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Orientalism's Interlocutors: Painting, Architecture, Photography
     

Orientalism's Interlocutors: Painting, Architecture, Photography

by Jill Beaulieu, Mary Roberts, Nicholas Thomas, Zeynep Celik, Roger Benjamin
 

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ISBN-10: 0822328747

ISBN-13: 9780822328742

Pub. Date: 12/06/2002

Publisher: Duke University Press Books

Until now, Orientalist art-exemplified by paintings of harems, slave markets or bazaars-has predominantly been understood to reflect Western interpretations and to perpetuate reductive, often demeaning stereotypes of the exotic East. Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and

Overview

Until now, Orientalist art-exemplified by paintings of harems, slave markets or bazaars-has predominantly been understood to reflect Western interpretations and to perpetuate reductive, often demeaning stereotypes of the exotic East. Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and Westerners, the contributors contend that the stylistic similarities between indigenous and Western Orientalist art mask profound interpretive differences, which, upon examination, can reveal a visual language of resistance to colonization. The essays also demonstrate how marginalized voices and viewpoints-especially women's-within Western Orientalism decentered and destabilized colonial authority.

Looking at the political significance of cross-cultural encounters refracted through the visual languages of Orientalism, the contributors engage with pressing recent debates about indigenous agency, postcolonial identity, and gendered subjectivities. The very range of artists, styles, and forms discussed in this collection broadens contemporary understandings of Orientalist art. Among the artists considered are the Algerian painters Azouoau Mammeri and Mohammed Racim; Turkish painter Osman Hamdi Bey; British landscape painter Barbara Bodichon; and the French painter Henri Regnault. From the liminal "Third Space" created by mosques in postcolonial Britain to the ways nineteenth-century harem women negotiated their portraits by British artists, the essays in this collection force a rethinking of the Orientalist canon.

This innovative volume will appeal to those interested in art history, theories of gender, and postcolonial studies.

Product Details

ISBN-13:
9780822328742
Publisher:
Duke University Press Books
Publication date:
12/06/2002
Series:
Objects/Histories
Edition description:
New Edition
Pages:
244
Product dimensions:
6.00(w) x 9.00(h) x (d)

Table of Contents

List of Illustrations

Acknowledgments

Orientalism's Interlocutors / Jill Beaulieu and Mary Roberts

Speaking Back to Orientalist Discourse / Zeynep Celik

Colonial Tutelage to Nationalist Affirmation: Mammeri and Racim, Painters of the Maghred / Roger Benjamin

The Mosque and the Metropolis / Mark Crimson

Earth into the World, Land into Landscape: The “Worlding” of Algeria in Nineteenth-Century British Feminism / Deborah Cherry

Henri Regnault's Wartime Orientalism / Hollis Clayson

Contested Terrains: Women Orientalists and the Colonial Harem / Mary Roberts

Bibliography

Contributors

Index

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