This full-sized album of Saturday Evening Post covers captures everyday events and historic moments in American history.
There are few more satisfying sights on a city street than a well-stocked newsstand, hung with a hundred or more magazines and periodicals, each competing for the attention of the potential customer. The American magazine cover enjoyed a Golden Age during the period that opened with the high speed color press, and ended when subscription sales grew to paramount importance. Dozens of gifted artists-from J. C. Leyendecker to John Held-made their reputations in this field. None of them, however, achieved the immense and sustained popular success enjoyed by Norman Rockwell.
At the outset of his career, Rockwell was not the most likely candidate for long-term celebrity; he was just one of many skillful illustrators working within the conventions of the day. But there was something tenacious about his vision, and something uncanny about his access to the wellsprings of public taste. Although technically he was an academic painter, he had the eye of a photographer and, as he became a mature artist, he used this eye to give us a picture of America that was familiar-astonishingly so-and at the same time unique.
It seemed familiar because it was everyone's dream of America; and it was unique because only Rockwell managed to bring it to life with such authority. This was, perhaps, an America that never existed, and never could, but it was an America that the public wanted to exist. And Rockwell put it together from elements that were there for everyone to see, so that he was able to give it the look of documentary reality. He held up a friendly mirror to the societyhe lived in, and Americans have looked into this glass and seen themselves as warm, decent, hard-working citizens of a country bountiful enough to accommodate their boundless optimism.
Rockwell helped preserve American myths, but, more than that, he recreated them and made them palatable for new generations. His function was to reassure people, to remind them of old values in times of rapid change.
Other Details: 332 full-color illustrations 400 pages 11 x 11" Published 1995
Author Biography: Christopher Finch was born in Guernsey, Channel Islands, in 1939 and came to the United States in 1968 to join the curatorial staff of the Walker Art Center in Minneapolis. His books include the best sellers Norman Rockwell's America, The Art of Walt Disney, and Rainbow, a biography of Judy Garland, which was turned into a motion picture for NBC television. His other books, as well as many articles for magazines on both sides of the Atlantic, have dealt with various aspects of contemporary painting and popular culture. He has also written for television and, with his wife, Linda Rosenkrantz, has written Gone Hollywood, a social history of the American movie industry in the years prior to World War II. Mr. Finch lives in New York City with his wife and daughter.
|Publisher:||Abbeville Press, Incorporated|
|Product dimensions:||11.22(w) x 13.48(h) x 1.35(d)|
About the Author
Fred Bauer has written more than a dozen books, including the How Many Hills to Hillsboro?, Everett Dirksen: The Man and His Words, and Then Sings My Soul (with George Beverly Shea). Born in Ohio, he has worked widely in communications and with radio, newspapers, and magazines.