No Witness but the Moon (Jimmy Vega Series #3)

No Witness but the Moon (Jimmy Vega Series #3)

by Suzanne Chazin


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“A tremendous talent.”—Lee Child

In this powerful novel from award-winning author Suzanne Chazin, a tense stand-off between a Hispanic police officer and an undocumented immigrant leads to the shooting death of one, the shattered life of the other, and the shocking connection between them. . .

On a clear, moonlit night in December, police detective Jimmy Vega races to the scene of a reported home invasion in an upscale New York community. As Vega arrives, he spots a Hispanic man who fits the description of the armed intruder, running from the victim’s estate. Vega chases him into the woods. When the suspect refuses to surrender—and reaches into his pocket—Vega has only seconds to make a life-or-death decision.

What begins as a tragic mistake takes an even darker turn when Vega uncovers disturbing links between the dead man and his own mother’s brutal, unsolved murder. Vega’s need for answers propels him back to his old Bronx neighborhood, where he is viewed as a disgraced cop, not a homegrown hero. It also puts him at odds with his girlfriend, Adele Figueroa, head of a local immigrant center, who must weigh her own doubts about his behavior.

When a shocking piece of evidence surfaces, it becomes clear that someone doesn’t want Vega to put all the pieces together—and is willing to do whatever it takes to bury the truth. Only by risking everything will Vega be able to find justice, redemption, and the most elusive goal of all: the ability to forgive himself.

“A literary mystery at its finest—captivating, smart, romantic, and impossible to put down.” —Jacqueline Sheehan

“A compulsively readable police procedural that builds to the pace of a thriller with an explosive ending.” —Hallie Ephron

"This is everything a great suspense novel should be. First rate and highly recommended.” —Lee Child

“What a wonderful read! Suspenseful, involving, peopled with colorful, engaging characters. . . This fine novel will touch your heart.” —Julia Spencer-Fleming

Product Details

ISBN-13: 9781496705174
Publisher: Kensington
Publication date: 10/25/2016
Series: Jimmy Vega Series , #3
Pages: 352
Product dimensions: 5.80(w) x 8.40(h) x 1.30(d)

About the Author

Suzanne Chazin won widespread acclaim for the first mystery in the Jimmy Vega series, Land of Careful Shadows, and for its sequel, A Blossom of Bright Light.  She is also the author of The Fourth Angel, Flashover, and Fireplay. She has twice been the recipient of the Washington Irving Book Award for fiction. Her fiction, essays and articles have appeared in numerous magazines and newspapers, as well as the award-winning short story anthology, Bronx Noir. She lives in the New York City area. Visit her on Facebook or at

Read an Excerpt

No Witness But the Moon

By Suzanne Chazin


Copyright © 2016 Suzanne Chazin
All rights reserved.
ISBN: 978-1-4967-0518-1


He hoped this day would never come. He hoped he'd never have to cross the divide.

On one side were cops who never had to second-guess their instincts, never had to shield their consciences — that soft tissue of the soul — from the razor-sharp judgments of colleagues, friends, even strangers.

On the other were those who had to look in the mirror at three A.M. with a belly full of booze and a heart full of lead. The ones who had to whisper the worst question a cop can ask himself and then listen for that tumor of self-doubt in the echo: Did I do the right thing?

Jimmy Vega never wanted to be a cop in the first place. He wanted to be a musician. He wanted to move people with rhythm, not muscle. Then his girlfriend — later wife, later ex-wife — got pregnant. You could say he became a cop the same way he became a father: by backing into it and then trying his hardest to make it work out.

And it had. For eighteen years, it had.

Until tonight.

It was a Friday evening in early December, too early for real snow, even here some fifty miles north of New York City where the deer sometimes outnumber the people. There had been a dusting earlier today — the first of the season. Most of it had melted away but a sugary glaze still clung to the trees and stone walls, lending a festive atmosphere to the rolling hills and horse farms of Wickford, NY.

