My First Ballet Class: Ready-to-Read Pre-Level 1

My First Ballet Class: Ready-to-Read Pre-Level 1

My First Ballet Class: Ready-to-Read Pre-Level 1

My First Ballet Class: Ready-to-Read Pre-Level 1

eBook(NOOK Kids)

$4.99 

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Overview

Young readers can learn all about what happens at ballet class in this Pre-level 1 Ready-to-Read with sweet text and photographs of ballerinas-in-training!

It’s the first day of ballet class in this early reader by Biscuit creator Alyssa Satin Capucilli. Put on your dancing shoes! What will it be like? Ballerinas wear ballet slippers, learn different foot positions, and twirl across the dance floor. Young readers will love seeing kids their age practicing ballet, learning words like sashay, and more in this adorable introduction to the sport!

Includes a special section of step-by-step instructions for basic ballet moves—to be done with a parent or guardian’s supervision.

Product Details

ISBN-13: 9781481479363
Publisher: Simon Spotlight
Publication date: 12/13/2016
Series: Alyssa Satin Capucilli's My First Series
Sold by: SIMON & SCHUSTER
Format: eBook
Pages: 32
File size: 12 MB
Note: This product may take a few minutes to download.
Age Range: 3 - 5 Years

About the Author

Alyssa Satin Capucilli is the award-winning creator and author of the Katy Duck series and the bestselling Biscuit series, which has sold over twenty-four million copies. A dancer as well as a writer, she lives with her family in Hastings-on-Hudson, New York.

Leyah Jensen studied photography at the Rhode Island School of Design, but her journey in photography began much earlier. As a toddler of a professional photographer, she was often staged in tutus or with a finger in the nose. Growing older, she helped lug equipment to places like Tijuana, where her father was basing a children’s book. Then in her teens she completed several photojournalism assignments abroad of her own, through children’s organizations such as Compassion and other orphan relief agencies. Her own experiences as a child model have taught her that you can’t capture the magic of childhood unless the subjects are free to truly be themselves.
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