Bestselling word maven O'Conner (Woe Is I) is that rare grammarian who values clear, natural expression over the mindless application of rules. In her latest compendium, she debunks the hoariest of false strictures, many of them concocted by evil latter-day pedants seeking to bind the supple English tongue with the fetters of Latinate grammar. A preposition, she proclaims, is a fine thing to end a sentence with. To deftly split an infinitive is no crime to her. And starting a sentence with a conjunction gets her approval, as well as Shakespeare's. Other misconceptions she targets include the idea that "woman" has a sexist etymology and that the British speak a purer form of English than do Americans,. Ranging through the history of English from Beowulf to the latest neologisms, the author accepts change in a democratic spirit; proper English, she contends, is what the majority of us say it is (though she can't resist making a traditionalist plea to preserve favored words like "unique" and "ironic" from corruption). Writers will appreciate O'Conner's liberating, common-sense approach to the language, and readers the entertaining sprightliness of her prose. (May 5)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Inspired by answering language questions on talk radio and through email, journalists and grammar book authors O'Conner and Kellerman keep explaining the English language in ten topical chapters. While some grammar and etymology questions are familiar, other topics are happily fresh. An example of this is the first chapter, which considers authenticity, namely, whether American or British English retained more original vocabulary and pronunciation. Skillfully drawing on the Oxford English Dictionary and other research tools, the writers always present conversational prose with different kinds of wordplays. For instance, regarding using pronouns, they write, "But one word is missing...the word that I would have used instead of 'he or she' in the last sentence." Because the work aims to explain even more than guide, it emphasizes historical background more than other recently published books such as June Casagrande's Mortal Syntax and Paul Yeager's Literally, the Best Language Book Ever. With an accessible tone and full of information, this work is recommended for public libraries.
"Every bartender in the land should have a copy of this vastly amusing and highly informative book. Then when some tipsy bore declares that posh derives from Port Out, Starboard Home, or that you must never say disinterested when you mean uninterested, he can bring it out from behind the jar of cocktail cherries, and smack him on the head with it." —Simon Winchester, author of The Professor and the Madman and The Meaning of Everything
“With common sense and uncommon wit, O'Conner and Kellerman solve more mysteries than all the Law & Order series combined. Origins of the Specious will teach you why it is OK to bravely split an infinitive, why using "ain't" ain't so bad, and why ending a sentence with a preposition is where it's at.”—David Feldman, author of the Imponderables book series
"Origins of the Specious is a witty and informative guide to the perplexities of the English language. I enjoyed it immensely."—Stephen Miller, author of Conversation: A History of a Declining Art and The Peculiar Life of Sundays
“It's right there on page 51: ‘it's better to be understood than to be correct’—pull that out the next time someone corrects your grandma. This tour de force of our beautifully corrupted language is both. And dull it ain't. If you're planning to buy just one book of etymology this year, you've got it right in your hand.”—Garrison Keillor
"Bestselling word maven O'Conner (Woe Is I) is that rare grammarian who values clear, natural expression over the mindless application of rules.…Proper English, she contends, is what the majority of us say it is (though she can't resist making a traditionalist plea to preserve favored words like “unique” and “ironic” from corruption). Writers will appreciate O'Conner's liberating, common-sense approach to the language, and readers the entertaining sprightliness of her prose."—Publishers Weekly
"Happily fresh…Skillfully drawing on the Oxford English Dictionary and other research tools, the writers always present conversational prose with different kinds of wordplays…An accessible tone and full of information."— Library Journal