Vega, a detective assigned to the county police's homicide task force, had been in Wickford most of the day helping the local cops investigate a fatal robbery. The homeowner, a retired school principal, had suffered a heart attack during the break-in. Vega suspected the crime was part of a string of increasingly violent home invasions in the area. Four weeks earlier, just over the border in Connecticut, a rookie cop had been disarmed and pistol-whipped by four Hispanic men involved in a burglary there. Two weeks ago, a teenage babysitter in nearby Quaker Hills had been raped and savagely beaten by what appeared to be the same gang.

"Every day I'm getting a dozen suspicious vehicle calls," Mark Hammond, a Wickford detective, told Vega. "I swear, if we don't catch these mutts soon, we're gonna have some dead Wall Street CEO on our hands."

"Perish the thought," said Vega dryly.

Hammond made a face. Vega suspected the Wickford detective played golf with a few of them. He certainly dressed like he did.

At six P.M., Vega and Hammond had progressed as far as they could in the case. Vega was ready to call it quits for the evening. He phoned his girlfriend, Adele Figueroa, from the parking lot of the Wickford Police station, a brick and clapboard structure that looked like George Washington still slept inside. The entire village, with its cobblestoned sidewalks and whitewashed New England storefronts, could have sprung whole from a Currier and Ives lithograph. It was a cold clear night, the moon so bright it bleached the surrounding sky. A gust of wind bit right through Vega's dark blue insulated jacket. The air felt sharp enough to crack a tree branch. Tomorrow would have been his mother's sixty-fourth birthday. Vega had been trying to distract himself and not focus on it so much this year. It was supposed to get easier with time. That's what everyone told him.

"I just need to drop my car back at the station," Vega told Adele. "Then I'll be right over." He heard what he thought was a bark through the phone.

"Nena?" His term of endearment for her. Babe in Spanish.

"Did I just hear a dog?"

"Don't ask." She blew her nose. "It's just for a little while."

"But you're allergic to dogs."

"Yeah, but Sophia isn't." Adele's daughter had been begging for a dog ever since Vega first met the girl eight months ago when he and Adele started dating. But even so, Adele's plate was full. Besides being the founder and executive director of La Casa, the largest immigrant outreach center in the county, Adele was on the board of the local food pantry and had also recently joined the advisory board of a Hispanic think tank in Washington, D.C. She barely had time to deal with the drama of being a divorced mother raising a nine-year-old, let alone take on a pet.

"One of my clients at La Casa had to move into a friend's apartment temporarily," Adele explained. "The landlord doesn't allow dogs. Sophia cried when she found out he might have to go to a shelter. It's just for a couple of weeks."

"Huh. Famous last words."

"I figure the walks will do me good. Lately my hourglass figure has too many hours and too little glass."

Vega laughed then wished he could take it back. He never understood why a woman with a Harvard law degree couldn't accord her body the same confidence she accorded her mind. "I think you look beautiful, nena. Even if you are picking up steaming piles of —"

"Mock me, mi amado, and I'll make you do it. See you in — what? An hour?"

"Sure thing." Vega hung up and drove his unmarked Pontiac Grand Am out of the parking lot. He'd pulled the short straw getting this silver hunk of junk this morning. It had four wheels and working brakes but the interior lights worked only intermittently and the heater was lukewarm at best. He preferred the cars he used to get when he worked undercover in narcotics: Humvees and Land Rovers and Escalades. Drug dealers drove in style.

He kept his police radio on and listened for any reports of car emergencies or accidents in the area. Wickford was a lousy place to break down, especially in winter after dark. There were almost no streetlights and the estates were set so far back from the road, it would be difficult for anyone to summon help. Vega was anxious to be off duty. But even so, he'd never leave someone stranded if he had the power to help.

