Of Hopes & Dreams & Tombstones: Beat 'n' R&B from Down Under

Of Hopes & Dreams & Tombstones: Beat 'n' R&B from Down Under

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Overview

Of Hopes & Dreams & Tombstones: Beat 'n' R&B from Down Under

All 31 of the tracks on this anthology of mid-'60s Australian rock were licensed from Festival, the most active independent label in recording Australian rock of the era. Although its limitation to one source inevitably means it can't serve as a best-of (or one of the best-ofs) for the Australian scene as a whole, it's a good collection of material from a vibrant corner of '60s rock that's been fairly neglected by listeners not from down under. There's not a single name on here that might be known even to most reasonably knowledgeable '60s collectors, but hardcore internationalists will be familiar with some of these from Australian '60s compilations on Raven and Festival itself. Among them are some very fine artists, even if they usually didn't record much, like the Purple Hearts, Steve and the Board, the Sunsets, and Ray Brown & the Whispers. It's not easy to characterize the Australian sound of the period as a whole, but generally it would be fair to say that it blended some of the better aspects of American garage and British Invasion Mersey, mod, and R&B with some echoes of surf, novelty, Bo Diddley, and American soul thrown in. Some of this material's ordinary (if always energetic), but there are at least a dozen standouts, though some of this has already appeared on other Australian reissues. The Sunsets' "When I Found You" is certainly an irresistible blend of British Invasion and surf sounds, while Chris Hall & the Torquays' "Don't Ask Me Why," the Five's "There's Time," and Jimmy Crockett & the Shanes' "That Lovin' Touch" (with the typically un-PC garage lyric "you've got that sweet lovin' touch, but you keep talkin' too much") is certainly as good as much of the garage rock compiled on the Nuggets box sets. The production, melodies, and variety are frankly better than they are on the average American garage comp, though the energy is of an equal level. It also helps that some of this is more quality pop
ock than it is simple garage, like Ray Brown & the Whispers' melodramatic and brooding "Too Late to Come Home," the downbeat R&B of Tony Worsley & the Blue Jays' "If You See My Baby," and Mike Furber's downright sorrowful "You're Back Again," which sounds like a particularly gloomy spin on the Merseybeats.

Product Details

Release Date: 07/29/2002
Label: Big Beat Uk
UPC: 0029667421423
catalogNumber: 214
Rank: 147295

Album Credits

Performance Credits

Steve Kipner   Vocals
Ian Thomas   Bass
Pete Sutherland   Drums
Laurie Allen   Organ
Lindsay Bjerre   Guitar,Vocals
Ray Brown   Vocals
John Cartwright   Guitar
Craig Collinge   Drums
Mike Hadley   Vocals
Tony Hamilton   Guitar,Vocals
Steve Hopgood   Drums
Mike Lawler   Bass
Lobby Loyde   Guitar
Greg Martin   Drums
Brian Peacock   Bass
Terry Richards   Bass
Peter Thompson   Drums
Bob Jones   Guitar
Paul Schorr   Bass
Geoff Smith   Drums
Greg Hall   Bass
Peter Best   Guitar
Tony Barber   Guitar
Barry Shepherd   Vocals
Brian Burns   Guitar
Barry Lee Pearson   Guitar
Bill Billings   Guitar
Chris Hall   Vocals
Normie Rowe   Vocals
Rick Harrison   Guitar
Alex Hill & His Sepians   Guitar
Geoff Bridgeford   Drums
Greg Walker   Guitar
Rod Stone   Guitar

Technical Credits

Alec Palao   Liner Notes,Concept

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