“Book by book, Jane Miller has evolved a mode, a voice, a palette and landscape entirely her own. If she were a painter, one might describe it as a descendant of cubism, a composition of multiple planes and reflections that appears to emerge out of itself, true to laws of its own nature, and yet is disturbingly recognizable, continuously suggestive, intimate and beautiful. Her subject is love and illusion and their revelation about each other.”—W. S. Merwin
“Reading Jane Miller’s poetry is like channel-surfing on acid.”—L.A. Weekly
Jane Miller is a traveler stimulated by ideas beyond our immediate sphere. In this book-length sequence animated and propelled by a confrontation with her dead father, she meditates on home, love, war and the responsibility of the poet.
A Palace of Pearls is inspired by one of the most spectacular civilizations in history, the Arab kingdom of Al-Andalus—a Middle Age civilization where architecture, science and art flourished and Christians, Jews and Muslims lived in relative harmony. The reader roams through “rooms,” encountering Greek, Judaic and Roman mythology, and through the streets of fifteenth-century Spain and contemporary Rome in Miller’s most personal and associative volume.
From A Palace of Pearls
We bow our heads
for the ancient draping of the gardenia lei in the hotel lobby
and are relieved of our possessions as per a reminder
that one must enter Paradise a little naked
Jane Miller is the author of eight previous books of poetry and essays. She is a recipient of a Guggenheim Fellowship, two National Endowment for the Arts fellowships and a Lila Wallace-Reader’s Digest Award. She lives in Tucson and teaches in the creative writing program at The University of Arizona, having served as the program’s director from 1999–2003.
|Publisher:||Copper Canyon Press|
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Most Helpful Customer Reviews
A Palace of Pearls is based upon the Middle Age Arab kingdom of Al-Andalus which was a pleasure palace/fortress ("a model for ethnic tolerance") that fell during the Spanish inquisition. Jane uses it as a political and aesthetic architecture in order to investigate our current political crises(eh) and personal notions of the past and present.Miller also follows Federico García Lorca¿s relationship to these Moorish legends, and the politics that led to his assassination. Jane does create an almost physical stride through the book. There's an exertion that puts a lot of pressure on the reader. To a fault I think. No meditation. No stopping for anything. Jane does not dwell in these poems, she doesn't live in the architecture she works so hard to create (or re-create or whatever). She's just continuously toppling and rebuilding these instances, sort of turning them into steam. But steam does not a poem make. So ehh. Two stars.