The Northern Clemency

The Northern Clemency

by Philip Hensher


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Product Details

ISBN-13: 9781400095872
Publisher: Knopf Doubleday Publishing Group
Publication date: 02/09/2010
Pages: 736
Sales rank: 1,054,378
Product dimensions: 5.10(w) x 7.90(h) x 1.40(d)

About the Author

Philip Hensher’s novels include Kitchen Venom, which won the Somerset Maugham Award, and The Mulberry Empire, which was long-listed for the Man Booker Prize. Chosen by Granta as one of its best young British novelists, he is professor of creative writing at Exeter University and a columnist for The Independent. He lives in London.

Read an Excerpt

So the garden of number eighty-four is nothing more than a sort of playground for all the kids of the neighbourhood?”

“I wouldn’t say all,” Mrs. Arbuthnot said. “I would have said it was only the Glovers’ children.”

“All of them?” Mrs. Warner—Karen, now—said. “The girl seems so quiet. It’s the elder boy, really.”

“I’ve seen the girl going in there too,” Mrs. Arbuthnot said. “It’s during the day with her. She’s on her own generally. I grant you, it’s the older boy who goes in after dark, and he’s got people with him. Girls, one at a time. There’ll be trouble with both those boys.”

“But, Mrs. . . .” Mr. Warner said. He was slow to catch people’s names.

“Call me Anthea,” Mrs. Arbuthnot said. “Now that we’ve finally met.”

“I mean, Anthea,” Mr. Warner said, “why doesn’t anyone tell the parents? They surely can’t know.”

“That I don’t understand,” Mrs. Arbuthnot said. She was stately, forty-six, divorced, at number ninety-three, almost opposite the empty house. “This isn’t the best opportunity, I dare say.”

They were at the Glovers’. It was a party; the neighbourhood had been invited. Most had been puzzled by the invitation, knowing the couple and their three children only by sight. Mrs. Arbuthnot and Mrs. Warner had passed the time of day on occasion. They had arrived more or less at the same time; both had the habit, at a party, of moving swiftly to the back wall the better to watch arrivals. They had made common ground, and Mrs. Warner’s husband had been introduced. He worked for the local council in a position of some authority.

It was a Friday night in August. The room was filling up, in a slightly bemused way; the neighbours, nervously boastful, were exchanging compliments about each other’s gardens; conver?sations about motor-cars were running their usual course.

“It’s a nice thing for her to do,” Mrs. Warner said, who always prided herself on thinking the best of others. She had left her son, nineteen, a worry, at home; she thought the party might have been smarter than it was, not knowing the Glovers. Other people’s children had come.

“She’s a nice woman, I believe,” Mrs. Arbuthnot said, who had her own private names for almost everyone in the room, the Warners, the Glovers included. “It’s a shame she couldn’t have waited a week or two, though.”

“Yes?” Mr. Warner said, who believed that if a thing could be done today, it shouldn’t be put off until tomorrow.

“There’s new people moving into number eighty-four,” Mrs. Arbuthnot said. “It might have been nice to introduce them to everyone. They’re moving in next week.”

“Just opposite Anthea’s,” Mrs. Warner explained to her husband.

“Perhaps it wasn’t ideal,” Mr. Warner said. “From the point of view of dates.”

“People are busy in August, these days,” Mrs. Arbuthnot said. “They go away, don’t they?”

“We were thinking about the Algarve,” Mrs. Warner said.

“Oh, the Algarve,” Mrs. Arbuthnot said, encouraging and patronizing as a magazine.

It was a good party, like other parties. Mrs. Glover was in a long dress: pale blue and high at the neck, it clung to her; on it were printed the names of capital cities. In vain, Mrs. Warner ran her eyes over it, looking for the name of the Algarve, but it was not there.

“Nibble?” Mrs. Glover said, frankly holding out a potato wrapped in foil, spiked with miniature assemblages of cheese and pineapple, wee cold sausages iced with fat. Her hair was swept up and pulled in, in a chignon and ringlets. They had all dressed, but she had made the most effort for her own party.

“I so like your unit,” Mrs. Arbuthnot said.

“We got fed up with the old sideboard,” Mrs. Glover said. “It was Malcolm’s mother’s, so he felt he had to take it when she went into a home. She couldn’t have all her things, naturally, so we took it, and then one day, I just looked at it and it just seemed so ugly I had to get rid of it. We got the unit from Cole’s, actually.”

“You got it in Sheffield?” Mrs. Arbuthnot said.