The radio was quiet so he took a shortcut he knew through the back roads of Wickford that would put him on the highway. He made a left then a right down several narrow, winding streets, some of them unpaved, all of them no wider than a cow path. He passed huge, dark velvet expanses of lawns slashed by moonlight and shadowed by hundred-year-old trees. A few miles to the west where Adele lived, Lake Holly's downtown blazed with delis, pizzerias, and row frames strung with Christmas lights and inflatable Santas on thumbprint lawns. But here, the darkness was broken only by the occasional high beams of a car.

A dispatcher's voice broke the silence. "Ten-thirty-two in Wickford. Report of shots fired."

Vega sat up straight. A ten-thirty-two was local police code for a home invasion. From the sound of it, an armed home invasion. Vega listened for the address.

"Private residence at Six Oak Hill. Homeowner reports push-in robbery and assault. One confirmed suspect though there may be others. Suspect is male. Hispanic. Medium build and complexion. Late forties or early fifties. Wearing a black puffy jacket, dark jeans, and a tan baseball cap. Suspect may be armed."

This is it. These are the guys we've been looking for. All of Vega's senses turned razor-sharp, as if he'd just gulped a double espresso. He'd stood next to the body of that retired school principal, dead of a heart attack these bastards caused. He'd seen pictures of that poor teenage girl in Quaker Hills, her flesh a map of swellings and bruises that only hinted at the even greater violation beneath. He'd heard the water-cooler rumors that that poor rookie in Connecticut was so traumatized after his encounter; he'd quit the force. If Vega could be the guy to stop it all, right now, that would be an absolute high — the kind of high every cop lives for.

He typed Six Oak Hill into his GPS. He was two streets away. He could be on the scene long before any of the Wickford patrols or an ambulance responded. He grabbed the speaker on his department radio.

"County twenty-nine," he said, identifying his unmarked vehicle to dispatchers. "I'm on Perkins Road in Wickford. I'll take this in. Alert local PD that a plainclothes Hispanic detective will be on scene in a silver Pontiac Grand Am." Vega didn't want to get shot by some townie cop who mistook him for the perp.

He turned off Perkins Road and raced over to Oak Hill — a steep ridge of newly constructed estates on four-acre expanses of lawn. Deep pockets of woods blocked the road from any of its neighbors and its high elevation kept the trees on adjoining roads from spoiling the view. There were only a few houses on the cul-de-sac. Six Oak Hill was a sprawling red-tile-roofed hacienda at the end of a long circular driveway. There were no vehicles parked on the street but that didn't mean one wasn't parked nearby. From what Vega had learned about the gang's operations, they sent a forward party of one or two guys. Only after they'd secured the property did they bring a getaway car.

He pulled the Grand Am to the curb and switched on his police grill lights. They bathed the perfectly trimmed boxwood hedge and pale stucco arches of the house in alternating flashes of red and blue. There was a fountain at the center of the driveway but it looked as if it had been turned off for the winter. The night air was still and silent save for the voice of a female dispatcher over his police radio giving the estimated time of arrival for backup. It would be at least four minutes.

Vega sprang from his car and began walking briskly down the driveway. He tensed as a door along the side of the house swung open. A short, Hispanic-looking man in a puffy black jacket and jeans stumbled onto the driveway. Floodlights bounced off the brim of his tan baseball cap. The man's right hand clutched his left shoulder as he tried to regain his footing. On his heels was a taller, movie-star-handsome man, also Hispanic-looking, waving a gun.

Vega pulled his Glock 19 service pistol from his holster and sprinted down the driveway.

"Police!" he shouted, pointing his weapon at the good-looking man. "Drop the gun! Hands up!"

The man immediately obeyed. "I'm Ricardo Luis," he called out in a Spanish accent. "Don't shoot! This is my home." His name sounded vaguely familiar but Vega was too pumped up to remember where he'd heard it.

The man in the baseball cap pitched forward and ran into the rear yard, still clutching his left shoulder. Then he disappeared.

"Stay where you are," Vega ordered Luis. "Keep your hands where I can see them. More police are coming." Vega scooped Luis's weapon off the driveway and tucked it into his waistband next to his handcuffs. Then he took off after the other figure in the baseball cap.

