tell him the purpose of my trip—to help my father with some gynaecological research—but he doesn’t ask any further questions. Just stamps my passport and says Welcome to Ireland, love , which feels like a moment of sanity in an otherwise crazed world.

I have come here to help my father with some genealogical research. He’s quite serious about it and has been at it for years, but a few months ago he mentioned a desire to revisit Dublin’s libraries and archives, adding that he would prefer to do it with the help of a research assistant. Count me in! I’d said immediately, though we both knew I fall asleep at the mere mention of genealogy, a word I am forever confusing with gynaecology, particularly when saying it aloud.

Still, we’re here. And a bit of boredom in the archives seems a small price to pay for the chance to spend ten days in Dublin with my dad. He’ll be eighty in a few months—he’d say he’s 79½—and is so fit and active I have wondered if I’ll be the one scrambling to keep up. But he also has incipient Parkinson’s, a disease that has begun to possess and hammer him, and I jumped at a chance for time together, now.

My father does not appear in the collage of tired faces watching a slow parade of suitcases file past. Having bought our tickets separately, we weren’t sitting together on the plane, and I didn’t see him in any of the lines at Customs. I park myself in a visible spot and pass the time by trying to conjure a border experience which includes the phrase Welcome to the United States of America, love , but no matter how many times I attempt to lift that small kite of words into being, I am unable to keep it aloft.

When most of the bags are claimed from the belt and there is still no sign of him, I notice that when a parent is about to turn eighty, a child’s reflex changes from where the hell’s he gone? to what if something’s happened? I walk and peer and swivel and conclude that he must have headed out of the arrivals area without me. And indeed, on the other side of the exit’s automatic doors, I spot him, looking bored. The moment I wave, however, he becomes animated, fluttering a hand to his chest and panting in theatrical, exaggerated relief while running through a breathless explanation: I didn’t see you in there so I came out here but then I realized you must have been back there but then I wasn’t allowed back in so I just had to stand here wondering how long you’d stay there waiting for me! He is giggling now, shedding so many layers of relief and excitement that I pause to wonder if the airport cleaning staff ever feel they are mopping up excess emotion in addition to casual grime. Relieved, my dad goes off to find the toilets while I stand guard over the suitcases. As I watch him disappear, I decide to begin our father-daughter escapade by creating a running list of qualities I adore about him, flipping to the back of my notebook and creating the heading Things About Dad , before printing How Often He Giggles.

Reading Group Guide

  1. Moments of Glad Grace is a memoir that looks at the ties that bind us to family and that considers what is precious to us when the clock is running down on how much time we have left with those we love. Within the specifics of her own relationship with her beloved father, the author manages to create a universal story we can all relate to. How do you think she achieves this? What are the points that resonated most for you?
  2. The memoir is a love letter to Wearing’s father, but it also a story of falling in love with a new city. We have all experienced falling in love with a new place. Where has this happened for you? What was it about the place that spoke to you? Did the experience change how you looked at home?
  3. Wearing works to convey important insights through humour. Think of her ongoing struggles with “gynaecological” research and how she balances the humour of this with the poignancy of why she is sticking to it – that it is important to her father. Do you like this as a writing device? If so, why do you think it is successful?
  4. Wearing has chosen to structure her memoir as a daily diary. Do you think this enhances the immediacy of her writing?
  5. Joe, Wearing’s father, is interested in gathering the facts of his ancestors’ existence – births, deaths, marriages – while Wearing herself is interested in finding ways of putting flesh on those facts – of getting to the truth of their lives through story. Which camp do you fall into? Do you believe that factual truth is the core necessity of understanding the past? Or do you believe that it is important to dig beneath the facts to find the “ghosts” of those who came before us, to find the motivation and the story that underlay their actions?
  6. Soon the father-daughter week together comes to an end and both return to their everyday lives. As do we. What were your favourite parts of this story? What are the ‘moments of glad grace’ that you have had with your own parents?

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