The Parallax View

by Slavoj Zizek

Overview

In Žižek's long-awaited magnum opus, he theorizes the "parallax gap" in the ontological, the scientific, and the political—and rehabilitates dialectical materialism.

The Parallax View is Slavoj Žižek's most substantial theoretical work to appear in many years; Žižek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Žižek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Žižek begins a rehabilitation of dialectical materialism.

Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Žižek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which "nobody is home" in the skull, just stacks of brain meat—a condition Žižek calls "the unbearable lightness of being no one"); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Žižek offers interludes that deal with more specific topics—including an ethical act in a novel by Henry James and anti-anti-Semitism.

The Parallax View not only expands Žižek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.

Product Details

ISBN-13:	9780262512688
Publisher:	MIT Press
Publication date:	02/13/2009
Series:	Short Circuits
Edition description:	Reprint
Pages:	444
Sales rank:	578,918
Product dimensions:	5.90(w) x 8.80(h) x 1.30(d)
Age Range:	18 Years

About the Author

Slavoj Žižek, a philosopher and cultural critic, is Senior Researcher in the Department of Philosophy at the University of Ljubljana, Global Distinguished Professor of German at New York University, and International Director of the Birkbeck Institute for the Humanities at the University of London. He is the author of more than thirty books, including Looking Awry: An Introduction to Jacques Lacan through Popular Culture, The Puppet and the Dwarf: The Perverse Core of Christianity, The Parallax View, The Monstrosity of Christ: Paradox or Dialectic (with John Milbank), and Žižek's Jokes (Did you hear the one about Hegel and negation?), these five published by the MIT Press.

What People are Saying About This

From the Publisher

"In this huge, thrilling book, Slavoj Žižek enacts a dazzling display of philosophy as performance art, delighting in upsetting readers' expectations, inserting sly jokes,and castigating the 'boring' political analyses of just about everyone.... Žižek is a thinker who regards nothing as outside his field: the result is deeply interesting and provocative."The Guardian

The MIT Press

"A remarkable demonstration of continental philosophical and psychoanalytical pyrotechnics. More provocative ideas per page than normally found in whole books by the dull anglophone empiricists who find him so threatening." Paul A. Taylor Times Higher Education

The MIT Press

"Frankly, a magnum opus is exactly what Žižekneeds right now....

The Parallax View consolidates Žižek's work as a whole and decisively moves it forward." In These Times

The MIT Press

"No one demonstrates the continued philosophical vitality of Marxism better than Slavoj Žižek." Tikkun

The MIT Press

"Žižek has only to clap eyes on a received truth to feel the intolerable itch to deface it.... Žižek is that rare breed of writer—one who is both lucid and esoteric. If he is sometimes hard to understand, it is because of the intricacy of his ideas,not because of a self-preening style." Terry Eagleton Artforum

The MIT Press

"Žižek is one of the few living writers to combine theoretical rigor with compulsive readability, and his new volume provides perhaps the clearest elaboration of his theoretical framework thus far....This challenging book takes us on a roller-coaster ride whose every loop is a Möbius strip." Publishers Weekly

The MIT Press

"Frankly, a magnum opus is exactly what Zizek needs right now.... The Parallax View consolidates Zizek's work as a whole and decisively moves it forward." In These Times

The MIT Press

"Zizek is one of the few living writers to combine theoretical rigor with compulsive readability, and his new volume provides perhaps the clearest elaboration of his theoretical framework thus far....This challenging book takes us on a roller-coaster ride whose every loop is a Möbius strip." Publishers Weekly

The MIT Press

Editorial Reviews

In this huge, thrilling book, Slavoj Žižek enacts a dazzling display of philosophy as performance art, delighting in upsetting readers' expectations, inserting sly jokes, and castigating the 'boring' political analyses of just about everyone....Žižek is a thinker who regards nothing as outside his field: the result is deeply interesting and provocative.—The Guardian—

A remarkable demonstration of continental philosophical and psychoanalytical pyrotechnics. More provocative ideas per page than normally found in whole books by the dull anglophone empiricists who find him so threatening.

—Paul A. Taylor, Times Higher Education—

Frankly, a magnum opus is exactly what Žižek needs right now....The Parallax View consolidates Žižek's work as a whole and decisively moves it forward.

—In These Times—

No one demonstrates the continued philosophical vitality of Marxism better than Slavoj Žižek.

—Tikkun—

Žižek has only to clap eyes on a received truth to feel the intolerable itch to deface it....Žižek is that rare breed of writer—one who is both lucid and esoteric. If he is sometimes hard to understand, it is because of the intricacy of his ideas, not because of a self-preening style.

—Terry Eagleton, Artforum—

Žižek is one of the few living writers to combine theoretical rigor with compulsive readability, and his new volume provides perhaps the clearest elaboration of his theoretical framework thus far....This challenging book takes us on a roller-coaster ride whose every loop is a Möbius strip.

—Publishers Weekly—

From the Publisher

Žižek is one of the few living writers to combine theoretical rigor with compulsive readability, and his new volume provides perhaps the clearest elaboration of his theoretical framework thus far....This challenging book takes us on a roller-coaster ride whose every loop is a Möbius strip.

—Publishers Weekly

Reviews

Žižek has only to clap eyes on a received truth to feel the intolerable itch to deface it....Žižek is that rare breed of writer—one who is both lucid and esoteric. If he is sometimes hard to understand, it is because of the intricacy of his ideas, not because of a self-preening style.

Artforum - Terry Eagleton

No one demonstrates the continued philosophical vitality of Marxism better than Slavoj Žižek.

Tikkun

Frankly, a magnum opus is exactly what Žižek needs right now.... The Parallax View consolidates Žižek's work as a whole and decisively moves it forward.

In These Times

A remarkable demonstration of continental philosophical and psychoanalytical pyrotechnics. More provocative ideas per page than normally found in whole books by the dull anglophone empiricists who find him so threatening.

Times Higher Education - Paul A. Taylor

In this huge, thrilling book, Slavoj Žižek enacts a dazzling display of philosophy as performance art, delighting in upsetting readers' expectations, inserting sly jokes, and castigating the 'boring' political analyses of just about everyone....Žižek is a thinker who regards nothing as outside his field: the result is deeply interesting and provocative.

The Guardian

A Lacanian-Hegelian philosopher and pop culture critic who divides his time between America and Slovenia, Zizek is one of the few living writers to combine theoretical rigor with compulsive readability, and his new volume provides perhaps the clearest elaboration of his theoretical framework thus far. Expatiating on such subjects as Heidegger, neuroscience, the war on terror and The Matrix, he seeks to rehabilitate dialectical materialism by replacing the popular "yin-yang" interpretation (the struggle between opposites that ultimately form a whole) with a theory of the "gap which separates the One from itself." One example is a tribe whose two subgroups draw mutually exclusive plans of their village: their deadlock "implies a hidden reference to a constant... an imbalance in social relations that prevented the community from stabilizing itself into a harmonious whole." Discussing Abu Ghraib and pedophilia in the Catholic Church, Zizek explores how an ideological edifice is sustained by underground transgressions: "Law can be sustained only by a sovereign power which reserves for itself the right... to suspend the rule of law(s) on behalf of the Law itself." Based on his interpretation of Lacanian psychoanalysis, he envisions a society in which public law would no longer sustain itself through its own obscene breach. This challenging book takes us on a roller-coaster ride whose every loop is a Mobius strip. (Apr.) Copyright 2006 Reed Business Information.

Publishers Weekly