ISBN-10:
1138279536
ISBN-13:
9781138279537
Pub. Date:
Publisher:
Musical Theatre, Realism and Entertainment

Musical Theatre, Realism and Entertainment

by Millie Taylor

Paperback

$62.95
View All Available Formats & Editions
Choose Expedited Shipping at checkout for delivery by Thursday, September 30

Overview

What is it about musical theatre that audiences find entertaining? What are the features that lead to its ability to stimulate emotional attachment, to move and to give pleasure? Beginning from the passion musical theatre performances arouse and their ubiquity in London's West End and on Broadway this book explores the ways in which musical theatre reaches out to and involves its audiences. It investigates how pleasure is stimulated by vocal, musical and spectacular performances. Early discussions centre on the construction of the composed text, but then attention is given to performance and audience response. Musical theatre contains disruptions and dissonances in its multiple texts, it allows gaps for audiences to read playfully. This combines with the voluptuous sensations of embodied emotion, contagiously and viscerally shared between audience and stage, and augmented through the presence of voice and music. A number of features are discovered in the construction of musical theatre performance texts that allow them to engage the intense emotional attachment of their audiences and so achieve enormous popularity. In doing this, the book challenges the conception of musical theatre as 'only entertainment'. Entertainment instead becomes a desirable, ephemeral and playful concept.


Related collections and offers

Product Details

ISBN-13: 9781138279537
Publisher: Taylor & Francis
Publication date: 11/16/2016
Series: Ashgate Interdisciplinary Studies in Opera
Pages: 202
Product dimensions: 6.19(w) x 9.25(h) x (d)

About the Author

Dr Millie Taylor, Reader in Performing Arts, University of Winchester, UK

Table of Contents

Contents: Introduction; Musical characterisation in HMS Pinafore and The Rocky Horror Show; Encoding the voice: Show Boat, Guys and Dolls, and musical theatre post-1960; Integration and distance in musical theatre: the case of Sweeney Todd; Layers of representation and the creation of irony: Aufsteig und Fall der Stadt Mahagonny, Merrily We Roll Along and The Last 5 Years; Alternatives to linearity: Cabaret, Kiss of the Spider Woman and Assassins; Illusions of realism in West Side Story and actor-musician performances; Experiencing live musical theatre performance: La Cage Aux Folles and Priscilla, Queen of the Desert; I've heard that song before: the jukebox musical and entertainment in Jersey Boys, Rock of Ages, Mamma Mia and We Will Rock You; Conclusion; Bibliography; Index.

Customer Reviews