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The Painted Veil

The Painted Veil

4.2 64
by W. Somerset Maugham

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Set in England and Hong Kong in the 1920s, The Painted Veil is the story of the beautiful but love-starved Kitty Fane. When her husband discovers her adulterous affair, he forces her to accompany him to the heart of a cholera epidemic. Stripped of the British society of her youth and the small but effective society she fought so hard to attain in Hong Kong,


Set in England and Hong Kong in the 1920s, The Painted Veil is the story of the beautiful but love-starved Kitty Fane. When her husband discovers her adulterous affair, he forces her to accompany him to the heart of a cholera epidemic. Stripped of the British society of her youth and the small but effective society she fought so hard to attain in Hong Kong, she is compelled by her awakening conscience to reassess her life and learn how to love.

The Painted Veil is a beautifully written affirmation of the human capacity to grow, to change, and to forgive.

Editorial Reviews

From the Publisher
“The modern writer who has influenced me the most.” – George Orwell
Less known than his masterpiece Of Human Bondage, this 1925 Somerset Maugham novel rips at your emotions with its portrayal of an adulterous wife. When the bacteriologist husband of Kitty Fane learns of her infidelity, he forces her to accompany him into the festering center of a Chinese cholera epidemic. She suffers another jolt when he dies, leaving her bereft and alone. Fane's difficult passage transforms this unlikely heroine into a character demanding our sympathy.
Library Journal
The great Maugham here offers the 1925 story of Kitty Fane, an adulterous wife forced to take a hard look at her own life after her husband takes her to where there is a cholera epidemic. The things she thought important suddenly don't seem so. Copyright 2004 Reed Business Information.

Product Details

Knopf Doubleday Publishing Group
Publication date:
Vintage International Series
Sales rank:
Product dimensions:
5.18(w) x 7.99(h) x 0.60(d)

Read an Excerpt


She gave a startled cry.

"What's the matter?" he asked.

Notwithstanding the darkness of the shuttered room he saw her face on a sudden distraught with terror.

"Some one just tried the door."

"Well, perhaps it was the amah, or one of the boys."

"They never come at this time. They know I always sleep after tiffin."

"Who else could it be?"

"Walter," she whispered, her lips trembling.

She pointed to his shoes. He tried to put them on, but his nervousness, for her alarm was affecting him, made him clumsy, and besides, they were on the tight side. With a faint gasp of impatience she gave him a shoe horn. She slipped into a kimono and in her bare feet went over to her dressing-table. Her hair was shingled and with a comb she had repaired its disorder before he had laced his second shoe. She handed him his coat.

"How shall I get out?"

"You'd better wait a bit. I'll look out and see that it's all right."

"It can't possibly be Walter. He doesn't leave the laboratory till five."

"Who is it then?"

They spoke in whispers now. She was quaking. It occurred to him that in an emergency she would lose her head and on a sudden he felt angry with her. If it wasn't safe why the devil had she said it was? She caught her breath and put her hand on his arm. He followed the direction of her glance. They stood facing the windows that led out on the verandah. They were shuttered and the shutters were bolted. They saw the white china knob of the handle slowly turn. They had heard no one walk along the verandah. It was terrifying to see that silent motion. A minute passed and there was no sound. Then, with the ghastliness of the supernatural, in the same stealthy, noiseless, and horrifying manner, they saw the white china knob of the handle at the other window turn also. It was so frightening that Kitty, her nerves failing her, opened her mouth to scream; but, seeing what she was going to do, he swiftly put his hand over it and her cry was smothered in his fingers.

Silence. She leaned against him, her knees shaking, and he was afraid she would faint. Frowning, his jaw set, he carried her to the bed and sat her down upon it. She was as white as the sheet and notwithstanding his tan his cheeks were pale too. He stood by her side looking with fascinated gaze at the china knob. They did not speak. Then he saw that she was crying.

"For God's sake don't do that," he whispered irritably. "If we're in for it we're in for it. We shall just have to brazen it out."

She looked for her handkerchief and knowing what she wanted he gave her her bag.

"Where's your topee?"

