Otherworlds: Fantasy and History in Medieval Literature
This book offers a new perspective on the otherworlds of medieval literature. These fantastical realms are among the most memorable places in medieval writing, by turns beautiful and monstrous, alluring and terrifying. Passing over a river or sea, or entering into a hollow hill, heroes come upon strange and magical realms. These places are often very beautiful, filled with sweet music and adorned with precious stones and rich materials. There is often no darkness, time may pass at a different pace, and the people who dwell there are usually supernatural. Sometimes such a place is exactly what it appears to be—the land of heart's desire—but, the otherworld can also have a sinister side, trapping humans and keeping them there against their will.

Otherworlds: Fantasy and History in Medieval Literature takes a fresh look at how medieval writers understood these places and why they found them so compelling. It focuses on texts from England, but places this material in the broader context of literary production in medieval Britain and Ireland. The narratives examined in this book tell a rather surprising story about medieval notions of these fantastical places. Otherworlds are actually a lot less 'other' than they might initially seem. Authors often use the idea of the otherworld to comment on very serious topics. It is not unusual for otherworld depictions to address political issues in the historical world. Most intriguing of all are those texts where locations in the real world are re—imagined as otherworlds. The regions on which this book focuses, Britain, Ireland and the surrounding islands, prove particularly susceptible to this characterization.
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Otherworlds: Fantasy and History in Medieval Literature
This book offers a new perspective on the otherworlds of medieval literature. These fantastical realms are among the most memorable places in medieval writing, by turns beautiful and monstrous, alluring and terrifying. Passing over a river or sea, or entering into a hollow hill, heroes come upon strange and magical realms. These places are often very beautiful, filled with sweet music and adorned with precious stones and rich materials. There is often no darkness, time may pass at a different pace, and the people who dwell there are usually supernatural. Sometimes such a place is exactly what it appears to be—the land of heart's desire—but, the otherworld can also have a sinister side, trapping humans and keeping them there against their will.

Otherworlds: Fantasy and History in Medieval Literature takes a fresh look at how medieval writers understood these places and why they found them so compelling. It focuses on texts from England, but places this material in the broader context of literary production in medieval Britain and Ireland. The narratives examined in this book tell a rather surprising story about medieval notions of these fantastical places. Otherworlds are actually a lot less 'other' than they might initially seem. Authors often use the idea of the otherworld to comment on very serious topics. It is not unusual for otherworld depictions to address political issues in the historical world. Most intriguing of all are those texts where locations in the real world are re—imagined as otherworlds. The regions on which this book focuses, Britain, Ireland and the surrounding islands, prove particularly susceptible to this characterization.
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Otherworlds: Fantasy and History in Medieval Literature

Otherworlds: Fantasy and History in Medieval Literature

by Aisling Byrne
Otherworlds: Fantasy and History in Medieval Literature

Otherworlds: Fantasy and History in Medieval Literature

by Aisling Byrne

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Overview

This book offers a new perspective on the otherworlds of medieval literature. These fantastical realms are among the most memorable places in medieval writing, by turns beautiful and monstrous, alluring and terrifying. Passing over a river or sea, or entering into a hollow hill, heroes come upon strange and magical realms. These places are often very beautiful, filled with sweet music and adorned with precious stones and rich materials. There is often no darkness, time may pass at a different pace, and the people who dwell there are usually supernatural. Sometimes such a place is exactly what it appears to be—the land of heart's desire—but, the otherworld can also have a sinister side, trapping humans and keeping them there against their will.

Otherworlds: Fantasy and History in Medieval Literature takes a fresh look at how medieval writers understood these places and why they found them so compelling. It focuses on texts from England, but places this material in the broader context of literary production in medieval Britain and Ireland. The narratives examined in this book tell a rather surprising story about medieval notions of these fantastical places. Otherworlds are actually a lot less 'other' than they might initially seem. Authors often use the idea of the otherworld to comment on very serious topics. It is not unusual for otherworld depictions to address political issues in the historical world. Most intriguing of all are those texts where locations in the real world are re—imagined as otherworlds. The regions on which this book focuses, Britain, Ireland and the surrounding islands, prove particularly susceptible to this characterization.

Product Details

ISBN-13: 9780198833956
Publisher: Oxford University Press
Publication date: 02/02/2020
Pages: 224
Product dimensions: 8.60(w) x 5.40(h) x 0.90(d)

About the Author

Aisling Byrne, Lecturer in Medieval English Literature, University of Reading

Aisling Byrne studied at University College Dublin and St John's College, Cambridge. She has published on the transmission and translation of romance, on writers such as Gerald of Wales and Thomas Malory, and on themes such as marvels, feasting, chivalry, and territorial politics.

Table of Contents

Introduction: Worlds within Worlds1. Imagining Otherworlds2. Otherworlds and the Afterlife3. Supernatural Authorities4. Archipelagic OtherworldsConclusion: Points of Departure
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