Bright floodlights blinded Vega as he plastered his body up against the side of the house and scanned the backyard for movement. Colored strands of Christmas lights flashed from a white columned pergola, illuminating a patio and pool covered over for the winter and a fenced tennis court to the far right. Nothing moved. Vega tried to catch his breath. He waited. And then he saw it — the shadow of a figure inching along the edge of the tennis courts. As soon as Vega took a step forward, the suspect broke from the bushes and began running straight for the woods in back.

"Police! Stop!" Vega shouted again. The man kept running. Even with a full moon out tonight, Vega knew the canopy of dense branches and pines would seal off the light. He had no idea how far the woods extended. In Wickford, it could easily go a half mile in any direction. Still, he couldn't hang back. He couldn't take the chance that once again, this gang would get away.

He ran to the pergola and took cover behind one of the columns. He felt like a pinball in an arcade game, zigzagging between bumpers, trying to stay out of the line of fire as he made his way across the lawn. His heart beat hard against his rib cage. Sweat poured down his body. The homeowner's gun was digging into the small of Vega's back. The cold had begun to numb his fingers around the handle of his gun. Vega wished he were back in uniform. At least he'd have a radio on his collar — not this bulky hand-held unit that only served to weigh him down. At least he'd be wearing his Kevlar vest. He still owned one but he hadn't expected to need it today.

Vega was at the edge of the woods now. He'd lost the suspect entirely. The darkness was like a wool blanket. Overhead, bright moonlight dusted the tops of the trees. But on the ground, there were only shapes and silhouettes. Thorny branches snagged Vega's pants and jacket. Logs and stumps half-hidden by leaves tripped up his feet. The cold made his nose run and his fingers tingle. He heard the whoosh of his own hard breathing in his ears. He couldn't turn on his flashlight. He had to mute the volume on his radio. Both would give away his location. So he was forced to stagger blindly across the uneven terrain, guided only by sound and shadow.

The land sloped steeply downward. Vega felt drawn by gravity and momentum. Ahead, he heard the snap of dry branches and the crunch of dead leaves. That made it easier to track the suspect's location but also for the suspect to track his. If there was a gang waiting to ambush Vega at the bottom of this hill, he was as good as dead.

Then Vega's right eye caught something in his peripheral vision. He swung his whole body in the direction of the movement and listened. He heard a crackle of dead branches. A scuff of pebbles. Vega's heart fisted up in his chest. He aimed his gun. The milliseconds felt like hours. Something darted out of the bushes. Something sleek and fast. Moonlight caught the white of its tail. A deer. It leapt over a log and scampered away. Was that all it was? Vega couldn't be sure. His own sandpaper breathing trumped every other sound.

And then — luck. Fifty feet farther down the hill, the suspect stumbled, his forward momentum carrying him right into a clearing that was lit up by a neighbor's floodlight. The man got to his feet, but before he could start running again, Vega caught up just short of the pool of light and took cover behind a tree.

"Police! Stop! Put your hands over your head!" The suspect froze. He had his back to Vega but he was hunched over slightly, breathing hard, his jacket rising and falling with each intake of breath. Vega trained his gun on the man's torso and waited for him to straighten and put his hands in the air.

He didn't.

The suspect's left hand remained somewhere in front of him out of Vega's line of sight. His right one stayed planted on his left shoulder. Was he shot? Reaching for a weapon? From this angle, Vega couldn't be sure. In the time it would take to be sure, it could all be over. Several years ago while working undercover, Vega had witnessed one drug dealer shoot and kill another. One minute, they were standing around arguing the disputed weight of the merchandise. The next, one of the dealers was lying on the ground, bleeding out. It had happened that fast. Vega never saw it coming.

"Let me see your hands!" Vega shouted again.

No response. No compliance. Was he stalling? Vega scanned the woods. This was just how that rookie in Connecticut got disarmed. He thought he'd gotten the drop on one of the gang only to find himself surrounded by three more.