“I know,” Mrs. Glover said. “I saw it and I fell in love with it.”

“It’s very nice,” Mrs. Warner said. “I like old things, too.”

“I know what you mean,” Katherine Glover said. “I love them, really. I just think they have so much more character than new furniture. I’d love to live in an old house.”

There was a pause.

“But it’s original, isn’t it?” Mr. Warner said, helping her out; they seemed to be stuck on the white unit, windowed with brown smoked glass.

“Yes,” Katherine Glover said. She gestured around the room. “I think we’ve got it looking quite nice now. Finally!”

They all laughed.

“We’ve lived here for ten years!” she said vivaciously, as if hoping for another laugh. “But—”

Karen Warner remarked that it was strange how you didn’t get to meet your neighbours properly, these days.

“This was a nice idea,” Mr. Warner said, “having a party like this.” But he was wondering why, on this warm August night, the party was staying indoors and not moving out on to the patio.

There were five of them, the Glovers, in the room. Malcolm was in a suit, a borderline vivid blue, waisted and flaring about his skinny hips, flaring more modestly about the ankles, his tie a fat cushion at his neck. He carried a bottle from group to group, his smile illuminating as he moved on. “My wife’s idea,” he was saying to a new couple about the party. “I work in the Huddersfield and Harrogate.”

“You work in Harrogate?” the man said. “That’s quite a drive every day.”

“No,” Malcolm said, after a heavy pause. “The Huddersfield and Harrogate.”

“The building society?” the woman said. She was a nursery nurse, pregnant herself.

“Yes,” Malcolm said, his puzzled voice rising. “Yes, the Huddersfield and Harrogate, our main offices, just off Fargate opposite the Roman Catholic cathedral. It’s women like parties, mostly. It was my wife’s idea.”

“It was a nice idea,” the husband said. “We’ve not met a lot of people in the street.”

“We’ve admired your front garden,” the wife said. She sneezed.

“The idea was,” Malcolm said, “that by now there’d be new people in number eighty-four. Just over there. They’d have been more than welcome.”

“That’s a nice thought,” the woman said, sneezing again.

“But there must have been a hold-up,” Malcolm said. “At any rate, it’s still empty.”

Elsewhere in the room, people were talking about the empty house, and about the new inhabitants.

“Anthea Arbuthnot’s met them,” a man was saying.

“Oh, Anthea,” a woman replied, and laughed. “What she doesn’t know isn’t worth knowing.”

“We call her the Rayfield Avenue Clarion,” someone’s teenage daughter said, and blushed.

“I was saying,” the man said, “Anthea Arbuthnot’s met them,” as Mrs. Arbuthnot came up, expertly balancing a pastry case filled with mushroom sauce.

“Met who?” Mrs. Arbuthnot said.

“The new people,” he said. “Over the road.”

“You don’t miss much,” she said, in a not exactly unfriendly way. “Yes, I met them, quite by chance. The house, it’s being sold by Eadon Lockwood and Riddle, which sold me my house too, five years back. It was the same lady, which is quite a coinci?dence. Her name’s Mary, she breeds chocolate Labradors in her spare time, which was a little bond between us, a nice lady. I saw her coming out of the house one day with a couple as I was going down the road with Paddy, my dog, you know, and stopped to say hello. Naturally she introduced me to the people, they’d bought it by then, they were just having another look over. Measuring up for curtains and carpets, I dare say.”

The Glover girl, Jane, was at the edge of their circle, listening, her flowery print frock, her lank hair, the empty plate she had been carrying round the guests all drooping listlessly. The adults shifted politely, smiling. She was fourteen or so; just about old enough for this sort of thing. “Are they nice?” she said.

Mrs. Arbuthnot laughed, not at all kindly. Jane Glover just looked at her, waiting for the answer. “Are they nice?” Mrs. Arbuthnot said. “I don’t know about that. They’re from London. He’s very London. She didn’t say anything much. They’ve got two children, nine, and a fourteen-year-old girl, I think she said.”

“Were the children nice?” Jane said, and now she was surely being deliberately childish.

“They weren’t there,” Mrs. Arbuthnot said. “Their name—let me see—it’s on the tip of my tongue . . . they’re called—Mr. and Mrs. Sellers. That’s it.”

“London children,” a man said, shaking his head.

“I hope they’re nice,” Jane said, and then just walked away. She knew all about Mrs. Arbuthnot. Under no circumstances would she tell any of these people that she, Jane, was writing a novel. Already she hated the girl, over the road, fourteen.

