Once in a Lifetime340
Sweetbitter meets Bridget Jones in a John Hughes movie, Once in a Lifetime plays against a vibrant 1980s background of everything from slam dancers and rubber jelly shoes to social anarchy and AIDS.
“I’ve waited long enough for my life to happen. I want to be neck-deep in something that keeps me up all night. Something so cool I’ll be petrified and sick to my stomach at the mere thought of it. I want to absolutely fry in inspiration, then capture it in oils and charcoals and bits of broken glass, in a piece of art that oozes magic and fear and possibility. I want to find a city. An adventure. A song. Something. To hell with the American Dream. I want a reason to kick and scream.” ― Jessica Addentro, 1980s waitress, artist, and aspiring multimedia sensation
In 1984, punk is rampant. Andy Warhol rules. And 20-year-old art student Jessica is sick of all the excitement going on without her. Hungry for the life she’s convinced is just beyond her fingertips, she sets her sights on an avant-garde study abroad program in London she can’t afford. Meanwhile, hometown boyfriend Drew wants to see other people if he’s not exciting enough to keep her stateside.
Jess and her buddies rent a beat-up apartment, trolling new wave clubs and waitressing double shifts in New Hope, PA, a cool and artsy restaurant town on the river, to scrounge-up tuition money. Then Jess meets Whit, a steamy daredevil guitarist who crawls through her window and makes her head spin like a record. The girls deal with cheating waiters, mystics, a military drag queen buddy, a Svengali bouncer, and the specter of AIDs. Before long, Jess has to decide if the men in her life will leave her as damaged as her cracked-glass mosaic art projects—and whether they’ll stand in the way of her dream semester in post-punk London.
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