Vega switched to Spanish. "Soy el policía! Déjeme ver sus manos!" I'm the police! Let me see your hands!


"Are you deaf, pendejo? Está usted sordo?"

The man straightened but kept his back to Vega and his hands hidden. "Hay una razón" — the man choked out between gasps of air — "por la que ... hice esto." There's a reason I did this.

So they were going to conduct this interchange in Spanish. Fine. At least now Vega knew. But why wasn't the suspect cooperating? What could he possibly hope to gain by refusing to obey a police officer with a gun pointed at him? "I don't care about your reason, pendejo," Vega replied in Spanish. "Put your hands where I can see them."

"You are making a mistake," said the man in Spanish.

Was that a threat? "Show me your hands! Now!"

Vega felt a burning in his gut — that fight or flight instinct that every officer has to conquer in order to survive. You can't back down when you're a cop. You can't negotiate a command or turn it into a request — or, God forbid, a plea. You're no good to anybody if you do. Not to other cops. Not to civilians. Not even to yourself. You have to own the situation or one way or another, it will own you.

"I'm not gonna tell you again," shouted Vega.


Excerpted from No Witness But the Moon by Suzanne Chazin. Copyright © 2016 Suzanne Chazin. Excerpted by permission of KENSINGTON PUBLISHING CORP..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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No Witness but the Moon 4.7 out of 5 based on 0 ratings. 6 reviews.
Anonymous More than 1 year ago
I'm still weeping after finishing this book. My 7 grandsons range in age from 25 to 4 and I do not want to imagine what any of them ... or their families ... might have had to endure to come to this Country. Given the politics of the moment, this book made me do a lot of thinking about 'building a wall' and the consequences for all of us. For the parents who want a better life and the sacrifices they are willingly endure for years without their children and for the children who loose so much by trying to be reunited ... the sacrefices are mind numbing. As an auxiliary police officer for 8 years, I know a little about the choies those who serve must make on a daily basis. Rarely is any issue of consequence clearly defined but instead has many layers to consider. This is a well written book, one that had been researched and for which the words have been carefully chosen. The story is meat to be entertaining but is educational as well. Too many of us -- myself included -- pay scant attention to the plights of others much of the time. Quite a read ... but quite an eye opener as well. Read it for the story but then think about it for the raw content.
katsindiebookblog More than 1 year ago
*** I voluntarily reviewed this book, I gained no monetary incentives nor was I specifically requested to review the book, these are my honest ramblings and I hope you enjoy reading them - kat*** This is the first Jimmy Vega Novel I have read, and I quite like my crime novels, and the honourable but flawed heros/or heroines. Jimmy is one of those heros that quietly goes about his job, he is good at what he does - that is until one moonlit night in December. Jimmy is the first on the scene of a reported home invasion and when he spots a man who fits the description of the armed intruder, running from the victim’s estate. Vega chases him into the woods. When the suspect refuses to surrender—and reaches into his pocket—Vega has only seconds to make a life-or-death decision. What would you do? The topic of Police shootings is a controversial one and I thought the author did a good job with how the aftermath could play out. When he is stood down during the investigation Vega uncovers disturbing links between the dead man and his own mother’s brutal, unsolved murder. He needs answers and heads back to his old Bronx neighborhood, where trouble brews in the form of Protests. With his daughter and girlfriend beginning to suffer from the backlash, Jimmy doesn't know who to trust. This is a gripping story that keeps the reader guessing to whether Vega will be able to find how the death of his mother and the shooting are related before he is hung by either social media or the department. I really enjoyed reading this book, and I will be checking out the other books in the series. Suzanne has written a fast paced and very true to life story, highlighting that the aftermath of a shooting is never cut and dried.
Jarina More than 1 year ago