“He’ll break some hearts,” someone was saying, in another part of the room. It was Daniel Glover they were talking about. He was sixteen, lounging over the edge of the sofa, his long legs spread. His mouth hung slightly open, and from time to time he brushed away the soft fall of long black hair. Every twenty seconds the pregnant nursery nurse was sneezing, and it was Daniel she was sneezing at. His lush musk odour filled the room, making the air itch; it was the eau-de- toilette he’d lifted from Cole’s on Tuesday, and he’d practically bathed in the stuff.

Daniel looked at the party. He was thinking about sex, and he counted the women. Then he eliminated the unattractive ones, the ones over thirty-five, his mother and sister—no, he brought his sister back in just for the hell of it. Balanced it out, removed some of the men. Then—what they do, he’d read about it—the men throw their keys into a bowl, the women pick them out, then—

He lost himself in lewd speculation. Or—he started again—you could just have an orgy here. A sex orgy on the carpet. Because that happened all the time, he’d read about it. It just didn’t happen here, in this house. But he bet somewhere round here it happened all the time. Probably on this street.

Mrs. Arbuthnot observed with some interest that the elder Glover boy had an erection. She enjoyed the sight: she had divorced six years ago, her long-held ambition to take part in a game of strip poker never having been fulfilled or, indeed, mentioned to anyone, least of all her ex-husband. She envisaged, like Daniel, scenes of satisfaction; for her, they were what Daniel had done, or might be doing, to the girls in the back garden of number eighty-four, watched soberly by its four dark empty windows.

“Hay fever,” the nursery nurse said politely, still sneezing, feeling with alarm a little dribble in her knickers.

“They’re called Mr. and Mrs. Sellers,” someone said. “They paid seventeen thousand for the house. Anthea Arbuthnot told me.”

Katherine Glover was relaxing, now that her party was being a success. They were eating the food; she’d made pastry cases with mushroom filling, and prawn, she’d made three different quiches, she’d made Coronation Chicken (a challenge to eat standing), she’d made assemblages of cheese-and-pineapple and cold sausages, she’d made open Danish sandwiches in tiny squares, a magazine idea, and they were eating it all. There were dishes of crisps, too, and Twiglets, but those didn’t count in the way of making an effort. They were drinking the wine, Malcolm’s choice—she’d had three glasses—and in the background, the music was exactly right, Mozart, Elvira Madigan. It was all being a great success.

The sexes were dividing now: the men were talking about their jobs, their cars, about the election, even; the women about their children’s schools, about the cost of living, and about each other.

“Your hand’s never out of your pocket,” one said, and another observed that her house had doubled in value in five years. One woman, worldly in manner, said that Sheffield would improve when Sainsbury’s got round to opening a branch, as she’d heard they were planning to.

“Oh, we know Mrs. Thurston,” another said, referring to the headmistress of one of the local schools.

“She teaches the piano, doesn’t she?” the nursery nurse said hopefully. “On Charrington Road?” She was set right, and the others started recommending piano teachers to each other, boasting about their children’s grades, merits and distinctions.

“It’s all going to the dogs,” a man said. “This’ll be a third-world country by 1980,” and the others gravely agreed. Malcolm made his rounds again; for the last twenty minutes he had said nothing to anyone, only smiled and offered the bottle, and he was circling too soon. All the glasses were full, and the guests refused with a smile, wondering about their host, who they did not know. Absently, he offered the bottle to Daniel, who took the opportunity, his fourth, to refill his glass, still thinking of tits.

“It would have been nice if they could have come,” Katherine said again. “Sellers, they’re called.”

“Your son’s getting to be a handsome young man,” they said in reply.

“I’ve got two,” Katherine said, laughing.

“Yes,” they said, wondering where the other was, the one they wouldn’t have meant, since he was, what?, nine years old.

“We invited Mrs. Topsfield, too,” she said. “The old lady who lives in the great big house, the old one, at the bottom of the road, the edge of the moor. But only to be polite—she wouldn’t be likely to come at her age.”

“I’ve often wondered about her,” someone said. “A gorgeous house.”

“It’s just her in it, apparently,” Katherine said.

“I do think they’ve done their house beautifully,” Karen Warner said to her husband; they had been marooned together at one side of the room. It was a handsome room; one wall had been covered with a bold paper in a bamboo print, jungle green with lemony highlights, and the others painted the palest beige. The fat suite, pushed back against the walls, and the carpet were rough oatmeal; instead of a fourth wall, a single picture window gave on to the garden.

