An acclaimed writer on her mother’s tumultuous life as a Jewish immigrant in 1930s New York and her life-long guilt when the Holocaust claims the family she left behind in Latvia
A story of love, war, and life as a Jewish immigrant in the squalid factories and lively dance halls of New York’s Garment District in the 1930s, My Mother’s Wars is the memoir Lillian Faderman’s mother was never able to write. The daughter delves into her mother’s past to tell the story of a Latvian girl who left her village for America with dreams of a life on the stage and encountered the realities of her new world: the battles she was forced to fight as a woman, an immigrant worker, and a Jew with family left behind in Hitler’s deadly path.
The story begins in 1914: Mary, the girl who will become Lillian Faderman’s mother, just seventeen and swept up with vague ambitions to be a dancer, travels alone to America, where her half-sister in Brooklyn takes her in. She finds a job in the garment industry and a shop friend who teaches her the thrills of dance halls and the cheap amusements open to working-class girls. This dazzling life leaves Mary distracted and her half-sister and brother-in-law scandalized that she has become a “good-time gal.” They kick her out of their home, an event with consequences Mary will regret for the rest of her life.
Eighteen years later, still barely scraping by as a garment worker and unmarried at thirty-five, Mary falls madly in love and has a torrid romance with a man who will never marry her, but who will father Lillian Faderman before he disappears from their lives. America is in the midst of the Depression, Hitler is coming to power in Europe, and New York’s garment workers are just beginning to unionize. Mary makes tentative steps to join, despite her lover’s angry opposition. As National Socialism engulfs Europe, Mary realizes she must find a way to get her family out of Latvia, and she spends frenetic months chasing vague promises and false rumors of hope. Pregnant again, after having submitted to two wrenching back-room abortions, and still unmarried, Mary faces both single motherhood and the devastating possibility of losing her entire Eastern European family.
Drawing on family stories and documents, as well as her own tireless research, Lillian Faderman has reconstructed an engrossing and essential chapter in the history of women, of workers, of Jews, and of the Holocaust as immigrants experienced it from American shores.
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About the Author
Lillian Faderman is an internationally known scholar of ethnic history, and of lesbian history and an acclaimed memoirist. She is the author of many books, including To Believe in Women, Odd Girls and Twilight Lovers, Surpassing the Love of Men, and I Begin My Life All Over. Among her many honors are Yale University’s James Brudner Award for exemplary scholarship in lesbian and gay studies, the Monette-Horwitz Award, and the American Association of University Women’s National Distinguished Scholar Award.
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Excerpted from "My Mother's Wars"
Copyright © 2015 Lillian Faderman.
Excerpted by permission of Beacon Press.
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Table of Contents
Chapter 1: First week of April, 1932
Chapter 2: The rest of 1932
Chapter 3: Winter and spring, 1933
Chapter 4: Later in 1933
Chapter 5: Spring and summer, 1934
Chapter 6: Fall and early winter, 1934
Chapter 7: Winter to late summer, 1935
Chapter 8: Fall, 1935
Chapter 9: Spring and summer, 1936
Chapter 10: Late 1936
Chapter 11: Winter and spring, 1937
Chapter 12: Summer and fall, 1937
Chapter 13: Winter and spring, 1938
Chapter 14: Summer, 1938
Chapter 15: Fall, 1938
Chapter 16: Winter and spring, 1939
Chapter 17: Summer 1939
Chapter 18: Late summer and fall, 1939
Chapter 19: 1940
What People are Saying About This
"This is an exquisite piece of history—both resonantly personal and full of revelatory moments in the history of women, and of New York in the early days of the garment workers union and the shadow of the Holocaust. The sympathy and understanding Faderman shows for her immigrant mother, and her whole family, reminded me again of what I love about memoir. This is not just a story; these are lives on the page."
“Faderman’s story of her immigrant mother is so vividly imagined that you can taste the borscht Mary eats, squirm at the claustrophobia of her tiny rented room, and be swept up in the sensual delight that will betray her.”
—Janice Steinberg, author of The Tin Horse
“This book is a work of originality, written with such imaginative sympathy that I read it with unabating pleasure from beginning to end.”
—Vivian Gornick, author of Fierce Attachments
“Lillian Faderman is an extraordinary storyteller, one of the few who can tell a painful story with a complex ending—and imbue it with humor, sensuality, and earthy grace, in every sentence.”
—Amy Bloom, author of Away
“The sympathy and understanding Faderman shows for her immigrant mother and her whole family reminded me again of what I love about memoir. This is not just a story; these are lives on the page.”
—Dorothy Allison, author of Bastard Out of Carolina
“My Mother’s Wars tells the aching story of immigrant factory workers in the decades preceding World War II—sad lives made sadder by the terrified knowledge that their families in Europe are being extinguished. The book is part memoir, part reconstruction . . . and all artistry.”
—Edith Pearlman, author of Binocular Vision
Most Helpful Customer Reviews
Loved it...was so so moved by her mothers plight...Moshe really resonated with me...
Lillian Faderman (the name should actually be spelled as Federman) wrote her mother's story because Mary was illiterate in both reading and writing English. It's a quick read (three days for me) and interesting enough but they style is not very good and she just replicates what her mother told her even though, apparently, Lillian did historical research. The most annoying thing about the book is the extensive, over-the-top use of similes. I almost quit reading early on because of them but decided to grin and bear it and finish to the end.