"I left it downstairs."

"Oh, my God!"

"I say, you must pull yourself together. It's a hundred to one it wasn't Walter. Why on earth should he come back at this hour? He never does come home in the middle of the day, does he?"


"I'll bet you anything you like it was amah."

She gave him the shadow of a smile. His rich, caressing voice reassured her and she took his hand and affectionately pressed it. He gave her a moment to collect herself.

"Look here, we can't stay here for ever," he said then. "Do you feel up to going out on the verandah and having a look?"

"I don't think I can stand."

"Have you got any brandy in here?"

She shook her head. A frown for an instant darkened his brow, he was growing impatient, he did not quite know what to do. Suddenly she clutched his hand more tightly.

"Suppose he's waiting there?"

He forced his lips to smile and his voice retained the gentle, persuasive tone the effect of which he was so fully conscious of.

"That's not very likely. Have a little pluck, Kitty. How can it possibly be your husband? If he'd come in and seen a strange topee in the hall and come upstairs and found your room locked, surely he would have made some sort of row. It must have been one of the servants. Only a Chinese would turn a handle in that way."

She did feel more herself now.

"It's not very pleasant even if it was only the amah."

"She can be squared and if necessary I'll put the fear of God into her. There are not many advantages in being a government official, but you may as well get what you can out of it."

He must be right. She stood up and turning to him stretched out her arms: he took her in his and kissed her on the lips. It was such rapture that it was pain. She adored him. He released her and she went to the window. She slid back the bolt and opening the shutter a little looked out. There was not a soul. She slipped on to the verandah, looked into her husband's dressing-room and then into her own sitting-room. Both were empty. She went back to the bedroom and beckoned to him.


"I believe the whole thing was an optical delusion."

"Don't laugh. I was terrified. Go into my sitting-room and sit down. I'll put on my stockings and some shoes."


He did as she bade and in five minutes she joined him. He was smoking a cigarette.

"I say, could I have a brandy and soda?"

"Yes, I'll ring."

"I don't think it would hurt you by the look of things."

They waited in silence for the boy to answer. She gave the order.

"Ring up the laboratory and ask if Walter is there," she said then. "They won't know your voice."

He took up the receiver and asked for the number. He inquired whether Dr. Fane was in. He put down the receiver.

"He hasn't been in since tiffin," he told her. "Ask the boy whether he has been here."

"I daren't. It'll look so funny if he has and I didn't see him."

The boy brought the drinks and Townsend helped himself. When he offered her some she shook her head.

"What's to be done if it was Walter?" she asked.

"Perhaps he wouldn't care."


Her tone was incredulous.

"It's always struck me he was rather shy. Some men can't bear scenes, you know. He's got sense enough to know that there's nothing to be gained by making a scandal. I don't believe for a minute it was Walter, but even if it was, my impression is that he'll do nothing. I think he'll ignore it."

She reflected for a moment.

"He's awfully in love with me."

"Well, that's all to the good. You'll get round him."

He gave her that charming smile of his which she had always found so irresistible. It was a slow smile which started in his clear blue eyes and traveled by perceptible degrees to his shapely mouth. He had small white even teeth. It was a very sensual smile and it made her heart melt in her body.

"I don't very much care," she said, with a flash of gaiety. "It was worth it."

"It was my fault."

"Why did you come? I was amazed to see you."

"I couldn't resist it."

"You dear."

She leaned a little towards him, her dark and shining eyes gazing passionately into his, her mouth a little open with desire, and he put his arms round her. She abandoned herself with a sigh of ecstasy to their shelter.

"You know you can always count on me," he said.

"I'm so happy with you. I wish I could make you as happy as you make me."

"You're not frightened any more?"

"I hate Walter," she answered.

He did not quite know what to say to this, so he kissed her. Her face was very soft against his.

But he took her wrist on which was a little gold watch and looked at the time.

"Do you know what I must do now?"

"Bolt?" she smiled.

He nodded. For one instant she clung to him more closely, but she felt his desire to go, and she released him.

"It's shameful the way you neglect your work. Be off with you."

