New Adventures

New Adventures

by Michael Monahan

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Overview

New Adventures by Michael Monahan

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Product Details

ISBN-13: 9785518438132
Publisher: Book on Demand Ltd.
Publication date: 06/28/2013
Pages: 376
Product dimensions: 5.83(w) x 8.27(h) x 0.84(d)

Read an Excerpt


THE SHAKESPEABE TERCENTENARY An Elizabethan Performance DURING MY visit to town the Shakespeare Tercentenary was in full swing, but it seemed to me that the celebration was a painfully worked-up affair, lacking heart and spontaneous feeling. Writers who knew nothing about Shakespeareaccording to Frank Harris, an excellent authoritywere rushing into print with more or less valuable contributions. Actors, not specially identified with the Shakespearian drama, were giving interviews in which they protested their passionate attachment to the Bard and their regret for the indifference of the public who have turned their back on the classic tradition. Modest persons, incapable of self-advertisement, were declaring that Shakespeare was their only reading, and ladies of " Society " were graciously appearing in masques and tableaux designed to honour the immortal Man of Avon. There was almost the same apparent furore of enthusiasm which (according to " Mr. Dooley ") once moved the New Yorkpublic to wish to put a fur coat on the Goddess of Liberty in the bay and call her Kipling. Had it been proposed to metamorphose the Statue into a likeness to the Chandos or Droeshout portrait, the public would, I am sure, have been absolutely delighted. But even at that it wouldn't have proved much for New York's love and understanding of Shakespeare. I went to the Century Theatre to see the " Tempest," for which production was chiefly responsible Mr. John Corbin (who insisted upon spelling the Bard's name as Shakspere). It was notable for an attempt to reproduce the stage and dramatic accessories of Shakespeare's time, and the full text of the play was used without, so far as I could judge, any materialomission or expurgation. The experiment was interesting and even praise-' worthy, but I do...

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