No Witness but the Moon is the third book in Suzanne Chazin's Jimmy Vega mystery series. In this series edition homicide detective Jimmy Vega responds to a call for a home invasion with shots fired at a large estate in Wickford, NY. Vega gives chase into the woods and in a split second reaction to the identified suspect's refusal to follow orders given in both English and Spanish, fires when the suspect reaches into his jacket. It is this decision that will change Vega forever, create a rift between him and both his daughter, Joy, and his girlfriend, Adele Figueroa, head of La Casa, a haven for immigrants. With the sage advice of his counsel. Isadora Jenkins, and the covert assistance of Dolan and Greco, the case unravels to take Jimmy back to his old Bronx neighborhood. Key evidence has surfaced that connects what happened in the snowy woods to the brutal death of Jimmy's mother two years earlier. In this newest novel, Suzanne Chazin brings forth a timely tale filled with rich characters and intense events. This book gives an in depth look at the emotions of a police officer who has fired in the line of duty and defense, insight into the struggles of those seeking a better life in the United States, and how these factors can come together to result in something good coming to those in need. Ms. Chazin has once again taken the reader into the world of Detective Vega in a page turning mystery that kept me up late at night to read the exciting climax. I recommend this book.
pet1210 More than 1 year ago
Following on from A Blossom of Bright Light, this is the third book featuring homicide detective Jimmy Vega and this one really puts Jimmy in the spotlight. Responding to a home invasion call, Jimmy confronts a Hispanic male and ends up shooting the man. Jimmy realizes too late that the man, an undocumented immigrant, wasn't armed but was holding a photograph. Fuelled by intense media involvement and public outcry, the incident has wide-ranging consequences for Jimmy professionally and personally, as his relationships with his girlfriend, Adele, and with his daughter become strained. Adele, as the head of a center which supports immigrants, is torn between supporting Jimmy and doing what is expected of her as a community figure. When Jimmy discovers a link between his mother's murder two years ago and the dead man, two seemingly separate cases converge and lead to an exciting finale. Suzanne Chazin has done it again! She has combined a suspenseful mystery with topical social issues in a sensitive manner and showed great psychological insight not only into the plight of undocumented immigrants but also the difficulties faced by a US born detective with Hispanic roots who constantly has to straddle two cultures/worlds. I've become very fond of Jimmy Vega over the course of these three books, and while he is a flawed character, he is also extremely likable. With complex and captivating characters and a story line that is incredibly poignant, this was another well-written book and I hope Ms. Chazin will continue with this series. All books in the series will work as a standalone but I would suggest reading them in order for the character development. I received an ARC from NetGalley but ended up listening to the audiobook which was narrated skillfully by Thom Rivera.
brf1948 More than 1 year ago
I received a free electronic copy of this novel from Netgalley, Suzanne Chazin, and Kensington Books in exchange for an honest review. Thank you, for sharing your work with me. This seems like a simple tale, going in. Ms. Chazin wrings out your heart before it is over. Jimmy Vega is a cop. His lover Adele Figueroa is the founder and head of a community outreach agency prepared to help in any way they can immigrants and their families. Jimmy and Adele have to find their way through their divided loyalties and personal sense of rectitude to find if the core of their relationship can survive his tragic shooting of an unarmed immigrant, the media circus, trial by popular opinion, and the racial turmoil the shooting has opened in their community and the country, and the personal guilt and sense of distrust that wants to fill their hearts after the shooting. This is one of a series, but completely stand alone. I am grateful to have found this wonderful author who can bring to us the whole cloth behind the headlines we face in our news every day. She has a way of making the news personal that I appreciate.
MusicInPrint More than 1 year ago
Jimmy Vega is a cop in this Suazanne Chazin series. This mystery finds the main character Jimmy in some major trouble. He has shot and killed a suspect in a break-in. Chazin spends a lot of pages fleshing out the characters involved in this mystery. Jimmy's girl friend Adele is burdened with loyalty to Jimmy and her outreach center. Felt the first half of the this installment was a bit slow but the last half of the book found resolutions to the puzzles of this crime. Copy was provided by Publisher via Netgalley