Contributors. Rebecca Amato, Michael Birchall, Ofri Cnaani, Michelle Coffey, Jennifer Dalton, Emma Drew, Pablo Helguera, Mary Jane Jacob, Jessica Lynne, Jeff Kasper, Kimsooja, Micaela Martegani, Andrea Mastrovito, Tony Oursler, William Powhida, Ernesto Pujol, Michael Rakowitz, Kirk Savage, Dread Scott, Andres Serrano, Gregory Sholette, Xaviera Simmons, Krzysztof Wodiczko
|Publisher:||Duke University Press|
|Sold by:||Barnes & Noble|
|File size:||159 MB|
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About the Author
Jeff Kasper is Assistant Professor of Design at the University of Massachusetts, Amherst.
Emma Drew is an independent arts writer and editor.
Table of ContentsCover Contents Forword: More Art’s Mission is Our Mission Preface A Practice of Public Art Adapted to the Present: Fifteen Years of More Art in New York City A History of Socially Engaged Art and the Expanded Field of Public Art Production Philanthropy and Socially Engaged Art, Today Chapter 1. Working Towards an Egalitarian Society Can a Transformative Avant-Garde Art Survive in a World of Lolcats, Doomsday Preppers, and Xenophobic Frog Memes? Do We Have a Choice? El Club de Protesta (2011) On the Impossibility of Freedom in a Country Founded on Slavery and Genocide (2014) 9-5 (2015) Chapter 2. American Imperialism As the New Normal Against Heroism Enemy Kitchen (2006-07) Abraham Lincoln: War Veteran Project (2012) NYsferatu: Symphony of a Century (2017) Chapter 3. Me, Myself, and We Narrating Ourselves Anew AWGTHTGTWTA (2008) An Album: Hudson Guild (2009-10) When You’re Looking at Me, You’re Looking at Country (2011-12) Chapter 4. (Dis)placeCalled Home Displacement is the New Dispossession: A Word from Our Neighbors Moon Guardians (2013) Residents of New York (2014) MONTH2MONTH (2016) Where We Are Going Next, Together Methodology Crafting Your Theory of Change What Does the Future of Socially Engaged Art Look Like? Chronology of Public Projects Contributors C H P S Z
What People are Saying About This
“More Art spans categories: from intimate social engagement within one neighborhood to all-encompassing, citywide interventions. This book does the same: I love the close-up accounts of specific art projects on the one hand and, on the other, the broad, historical, and contextualizing frame provided by highly accomplished art historians. This is an invaluable guide to projects large and small and an explanation of how we have arrived at the current moment of intersectional art practices.”
“More Art in the Public Eye contextualizes the evolution of socially engaged art practice that has gained much momentum in the last decades. This anthology addresses the impact such work has had on society in relationship to the complex issues facing our species, other sentient beings, and the planet. It throws down the gauntlet to artists, writers, thinkers, and activists, encouraging and inspiring us all to be fearless as we address the truly urgent conversations of the twenty-first century.”
“Published on the occasion of More Art's fifteenth anniversary, More Art in the Public Eye brings together discursive documents of its unique approach to the ever-evolving field of public art, one that synthesizes and overlaps with socially engaged art, community-based practices, and at times, artistic activism. More Art's critically engaged form of art-in-public-space transcends the categories and limitations of public art—which has so often been instrumentalized for commercial and political ends—by cultivating and facilitating cultural projects that are nuanced, artist-driven, and sensitive to community, place, and time.”