He could never resist the temptation to flirt.

"You seem in a devil of a hurry to get rid of me," he said lightly.

"You know that I hate to let you go."

Her answer was low and deep and serious. He gave a flattered laugh.

"Don't worry your pretty little head about our mysterious visitor. I'm quite sure it was the amah. And if there's any trouble I guarantee to get you out of it."

"Have you had a lot of experience?"

His smile was amused and complacent.

"No, but I flatter myself that I've got a head screwed on my shoulders."


She went out on to the verandah and watched him leave the house. He waved his hand to her. It gave her a little thrill as she looked at him; he was forty-one, but he had the lithe figure and the springing step of a boy.

The verandah was in shadow; and lazily, her heart at ease with satisfied love, she lingered. Their house stood in the Happy Valley, on the side of the hill, for they could not afford to live on the more eligible but expensive Peak. But her abstracted gaze scarcely noticed the blue sea and the crowded shipping in the harbor. She could think only of her lover.

Of course it was stupid to behave as they had done that afternoon, but if he wanted her how could she be prudent? He had come two or three times after tiffin, when in the heat of the day no one thought of stirring out, and not even the boys had seen him come and go. It was very difficult at Hong Kong. She hated the Chinese city and it made her nervous to go into the filthy little house off the Victoria Road in which they were in the habit of meeting. It was a curio dealer's; and the Chinese who were sitting about stared at her unpleasantly; she hated the ingratiating smile of the old man who took her to the back of the shop and then up a dark flight of stairs. The room into which he led her was frowsy and the large wooden bed against the wall made her shudder.

"This is dreadfully sordid, isn't it?" she said to Charlie the first time she met him there.

"It was till you came in," he answered.

Of course the moment he took her in his arms she forgot everything.

Oh, how hateful it was that she wasn't free, that they both weren't free! She didn't like his wife. Kitty's wandering thoughts dwelt now for a moment on Dorothy Townsend. How unfortunate to be called Dorothy! It dated you. She was thirty-eight at least. But Charlie never spoke of her. Of course he didn't care for her; she bored him to death. But he was a gentleman. Kitty smiled with affectionate irony: it was just like him, silly old thing; he might be unfaithful to her, but he would never allow a word in disparagement of her to cross his lips. She was a tallish woman, taller than Kitty, neither stout nor thin, with a good deal of pale brown hair; she could never have been pretty with anything but the prettiness of youth; her features were good enough without being remarkable and her blue eyes were cold. She had a skin that you would never look at twice and no color in her cheeks. And she dressed like-well, like what she was, the wife of the Assistant Colonial Secretary at Hong Kong. Kitty smiled and gave her shoulders a faint shrug.

Of course no one could deny that Dorothy Townsend had a pleasant voice. She was a wonderful mother, Charlie always said that of her, and she was what Kitty's mother called a gentlewoman. But Kitty did not like her. She did not like her casual manner; and the politeness with which she treated you when you were there, to tea or dinner, was exasperating because you could not but feel how little interest she took in you. The fact was, Kitty supposed, that she cared for nothing but her children: there were two boys at school in England, and another boy of six whom she was going to take home next year. Her face was a mask. She smiled and in her pleasant, well-mannered way said the things that were expected of her; but for all her cordiality held you at a distance. She had a few intimate friends in the Colony and they greatly admired her. Kitty wondered whether Mrs. Townsend thought her a little common. She flushed. After all there was no reason for her to put on airs. It was true that her father had been a Colonial Governor and of course it was very grand while it lasted-every one stood up when you entered a room and men took off their hats to you as you passed in your car-but what could be more insignificant than a Colonial Governor when he had retired? Dorothy Townsend's father lived on a pension in a small house at Earl's Court. Kitty's mother would think it a dreadful bore if she asked her to call. Kitty's father, Bernard Garstin, was a K.C. and there was no reason why he should not be made a judge one of these days. Anyhow they lived in South Kensington.


