Mule & Pear

Mule & Pear

by Rachel Eliza Griffiths

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Overview

These poems speak to us with voices borrowed from the pages of novels of Alice Walker, Jean Toomer, and Toni Morrison—voices that still have more to say, things to discuss. Each struggles beneath a yoke of dreaming, loving, and suffering. These characters converse not just with the reader but also with each other, talking amongst themselves, offering up their secrets and hard-won words of wisdom, an everlasting conversation through which these poems voice a shared human experience.

Product Details

ISBN-13: 9781936970018
Publisher: New Issues Poetry and Prose
Publication date: 10/03/2011
Series: New Issues Poetry & Prose
Edition description: New Edition
Pages: 97
Sales rank: 1,011,789
Product dimensions: 5.90(w) x 9.60(h) x 0.40(d)

About the Author

RACHEL ELIZA GRIFFITHS is the author of Miracle Arrhythmia (Willow Books) and The Requited Distance (Sheep Meadow Press). She received her M.F.A. in Creative Writing from Sarah Lawrence College and her M.A. in English Literature from the University of Delaware. Her work has appeared in Callaloo, Crab Orchard Review, Indiana Review, RATTLE, Brilliant Corners, Puerto Del Sol, and many other journals. A Cave Canem Fellow, she is the recipient of fellowships from Provincetown Fine Arts Work Center, Vermont Studio Center, New York State Summer Writers Institute, the Cave Canem Foundation and others. A photographer and painter, her visual work has been published widely in both national and international magazines and journals. She teaches at Sarah Lawrence College and lives in New York.

What People are Saying About This

Carl Phillips

“'How dare the dead things return?' and 'How did I end up/being a ghost of every/nothing?' asks Rachel Eliza Griffiths in this haunting debut. Smart, nuanced, lush in their beauty, yet never unaware of beauty’s price, the poems in Mule & Pear meditate on what to do with the ghosts of history by which, as if inevitably, we find ourselves now shaped, now cornered, and now inhabited—each of us, then, an unwitting vessel made to carry the past forward. Griffiths is a master at capturing persona, and uses that gift, especially, to consider the notion of heritage—how much is inherited, how much is imposed? How much of what we believe is what we’re told is true? The ambition of these poems dazzles, as does indeed their achievement.”

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