Pub. Date:
Thames & Hudson
Nineteenth Century Art: A Critical History

Nineteenth Century Art: A Critical History

by Stephen F. Eisenman
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In art as in music, literature, philosophy, and political economy, the nineteenth century was a period of questioning, experimentation, discovery, and modernization. From Goya to Blake, from David to Delacroix, from Courbet to Cézanne, artists explored the links between perception and history, and in so doing challenged the prevailing definitions of art and the existing order of society.

First published in 1994, this innovative and groundbreaking survey details the development of a critical perspective in nineteenth-century painting and sculpture. For the revised edition, a new introduction by Stephen F. Eisenman provides a cogent overview of the century, its issues, and its art. Three completely new chapters have been added, which discuss photography and its crucial role in nineteenth-century art; American and German landscape painting and its effect on the growth of romantic nationalism in each country; and Toulouse-Lautrec, whose popular appeal consists both in his work's novel technique and medium and in its exotic sexual perspectives.

Nineteenth Century Art embraces many aspects of the "new" art history—attention to issues of class and gender, racism, and Eurocentrism—but it also emphasizes the remarkable vitality and subversiveness of the era's best art. Indeed, nineteenth-century artists addressed many of the aesthetic, political, and moral issues that preoccupy audiences and historians today, such as the relationship between popular and elite culture, and the representation of women and non-European peoples in Western art.

This rich and diverse volume demonstrates that nineteenth-century art remains compelling today because its critical insights have rarely been surpassed. It will prove of interest not only to the specialist but also to anyone fascinated by the art, history, and culture of the era. 428 illustrations, 63 in color.

Author Biography: Stephen F. Eisenman is Professor of Art History at Northwestern University. Contributors include: Thomas Crow, Brian Lukacher, Linda Nochlin, David Llewellyn Phillips, Frances K. Pohl.

Product Details

ISBN-13: 9780500289242
Publisher: Thames & Hudson
Publication date: 07/28/2011
Product dimensions: 6.00(w) x 1.25(h) x 9.00(d)

About the Author

Stephen F. Eisenman is Professor of Art History at Northwestern University

Linda Nochlin is a leading art historian and the author of several books, including The Body in Pieces: The Fragment as a Metaphor of Modernity, The Politics of Vision: Essays on 19th Century Art and Society, Women, Art and Power, and Realism.

Frances K. Pohl is the Dr. Mary Ann Vanderzyl Reynolds Professor of Humanities and Professor of Art History at Pomona College in Claremont, California. She received her Ph.D. from the University of California, Los Angeles. Since moving to Pomona in 1985, she has taught a wide variety of courses in nineteenth- and twentieth-century North American art. Her work has focused on the art of the United States, in particular the work of Ben Shahn, about whom she has written two books, and the relationship between the visual arts and working-class culture. Professor Pohl has taught in the United States for many years, but her Canadian origins give her a unique continental perspective on American art.

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