Kitty, coming to Hong Kong on her marriage, had found it hard to reconcile herself to the fact that her social position was determined by her husband's occupation. Of course every one had been very kind and for two or three months they had gone out to parties almost every night; when they dined at Government House the Governor took her in as a bride; but she had understood quickly that as the wife of the Government bacteriologist she was of no particular consequence. It made her angry.

"It's too absurd," she told her husband. "Why, there's hardly any one here that one would bother about for five minutes at home. Mother wouldn't dream of asking any of them to dine at our house."

"You mustn't let it worry you," he answered. "It doesn't really matter, you know."

"Of course it doesn't matter, it only shows how stupid they are, but it is rather funny when you think of all the people who used to come to our house at home that here we should be treated like dirt."

"From a social standpoint the man of science does not exist," he smiled.

Meet the Author

W. Somerset Maugham was one of the twentieth century’s most popular novelists as well as a celebrated playwright, critic, and short story writer. He was born in Paris but grew up in England and served as a secret agent for the British during World War I. He wrote many novels, including the classics Of Human Bondage, The Razor’s Edge, Cakes and Ale, Christmas Holiday, The Moon and Sixpence, Theatre, and Up at the Villa.

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The Painted Veil (thINKing Classics) 4.2 out of 5 based on 0 ratings. 64 reviews.
Guest More than 1 year ago
Few writers of the past century could evoke a sense of mystery and atmosphere like W. Somerset Maugham. And while almost all readers are familiar with his major works (Of Human Bondage, Up at the Villa, The Razor's Edge, Cakes and Ale etc, the film versions of these having added to that international knowledge), few have had the pleasure of reading the rather private but equally satisfying 'feminist work', THE PAINTED VEIL. Now with the announcement that this novel, too, is soon to be released as a motion picture, hopefully many will read the book before, remembering how mesmerizingly well how Maugham can spin a tale. As with all of Maugham's novels, the stridency of class plays a role in this work. In a disturbing opening chapter Maugham places us in the room where Kitty is in the midst of seduction by Charlie Townsend and the adulterous couple shudder at the noise that would indicate that Kitty's bacteriologist husband Walter Kane may be spying on them. The intrigue is set and then the novel retraces the territory that placed the couple en flagrante in the middle of the incipient scandal that will alter the lives of all concerned. Kitty, the elder daughter of a fussy couple in London who had 'shamed' Kitty into finding a husband when Kitty's younger, unattractive sister is engaged, hurriedly marries the shy but solid Walter Kane who is about to be shipped off to Hong Kong. Once into Hong Kong Kitty's sensually hungry eye is met by the handsome but married with three children Colonial Secretary Charlie Townsend and they begin a torrid affair. When Walter discovers his wife's adultery he threatens to divorce her (thereby making public the scandal that would ruin Charlie's career) if she doesn't accompany him to Mei-tan-fu, China where a cholera epidemic is destroying the town. The situation finds Kitty struggling with her disdain for Walter whom she never has loved and eventual loathing for Charlie who proves to be the cad he is by putting his career and marriage over the 'silly thought' of running away with Kitty! Distraught, Kitty joins Walter on the trek to Mei-tan-fu where she gradually adjusts to the situation with the help of the consul Waddington who encourages her to fill her hours with helping the nuns care for the sick and the orphaned children. Kitty's life begins to change as she sees the manner in which Walter is focused on mankind, enhanced by the admiration he gains from the nuns. She discovers she is pregnant (whether by Walter or Charlie she does not know) but soon all attention shifts when Walter succumbs to cholera and Kitty, wanting to stay with the nuns who have helped her see that life does have meaning), returns to Hong Kong, has one last distasteful experience with Charlie whose wife has become the solid friend Kitty has always needed, and sets off for England. Once in Europe she receives a telegram that her mother has died and she returns to London to be with her sister and her distant father. Circumstances alter and Kitty finally finds in her lonely father the need to be loved and pledges to join him as he moves from London to a colonial position, awaiting the birth of a daughter who will be given all the love and training of equality Kitty has never known. Aside from Maugham's gift in creating characters so real we can visualize them, make them part of our reading lives, he also had the gift of descriptive writing about strange places that is as fine as any writer of his day. 'The morning drew on and the sun touched the mist so that it shone whitely like the ghost of snow on a dying star'. In describing the destination in China 'Mei-tan-fu with its crenellated walls was like the painted canvas placed on the stage in an old play to represent a city. The nuns, Waddington, and the Manchu woman who loved him, were fantastic characters in a masque and the rest, the people sidling along the tortuous streets and those who died, were nameless supers.' The novel is full of these absorbing pictures.
