In the seventeenth and eighteenth centuries, popular works of literature attractedas they attract todaysequels, prequels, franchises, continuations, and parodies. Sequels of all kinds demonstrate the economic realities of the literary marketplace. This represents something fundamental about the way human beings process narrative information. We crave narrative closure, but we also resist its finality, making such closure both inevitable and inadequate in human narratives. Many cultures incorporate this fundamental ambiguity towards closure in the mythic frameworks that fuel their narrative imaginations. New Testaments: Cognition, Closure and the Figural Logic of the Sequel, 1660-1740 examines both the inevitability and the inadequacy of closure in the sequels to four major works of literature written in England between 1660 and 1740: Paradise Lost, The Pilgrim’s Progress, Robinson Crusoe, and Pamela. Each of these works spawned sequels, whichwhile often different from the original worksconnected themselves through rhetorical strategies that can be loosely defined as figural. Such strategies came directly from the culture’s two dominant religious narratives: the Old and New Testaments of the Christian Bibletwo vastly dissimilar works seen universally as complementary parts of a unified and coherent narrative.
|Publisher:||University of Delaware Press|
|Product dimensions:||6.20(w) x 9.10(h) x 0.80(d)|
About the Author
Michael Austin is provost, vice president for Academic Affairs, and professor of English at Newman University in Wichita, Kansas.
Table of Contents
Chapter 1 Narrative Closure as a Cognitive Problem 1
Chapter 2 God's Sequel 17
Chapter 3 "His Great Duel, not of Arms": Davidic Typology and Rhetorical Combat in Paradise Regained 39
Chapter 4 The Figural Logic of the Sequel and the Unity of The Pilgrim's Progress 59
Chapter 5 "Jesting with the Truth": Figura, Trace, and the Boundaries of Fiction in Robinson Crusoe and its Sequels 79
Chapter 6 Everybody's Story: Pamela as Type 103
End Notes 129
Works Cited 145
About the Author 163