The quintessential guide to Russia’s vibrant and influential Silver Age, now in paperback In this lavishly illustrated, elegantly written volume, John E. Bowltsheds new light on Russia’s Silver Age, the period of artisticrenaissance that flourished as Imperial Russia’s power waned.Much of the creative energy could be attributed to the Symbolistmovement, whose proponents sought to transcend the barriers ofbourgeois civility and whose unconventional lifestyles led somecritics to label them Decadents and Degenerates. But, as SergeiDiaghilev declared, theirs was not a moral or artistic decline, but a voyage of inner discovery and a reinvention of a national culture. Bowlt’s richly textured volume focuses not only on Russia’s best-known artists from this period—Diaghilev and the Ballets Russes, Igor Stravinsky, Anna Pavlova, and poet Anna Akhmatova—but also on lesser-known movements of the day—experimental theater, Nikolai Kalmakov’s innovative painting, and the free dance practiced by followers of Duncan and Dalcroze. Lavishly illustrated, Moscow & St. Petersburg 1900–1920 is the quintessential guide to Russia’s vibrant and influential Silver Age.
In this elegantly written narrative survey, John E. Bowlt sheds new light on Russia’s Silver Age, the period of artistic renaissance that flourished as Imperial Russia’s power waned. Much of the creative energy could be attributed to the Symbolist movement, whose proponents sought to transcend the barriers of bourgeois civility and whose unconventional lifestyles led some critics to label them Decadents and Degenerates. But, as Sergei Diaghilev declared, theirs was not a moral or artistic decline, but a voyage of inner discovery and a reinvention of a national culture.
Bowlt’s richly textured volume focuses not only on Russia’s best known artists from this period—Diaghilev and the Ballets Russes, Igor Stravinsky, Anna Pavlova and poet Anna Akhmatova—but also on lesser known movements of the period—experimental theater, Nikolai Kalmakov’s innovative painting, and the free dance practiced by followers of Duncan and Dalcroze.
Praise for Moscow & St. Petersburg:
"This book will serve as a reference resource . . . . This ambitious English-language publication aims to cover not only every art group of the time but every aspect of the Russian culture. The pictorial layout of John Bowlt’s book renders the sheer proliferation of new ideas immediately apparent. The highly charged text charts the medley of productions, groups, and individuals, all loosely associated with the symbolist movement, that make up the vast canvas. As the leading specialist in the Russian 20th-century avant-garde, Professor Bowlt is well qualified to place the silver age in context." ~ The Art Newspaper "This lushly illustrated volume captures the artistic explosion that was Russia’s Silver Age." ~ Russian Life "(An) authoritative feast of a book." ~ The Irish Times "Splendidly illustrated, beautifully designed . . . ." ~ Shepherd Express "A truly seminal work . . . ." ~ Midwest Book Review "Lavishly illustrated and elegantly written narrative survey." ~ Panache Privée "A dazzling array of color illustrations and period photos displaying the glories of Russia’s art, architecture and scientific achievements." ~ California Literary Review
|Product dimensions:||6.90(w) x 9.55(h) x 1.75(d)|
|Age Range:||13 - 18 Years|
About the Author
John E. Bowlt is a specialist in Russian art history of the late 19th and early 20th centuries and has authored books on Symbolism, the avant-garde, and Socialist Realism. He has curated or co-curated numerous exhibitions and is now professor emeritus of Slavic Languages and Literature at the University of Southern California in Los Angeles.
Table of Contents
Note to the Reader 6
A Double-Headed Eagle: Russia, Land of Paradox 33
Azure Heights, Sapphire Depths: Philosophical Concepts of the Russian Silver Age 67
The Shock of the New: Technology, Science, Engineering 99
The Style Moderne: Russian Refractions of Art Nouveau 129
The World of Art: Sergei Diaghilev and His Circle 161
Flowers, Flowers to Cover the Tomb! Blooms of Decadence 201
Body Art: Ballet, Theater, Cabaret, Nudism 223
Aesthetes and Barbarians: Apollo and the Suicide of Art 295
The Year 1913: Crossroads of Past and Future 319
Apocalypse Now: War, Revolution, and Cultural Centrifuge 347
Glossary of Terms and Abbreviations 384
Further Reading 386
Photo Credits 395