Anonymous More than 1 year ago
The Painted Veil is a tragic tale of unrequited love in marriage. The main character, Kitty, is a selfish, vain woman with very few redeeming qualities. This book is not a light read. If you enjoy classic literature along the lines of Wuthering Heights, you'll probably enjoy The Painted Veil. It certainly keeps you thinking long after it's done.
Anonymous More than 1 year ago
Kept me interested and absorbed to the end. There were some surprises and "twists" in the plot.
Anonymous More than 1 year ago
Had seen the movie and then stumbled upon the book at the bookstore. Was pleased to find that the movie had stayed fairly close to the story although the movie played up the romance between Kitty and her husband more than the book. I found the book hard to put down!
Anonymous More than 1 year ago
Everyone in my book club liked this book. This book is short--fewer than 300 pages--but it is a well-developed story with strong characters, lots of irony, and a satisfying conclusion, even though it wasn't a "happily ever after" ending. If you've seen the movie and liked it, you'll like the book, too. There are some significant differences between the book and movie. The characters in the book are more well-developed and honestly portrayed than in the movie. The movie's ending, too, was more forgiving than in the book. This book is a good choice for someone who has never read Maugham.
Music_Muse More than 1 year ago
I became interested in this novel after watching the film version of the story staring Edward Norton, Naomi Watts, and Liev Shrieber. The movie was fanatatic, so I picked up the book. The story lines match closely, alhtough they have different endings. The plot is often melancholy, maintaining a disheartening yet hopeful attitude. The characters are human and the events are ones that were ordinary for life in the British Empire, its colonies, and China in the early 20th century. It's easy to read with short, engaging chapters. You won't want to put it down.
Anonymous More than 1 year ago
A beautiful journey into the soul.
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Anonymous More than 1 year ago
I saw an old bw movie but not a newer one but would think that he tried to kill her are you sure he died in new movie and not her or am i thinking of rains of rampour dated but a good read abd no longer in print except on nook
Anonymous More than 1 year ago
I saw the movie first and chose to read the book afterwards to see what I missed. I'm sorry I did. The first third of the book is very well-written and follows closely to the movie. I felt it gave me additional understanding of the characters' motivations. After that it went downhill. Kitty Fane never really becomes likable or sympathetic. If you enjoyed the movie because of its portrayal of a husband and wife who grow to care about and appreciate one another after making mistakes, you will not find that here. That was a screenwriter who rewrote the story to make it beautiful and haunting with a satisfying ending instead of the book ending which left me feeling hollow. If you loved the movie, think twice about reading the book.
Tuette More than 1 year ago
I loved this story and his beautiful descriptions.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
This book is the best romance book you can ever read. You will become angry sad and evan delighted. This book takes you through the hard concepts of love
Anonymous More than 1 year ago
A touching story about the lies one tells and harsh reality of finding out who someone really is. Very good.
Anonymous More than 1 year ago
This book is one of my favorites and although it was written many years ago it still grips the reader and makes this book hard to put down.
Anonymous More than 1 year ago
Mavis1129 More than 1 year ago
I enjoyed the book but didn't like the ending. It seems like things started going down hill after Walter dies. Kitty is a difficult person to sympathize with. She started out as an overindulged youth and then turns into a heartless wife. There were times, after finding out about the affair, when she says that Walter is evil. Even after realizing she was duped by her lover, she thinks that Walter wants to kill her by taking her into the cholera epidemic. In reality he saved her reputation. She didn't make amends with him until he was on his death bed. Even though she was awful to him, I was secretly hoping that Kitty would fall in love with Walter and things would work out.
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Mona Bultena More than 1 year ago
I love this book! A very Good Read!
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