Music and Connectionism

Music and Connectionism

by Peter M. Todd, Gareth Loy

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Product Details

ISBN-13: 9780262515504
Publisher: MIT Press
Publication date: 01/01/2003
Pages: 280
Product dimensions: 7.10(w) x 10.10(h) x 0.90(d)
Age Range: 18 Years

About the Author


Peter M. Todd is Professor of Informatics, Cognitive Science, and Psychology at Indiana University.


Gareth Loy is a musician and award-winning composer. He has published widely and, during a long and successful career at the cutting edge of multimedia computing, has worked as a researcher, lecturer, programmer, software architect, and digital systems engineer. He is President of Gareth, Inc., a provider of software engineering and consulting services internationally.

Table of Contents

Preface
I Background
Machine Tongues XII: Neural Networks (CMJ, Vol. 13, No. 3)
Mark Dolson
Addendum
Connectionism and Musiconomy
D. Gareth Loy
II Perception and Cognition
Introduction
A Neural Network Model for Pitch Perception (CMJ, Vol. 13,
No. 3)
Hajime Sano and B. Keith Jenkins
Addendum
B. Keith Jenkins
Connectionist Models for Tonal Analysis (CMJ, Vol. 13,
No. 3)
Don L. Scarborough, Ben O. Miller, and Jacqueline A. Jones
Addendum
The Representation of Pitch in a Neural Net Model of Chord
Classification (CMJ,Vol. 13, No. 4)
Bernice Laden and Douglas H. Keefe
Addendum
Pitch, Harmony, and Neural Nets: A Psychological Perspective
Jamshed J. Bharucha
The Ontogenesis of Tonal Semantics: Results of a Computer Study
Marc Leman
Modeling the Perception of Tonal Structure with Neural Nets
(CMJ, Vol. 13, No. 4)
Jamshed J. Bharucha and Peter M. Todd
Using Connectionist Models to Explore Complex Musical Patterns
(CMJ, Vol. 13, No. 3)
Robert O. Gjerdingen
Addendum
The Quantization of Musical Time: A Connectionist Approach
(CMJ, Vol. 13, No. 3)
Peter Desain and Henkjan Honing
Addendum
Peter Desain, Henkjan Honing, and Klaus de Rijk
III Applications
Introduction
A Connectionist Approach to Algorithmic Composition (CMJ,
Vol. 13, No. 4)
Peter M. Todd
Addendum
Connectionist Music Composition Based on Melodic, Stylistic, and
Psychophysical Constraints
Michael C. Mozer
Creation by Refinement and theProblem of Algorithmic Music
Composition
J. P. Lewis
A Nonheuristic Automatic Composing Method
Teuvo Kohonen, Pauli Laine, Kalev Tiits, and Kari Torkkola
Fingering for String Instruments with the Optimum Path Paradigm
(CMJ, Vol. 13, No. 3)
Samir I. Sayegh
Addendum
IV Conclusion
Introduction
Letter: Connectionist Composition (CMJ, Vol. 14, No. 2)
Otto Laske
Responses to Laske (CMJ, Vol. 14, No. 2)
Peter M. Todd and D. Gareth Loy
Further Research and Directions
Peter M. Todd
Addresses of Authors

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