ISBN-10:
1529040299
ISBN-13:
9781529040296
Pub. Date:
Publisher:

NOOK Book(eBook)

$1.99

Available on Compatible NOOK Devices and the free NOOK Apps.
WANT A NOOK?  Explore Now

Overview

Coming to Netflix! Nella Larsen’s Passing is a distinctive and revealing novel about racial identity, now a critically acclaimed film adaptation by Rebecca Hall, starring Tessa Thompson, Ruth Negga and Alexander Skarsgård.

Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of Passing features an introduction by writer and academic, Christa Holm Vogelius.

Irene Redfield, married to a successful physician, enjoys a comfortable life in 1920s Harlem, New York. Reluctantly, she renews her friendship with old school friend, Clare Kendry. Clare, who like Irene is light skinned, ‘passes’ as white and is married to a racist white man who has no idea about Clare’s racial heritage. Clare is very persuasive and Irene, despite misgivings, can’t resist letting her back into her world. As tensions mount between friends and between couples, this taut and mesmerizing narrative spins towards an unexpected end.



Related collections and offers

Product Details

ISBN-13: 9781529040296
Publisher: Pan Macmillan
Publication date: 07/09/2020
Series: Macmillan Collector's Library , #254
Sold by: Barnes & Noble
Format: NOOK Book
Sales rank: 261,236
File size: 393 KB
Age Range: 18 Years

About the Author

Nella Larsen was born in Chicago in 1891 to a white Danish mother and a black West Indian father. She studied in America and Denmark and throughout her writing career she worked as a children’s librarian and primarily as a nurse. In 1928 her first novel Quicksand was published to great critical acclaim. Passing was published a year later. Her marriage brought her into contact with the upper echelons of New York’s black society and she became an important female voice of the Harlem Renaissance. She was the first black woman to receive a Guggenheim Fellowship for creative writing. Divorced in 1933, she spent the rest of her life working as nurse. Nella Larsen died in 1964.
Nella Larsen was born in Chicago in 1891 to a white Danish mother and a black West Indian father. She studied in America and Denmark and throughout her writing career she worked as a children’s librarian and primarily as a nurse. In 1928 her first novel Quicksand was published to great critical acclaim. Passing was published a year later. Her marriage to Dr Elmer Imes brought her into contact with the upper echelons of New York’s black society and she became an important female voice of the Harlem Renaissance. She was the first black woman to receive a Guggenheim Fellowship for creative writing. Divorced in 1933, she spent the rest of her life working as nurse. Nella Larsen died in 1964.

Read an Excerpt

It was the last letter in Irene Redfield's little pile of morning mail. After her other ordinary and clearly directed letters the long envelope of thin Italian paper with its almost illegible scrawl seemed out of place and alien. And there was, too, something mysterious and slightly furtive about it. A thin sly thing which bore no return address to betray the sender. Not that she hadn't immediately known who its sender was. Some two years ago she had one very like it in outward appearance. Furtive, but yet in some peculiar, determined way a little flaunting. Purple ink. Foreign paper of extraordinary size.

It had been, Irene noted, postmarked in New York the day before. Her brows came together in a tiny frown. The frown, however, was more from perplexity than from annoyance; though there was in her thoughts an element of both. She was wholly unable to comprehend such an attitude towards danger as she was sure the letter's contents would reveal; and she disliked the idea of opening and reading it.

This, she reflected, was of a piece with all that she knew of Clare Kendry. Stepping always on the edge of danger. Always aware, but not drawing back or turning aside. Certainly not because of any alarms or feeling of outrage on the part of others.

And for a swift moment Irene Redfield seemed to see a pale small girl sitting on a ragged blue sofa, sewing pieces of bright red cloth together, while her drunken father, a tall, powerfully built man, raged threateningly up and down the shabby room, bellowing curses and making spasmodic lunges at her which were not the less frightening because they were, for the most part, ineffectual. Sometimes he did manage to reach her. But only the fact that the child had edged herself and her poor sewing over to the farthermost corner of the sofa suggested that she was in any way perturbed by this menace to herself and her work.

Clare had known well enough that it was unsafe to take a portion of the dollar that was her weekly wage for the doing of many errands for the dressmaker who lived on the top floor of the building of which Bob Kendry was janitor. But that knowledge had not deterred her. She wanted to go to her Sunday school's picnic, and she had made up her mind to wear a new dress. So, in spite of certain unpleasantness and possible danger, she had taken the money to buy the material for that pathetic little red frock.

There had been, even in those days, nothing sacrificial in Clare Kendry's idea of life, no allegiance beyond her own immediate desire. She was selfish, and cold, and hard. And yet she had, too, a strange capacity of transforming warmth and passion, verging sometimes almost on theatrical heroics.

Irene, who was a year or more older than Clare, remembered the day that Bob Kendry had been brought home dead, killed in a silly saloon-fight. Clare, who was at that time a scant fifteen years old, had just stood there with her lips pressed together, her thin arms folded across her narrow chest, staring down at the familiar pasty-white face of her parent with a sort of disdain in her slanting black eyes. For a very long time she had stood like that, silent and staring. Then, quite suddenly, she had given way to a torrent of weeping, swaying her thin body, tearing at her bright hair, and stamping her small feet. The outburst had ceased as suddenly as it had begun. She glanced quickly about the bare room, taking everyone in, even the two policemen, in a sharp look of flashing scorn. And, in the next instant, she had turned and vanished through the door.

Seen across the long stretch of years, the thing had more the appearance of an outpouring of pent-up fury than of an overflow of grief for her dead father; though she had been, Irene admitted, fond enough of him in her own rather catlike way.

Catlike. Certainly that was the word which best described Clare Kendry, if any single word could describe her. Sometimes she was hard and apparently without feeling at all; sometimes she was affectionate and rashly impulsive. And there was about her an amazing soft malice, hidden well away until provoked. Then she was capable of scratching, and very effectively too. Or, driven to anger, she would fight with a ferocity and impetuousness that disregarded or forgot any danger; superior strength, numbers, or other unfavorable circumstances. How savagely she had clawed those boys the day they had hooted her parent and sung a derisive rhyme, of their own composing, which pointed out certain eccentricities in his careening gait! And how deliberately she had—Irene brought her thoughts back to the present, to the letter from Clare Kendry that she still held unopened in her hand. With a little feeling of apprehension, she very slowly cut the envelope, drew out the folded sheets, spread them, and began to read.

Table of Contents

Introduction

Suggestions for Further Reading

A Note on the Text 

Part One: Encounter 
Part Two: Re-Encounter 
Part Three: Finale

Explanatory Notes

What People are Saying About This

From the Publisher

“A work so fine, sensitive, and distinguished that it rises above race categories and becomes that rare object, a good novel.” —Saturday Review of Literature

Customer Reviews