“It’s quite like our house, the way it’s arranged,” Warner said.

“Not quite, though,” Karen said. The estate, a hundred and twenty houses, all built in one go ten years before, was elegantly varied; there were a dozen or more differently shaped houses, arranged irregularly. There was nothing municipal about the estate; but, of course, she had said this many times before. “Had you heard anything at work about a Sainsbury’s opening in Sheffield?” Warner informed his wife that he had not, and that such information would not have come his way in the course of his work at the council. “I do like that unit,” she said in a rush, because now she, too, had seen the elder Glover boy, sprawled about his erection.

“I didn’t expect to be invited,” the nursery nurse was saying, to someone she didn’t know, “but I’m glad I came.” It had been ten days before; she had been resting in the afternoon, her feet, horribly swollen in this weather even at six months, up on a stool. Through the window she had seen a woman in a sleeveless summer dress stomping up the drive; a familiar figure, some sort of neighbour, with an air of imminent complaint about her walk. What now? she’d thought wearily. But the woman hadn’t rung: there was the clatter of something through the letterbox that proved, when her husband got home and picked it up, to be an invitation. “But who are they?” he’d said. “I think we might as well go,” she’d said, not answering his question.

But the Glovers had three children, surely: the youngest a boy, wasn’t he? Maybe he was in bed.

The youngest was behind the sofa: he had been there most of the evening, slipping behind it quite early on. Timothy had with him his favourite book in the whole world. He had been reading it steadily all evening, letting his eye run over the familiar entries. He had taken it out from the public library eleven months before; he had renewed it once, then stopped bothering. It was now ten months overdue, which caused him great terror whenever he thought of it. In happy moments, he decided that he could conceal the book where no one would find it, and his parents would never uncover the gigantic fine now building up. The fear of punishment was huge in him.

But the terror did not touch the book. It was as good now as ever. The pleasure he found in letting his eye ride over it, touching on category after category, overrode anything else. Whenever he could, he returned to its calm instructions. Even when it was not quite right of him to do so, he sensed, he found a way to be alone with it, as now burrowing behind the sofa at his parents’ party. It was so important to him that often in the last months he had found himself telling others—his best friends Simon and Ian, his sister Jane, his mother but for some reason not his brother Daniel, not his father—some facts about his subject. More oddly, he found himself asking them questions about it, as if they could instruct him, feigning ignorance, wanting to find out if they knew what he already did.

The book was about snakes. Timothy gazed at the photographs as if at a family album, committing the names he already knew to a further refreshment of memory.

He had been there for three hours, wedged between the sofa and the large picture window. If the party went outside, they would see him, and probably laugh. From time to time the back of the sofa, the porridgy tweed panels between the wood frames, bulged as someone sat down, swelling towards him, like some inchoate mass searching for him. There was a queer smell of dust down here, and the nasty smell of spilt alcohol. It was his favourite place when there was anyone in the house.

“I don’t know where he’s got to,” Katherine Glover said to a departing guest; it was too warm for anyone to have brought coats, but she made a helpful gesture. “He’s a little bit shy.”

The guest smiled; her husband made a honking noise, understanding that the woman was talking about her son, not knowing that there was any son apart from the great lout who had been lolling on the sofa, gawping at the ladies.

On the mat was an envelope, which, surely, had not been there earlier; it was addressed to Katherine, and she picked it up. In front of her, the remains of her party; the poor pregnant woman, harassed and tired, waiting for her husband to want to go. But the husband was drunk, his hair rumpled, making a hash of a joke to a group of husbands. Where was Malcolm? Sitting down, his host’s bottle in his hand, all refills at an end; and the Mozart had come to an end, too, leaving the patient silence to dismiss the guests.

“You looked so nice,” Jane said to her mother, coming up to her in the hall, munching a cheese straw, “in your posh frock and your hair like that.”

Katherine felt so terribly tired. “I don’t know why I bothered,” she said crossly. “They didn’t appreciate it at all.”

Jane looked at her mother in astonishment. “It was a lovely party,” she said. “You should always wear your hair like that.”

“What, to work?” Katherine said. “Don’t be daft.”

“Thank you so much,” the drunk man was saying, “for a lovely time, my dear. We’ve had a lovely, lovely time.”

He leant towards her, as if to kiss her, but did not; Katherine had him by the shoulders, a gesture that might have been affectionate, holding him at arm’s-length inspection.

