PUBLISHERS WEEKLY BESTSELLER • Now in hardcover for the first time, featuring all-new illustrations! Once, in a cottage above the cliffs on the Dark Sea of Darkness, there lived three children and their trusty dog, Nugget.
Janner Igiby, his brother, Tink, and their disabled sister, Leeli, are gifted children as all children are, loved well by a noble mother and ex-pirate grandfather. But they will need all their gifts and all that they love to survive the evil pursuit of the venomous Fangs of Dang, who have crossed the dark sea to rule the land with malice. The Igibys hold the secret to the lost legend and jewels of good King Wingfeather of the Shining Isle of Anniera.
Full of characters rich in heart, smarts, and courage, On the Edge of the Dark Sea of Darkness is a tale children of all ages will cherish, families can read aloud, and readers' groups are sure to enjoy discussing for its many layers of meaning. Extra features include new interior illustrations from Joe Sutphin, funny footnotes, a map of the fantastical world, inventive appendices, and fanciful line art in the tradition of the original Frank L. Baum Wizard of Oz storybooks.
About the Author
Andrew Peterson is critically acclaimed in the music industry, and his lyrics and songwriting are compared by reviewers to James Taylor, Marc Cohn, and the late Rich Mullins. He’s married to Jamie; they have two sons, Aedan and Jesse, and one daughter, Skye.
Joe Sutphin was known in school as “that kid who can draw.” He is the illustrator of Dr. Critchlore’s School for Minions by Sheila Grau and the New York Times bestselling novel Word of Mouse by James Patterson and Chris Grabenstein.
Read an Excerpt
The Carriage Comes, The Carriage Black
Janner Igiby lay trembling in his bed with his eyes shut tight, listening to the dreadful sound of the Black Carriage rattling along in the moonlight. His younger brother Tink was snoring in the bunk above him, and he could tell from his little sister Leeli’s breathing that she was asleep too. Janner dared to open his eyes and saw the moon, as white as a skull, grinning down on him through the window. As hard as he tried not to think about it, the nursery rhyme that had terrified children in the land of Skree for years sang in his head, and he lay there in the pale moonlight, his lips barely moving.
Lo, beyond the River Blapp
The Carriage comes, the Carriage Black
By shadowed steed with shadowed tack
And shadowed driver driving
Child, pray the Maker let you sleep
When comes the Carriage down your street
Lest all your dreams be dreams of teeth
And Carriages arriving
To wrest you from your berth and bower
In deepest night and darkest hour
Across the sea to frozen tower
Where Gnag the Nameless pounds you
At Castle Throg across the span,
A world away from kith and clan
You’ll weep at how your woes began
The night the shadows bound you
Away, beyond the River Blapp,
The Carriage came, the Carriage Black
By shadowed steed with shadowed tack
The night the Carriage found you
It’s no wonder that Janner had a hard time sleeping once he heard the faint thud of hooves and the jangle of chains. He could see in his mind the forms of the crows circling the Carriage and perched atop it, hear the croaking beaks and the flapping of black wings. He told himself that the sounds were only his imagination. But he knew that somewhere in the countryside that very night, the Black Carriage would stop at some poor soul’s house, and the children there would be taken away, never to be seen again.
Only last week he had overheard his mother crying about the taking of a girl from Torrboro. Sara Cobbler was the same age as Janner, and he remembered meeting her once when her family had passed through Glipwood. But now she was gone forever. One night she lay in bed just as he was now. She had probably kissed her parents good night and said a prayer. And the Black Carriage had come for her.
Had she been awake?
Did she hear the snort of the black horses outside her window or see the steam rising from their nostrils?
Did the Fangs of Dang tie her up?
Had she struggled when they put her into the Carriage, as if she were being fed into the mouth of a monster?
Whatever she had done, it was useless. She had been ripped away from her family, and that was the end of it. Sara’s parents had held a funeral wake for her. Being carried off by the Black Carriage was like dying. It could happen to anyone, at any time, and there was nothing to be done about it but to hope the Carriage kept moving when it rattled down your lane. The rattles and clinks and hoofbeats echoed through the night. Was the Black Carriage getting closer? Would it make the turn up the lane to the Igiby cottage? Janner prayed to the Maker that it would not. Nugget, Leeli’s dog, perked his head up at the foot of her bed and growled at the night beyond the window. Janner saw a crow alight on a bony branch outlined by the moon. Janner trembled, gripping his quilt and pulling it up to his chin. The crow turned its head and seemed to peer into Janner’s window, sneering at the boy whose wide eyes reflected back the moonlight. Janner lay there in terror, wishing he could sink deeper into his bed where the crow’s black eyes couldn’t see him. But the bird flapped away. The moon clouded over, and the thump-thump of hoofbeats and the creak-rattle of the Carriage faded, faded, finally into silence. Janner realized that he’d been holding his breath, and he let it out slowly. He heard Nugget’s tail thump against the wall and felt much less alone knowing that the little dog was awake with him. Soon he was fast asleep, dreaming troubled dreams.