“We’ve had a very good time,” the pregnant woman said. But it didn’t look it.

“When is your baby due?” Jane said abruptly.

“In November,” the woman said, not smiling. She took her husband by the arm, and they went.

“Where’s your dad?” Katherine said, but then Daniel was in the hall, up from the sofa for the first time all evening.

“Just going out for a second,” he muttered.

“One second—” Katherine said, but he was gone. “Oh, well.”

And then Daniel, who had answered all polite inquiries with a brief grunt and a shrug, who had not moved from his perch on the arm of the sofa, like a vast and lurid ornament, proved himself to have been all along the ringmaster of the festivities. Because with his departure the party was decisively over, and the few remaining guests moved towards the front door where Mrs. Glover, her daughter at her side, was standing. In kindness, they bent and said a word to Malcolm, who said something in return, and then, with a chorus of thanks, they were out.

“I do love your unit,” Mrs. Warner said over her shoulder, a final kindly thought disappearing into the lush August night. “As I was saying, I do love your . . .”

Goodbye, goodbye . . . and Katherine opened the envelope in her hand. It was an unfamiliar hand, elegant and swooping, in real ink, and the general gist of apology was clear before the signature was deciphered. She read it again, and smiled, her first genuine smile all evening.

“Have they all gone?” she heard Timothy saying, as he got up from behind the sofa, book in hand.

“I think so,” his father said, his voice muffled, regretful in the other room. “Where’s your brother?”

From the Hardcover edition.

Reading Group Guide

“A richly textured, closely observed saga. . . . Hensher’s eye for detail is precise and his touch sure. . . . Reminds one of Mrs. Gaskell or even Dickens.” —The Wall Street Journal

The introduction, questions, and suggestions for further reading that follow are intended to enhance your reading group's discussion of Philip Hensher's epic, vividly rendered novel The Northern Clemency, which was shortlisted for the Man Booker Prize.

1. What do you think the title means? Who in the novel is seeking clemency, who deserves it, and who receives it?

2. When you first read the epigraph from E. M. Forster, what did you think it meant? Now that you've read the novel, how has your understanding changed?

3. Who is the main character in this novel? Is there more than one? Who did you most, and least, enjoy spending time with? Which character undergoes the greatest transformation? In what ways is he/she transformed?

4. Before reading the novel, how familiar were you with contemporary British history? How did that affect your reading experience?

5. What role does economics play in the characters' lives? How does the miners' strike affect them?

6. “Mardy,” “Nesh,” “The Giant Rat of Sumatra”… What do the titles of the novel's ports signify? How do they help to organize the novel?

7. Several of the female characters believe that, by using sex, “you could make someone do what you wanted them to do” [p. 293]. What are the ramifications of this? Do any of the men use sex in a similar way?

8. The notion of keeping secrets—anything from Nick's double life to Tim's obsession with Sandra—is a major theme in the novel. Who benefits by being circumspect, and who is damaged by it? What do you think the novel demonstrates about secrets?

9. Compare Katherine's relationships with Malcolm and with Nick. What does she get from each of them? Why does she stay with Malcolm? Why does Malcolm stay with her, especially after Nick's testimony?

10. Discuss the scene in which Katherine kills Tim's snake. How does this one act affect everyone in the Sellers and Glover families?

11. In what ways are the two families alike? How are they different?

12. What is the significance of “the game,” which Francis and, eventually, Tim play at school? How does it foreshadow their adult lives?

13. Reread the passage about family life that begins at the bottom of page 285. In your own life, do you find this to be accurate? How does having an audience make a family more cohesive?

14. Why doesn't Daniel tell his parents about Tim's visits to Andrew in the hospital [p. 295-97]? How might things have changed if he had?

15. Several ancillary characters—Anthea, Andrew, Sonia—have their own side stories. What do these contribute to your understanding of the main characters' behavior?

16. Why do you think Sandra changes her name?

17. Take another look at Francis's confessions to his mother [p. 633-34]. Do you think Alice hears what he's saying? How does this figure into his final scene, on the train [p. 589-90]?

18. Which character(s) have what you consider to be happy endings? Why?

19. “So the garden—”: What is your opinion of the author's twist at the end? How did it affect your understanding of what you'd read? Was it a satisfying ending?

(For a complete list of available reading group guides, and to sign up for the Reading Group Center enewsletter, visit


“A richly textured, closely observed saga. . . . Hensher’s eye for detail is precise and his touch sure. . . . Reminds one of Mrs. Gaskell or even Dickens.” —The Wall Street Journal

The introduction, questions, and suggestions for further reading that follow are intended to enhance your reading group's discussion of Philip Hensher's epic, vividly rendered novel The Northern Clemency, which was shortlisted for the Man Booker Prize.

Customer Reviews

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Northern Clemency 3.3 out of 5 based on 0 ratings. 15 reviews.
harstan More than 1 year ago
In 1974, the Sellars brood leaves hip London for suburban ennui in Sheffield in the inappropriately named South Yorkshire as they trek to the north. The two Sellars sisters, reticent Francis and extroverted Sandra are concerned that life in the burbs will prove boring as the former loves music and the latter loves swinging London.

Their neighbors, the Glover family consists of two parents and three kids. Patriarch Malcolm is outraged when he finds evidence that his wife Katherine is having an affair. As for the children, bookworm Jane conceals from everyone she is writing a novel; Daniel¿s brain consists of one icon sex with any carbon bearing species; and the youngest preadolescent Tim is friendlier with snakes than people.

One decade later, the kids are away from home either at universities or working. The empty nest syndrome is compounded with employment issues for the older generation as their hobs die and the new economy begins to shape everyone. Into the nineties, the children as adults live around the world, but come home as often as they can seek solace.

This is an interesting family drama that showcases two families during the Thatcher Era. Each of the ensemble cast is fully developed as readers see them all from multiple perspectives. Although the story line is extremely passive, fans will relish this deep character study of two generations struggling in different ways to survive the Conservative period, a time of technology and dramatically changing globalization (Thomas Friedman¿s The World Is Flat comes to mind although much of his treatise occurs after the events of THE NORTHERN CLEMENCY) in which the older generation feels hopelessly lost and left behind and their offspring disillusioned and unhappy.

Harriet Klausner
Eyejaybee on LibraryThing 3 days ago
Quite clearly, without let or hindrance, without mitigation or qualification, this was the worst novel I have read this year. Reading this book was like being water-boarded, just without the fun bits.
hazelk on LibraryThing 4 days ago
The early chapters when the focus was on the younger members of the Sheffield suburban households were for me the more successful sections of this overlong novel.Although not usually nerdy I got quite aggravated by some sloppy style and punctuation: some sentences I had to re-read to get some sense out of (but not in the way of re-reading Henry James).If it hadn't been for the fact that I live not far from Sheffield and also lived through the eras described I don't think I would have persevered. It was all quite mundane. Perhaps, to give the author his due, this was part of his aim.
bcquinnsmom on LibraryThing 4 days ago
When you're ready to start this one, make sure you've got everything done that you need to do, because it's hard to stop reading. At 700+ pages, you need to know what you're getting into. I didn't and have stayed up way too late the last few nights to finish it. The story centers on two families in Sheffield: The Glovers, who are from the area, and the Sellers, who have at the beginning of the story (1970s) just moved from London. We follow the story through the 1990s. The Sellers don't realize it, but they are moving into the neighborhood at a time when the Glovers are going through a crisis: Mr. Glover has left the home without saying anything, and Katherine's so frustrated that she performs a most senseless act of cruelty right out in front of everyone, none the least of whom are her children, especially her son Tim. This sort of sets the tone and gets the story up and running very quickly. But the Sellers have their own problems; for example, the kids aren't fitting in well at all at school because they're not native to the area. The 1970s leave indelible marks on both families, and their stories weave in and out throughout the years. You can't stop reading, because you really want to know what happens with everyone.Beyond that, Hensher's writing is very descriptive and quite good. His characterizations are excellent, and should be; this is not really so much plot driven but more character driven. It is a bit long, and I found myself thinking that maybe there could have been less conversation in some parts to move things along. But that's just me. Would I vote for it to win the Booker? Probably not, but it was still a fine read and one I can recommend.
davidroche on LibraryThing 4 days ago
Don't be alarmed at the imposing proportions of this splendid tome. What is inside is not only appealing but also eminently accessible as the story of several families and neighbours unfolds from the 70's over twenty or more years. Often amusing and occasionally startling, this sashays from Mike Leigh territory to Vikram Seth-like narrative and dialogue. The book amply rewards the reader for the investment of their time with the completion of an epic journey.
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Hencher's characters--two families in 1970s Sheffield--are flawed and often trying, but his vivid writing and generous spirit connect you to them and even after nearly 900 pages, you are loath to let them go.
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Anonymous More than 1 year ago
Well-written, but entirely too long.