In this, her fourteenth novel--and one of her most endearing--Anne Tyler tells the story of a lovable loser who's trying to get his life in order.
Barnaby Gaitlin has been in trouble ever since adolescence. He had this habit of breaking into other people's houses. It wasn't the big loot he was after, like his teenage cohorts. It was just that he liked to read other people's mail, pore over their family photo albums, and appropriate a few of their precious mementos.
But for eleven years now, he's been working steadily for Rent-a-Back, renting his back to old folks and shut-ins who can't move their own porch furniture or bring the Christmas tree down from the attic. At last, his life seems to be on an even keel.
Still, the Gaitlins (of "old" Baltimore) cannot forget the price they paid for buying off Barnaby's former victims. And his ex-wife would just as soon he didn't show up ever to visit their little girl, Opal. Even the nice, steady woman (his guardian angel?) who seems to have designs on him doesn't fully trust him, it develops, when the chips are down, and it looks as though his world may fall apart again.
There is no one like Anne Tyler, with her sharp, funny, tender perceptions about how human beings navigate on a puzzling planet, and she keeps us enthralled from start to finish in this delicious new novel.
|Publisher:||Knopf Doubleday Publishing Group|
|Sold by:||Random House|
|File size:||4 MB|
About the Author
Date of Birth:October 25, 1941
Place of Birth:Minneapolis, Minnesota
Education:B.A., Duke University, 1961
Read an Excerpt
From Chapter One
I am a man you can trust, is how my customers view me. Or at least, I'm guessing it is. Why else would they hand me their house keys before they leave for vacation? Why else would they depend on me to clear their attics for them, heave their air conditioners into their windows every spring, lug their excess furniture to their basements? "Mind your step, young fellow; that's Hepplewhite," Mrs. Rodney says, and then she goes into her kitchen to brew a pot of tea. I could get up to anything in that basement. I could unlock the outside door so as to slip back in overnight and rummage through all she owns--her Hepplewhite desk and her Japanese lacquer jewelry box and the six potbellied drawers of her dining-room buffet. Not that I would. But she doesn't know that. She just assumes it. She takes it for granted that I'm a good person.
Come to think of it, I am the one who doesn't take it for granted.
On the very last day of a bad old year, I was leaning against a pillar in the Baltimore railroad station, waiting to catch the 10:10 a.m. to Philadelphia. Philadelphia's where my little girl lives. Her mother married a lawyer there after we split up.
Ordinarily I'd have driven, but my car was in the shop and so I'd had to fork over the money for a train ticket. Scads of money. Not to mention being some appointed place at some appointed time, which I hate. Plus, there were a lot more people waiting than I had expected. That airy, light, clean, varnished feeling I generally got in Penn Station had been crowded out. Elderly couples with matching luggage stuffed the benches, and swarms of college kids littered the floor with their duffel bags. This gray-haired guy was walking around speaking to different strangers one by one. Well-off guy, you could tell: tan skin, nice turtleneck, soft beige car coat. He went up to a woman sitting alone and asked her a question. Then he came over to a girl in a miniskirt standing near me.
I had been thinking I wouldn't mind talking to her myself.
She had long blond hair, longer than her skirt, which made it seem she'd neglected to put on the bottom half of her outfit. The man said, "Would you by any chance be traveling to Philadelphia?"
"Well, northbound, yes," she said, in this shallow, breathless voice that came as a disappointment.
"But to Philadelphia?"
"No, New York, but I'll be--"
"Thanks anyway," he said, and he moved toward the next bench.
Now he had my full attention. "Ma'am," I heard him ask an old lady, "are you traveling to Philadelphia?" The old lady answered something too mumbly for me to catch, and instantly he turned to the woman beside her. "Philadelphia?" Notice how he was getting more and more sparing of words. When the woman told him, "Wilmington," he didn't say a thing; just plunged on down the row to one of the matched-luggage couples. I straightened up from my pillar and drifted closer, looking toward Gate E as if I had my mind on my train. The wife was telling the man about their New Year's plans. They were baby-sitting their grandchildren who lived in New York City, she said, and the husband said, "Well, not New York City proper, dear; White Plains," and the gray-haired man, almost shouting, said, "But my daughter's counting on me!" And off he raced.
Well, I was going to Philadelphia. He could have asked me. I understood why he didn't, of course. No doubt I struck him as iffy, with my three-day growth of black stubble and my ripped black leather jacket and my jeans all dust and cobwebs from Mrs. Morey's garage. But still he could have given me a chance. Instead he just flicked his eyes at me and then swerved off toward the bench at the end of the room. By now he was looking seriously undermedicated. "Please!" he said to a woman reading a book. "Tell me you're going to Philadelphia!"
She lowered her book. She was thirtyish, maybe thirty-five--older than I was, anyhow. A schoolmarm sort, in a wide brown coat with a pattern like feathers all over it. "Philadelphia?" she said. "Why, yes, I am."
"Then could I ask you a favor?"
I stopped several feet away and frowned down at my left wrist. (Never mind that I don't own a watch.) Even without looking, I could sense how she went on guard. The man must have sensed it too, because he said, "Nothing too difficult, I promise!"
They were announcing my train now. ("The delayed 10:10," the loudspeaker called it. It's always "the delayed" this or that.) People started moving toward Gate E, the older couples hauling their wheeled bags behind them like big, meek pets on leashes. If the woman in the feather coat said anything, I missed it. Next I heard, the man was talking. "My daughter's flying out this afternoon for a junior semester abroad," he was saying. "Leaving from Philadelphia; the airline offers a bargain rate if you leave from Philadelphia. So I put her on a train this morning, stopped for groceries afterward, and came home to find my wife in a state. It seems our daughter'd forgotten her passport. She'd telephoned from the station in Philly; didn't know what to do next."
The woman clucked sympathetically. I'd have kept quiet myself. Waited to find out where the guy was heading with this.
"So I told her she should stay put. Stay right there in the station, I said, and I would get somebody here to carry up her passport."
A likely story! Why didn't he go himself, if this was such an emergency?
"Why don't you go yourself?" the woman asked him.
"I can't leave my wife alone that long. She's in a wheelchair: Parkinson's."
This seemed like a pretty flimsy excuse, if you want my honest opinion. Also, it exceeded what I would consider the normal quota for misfortunes. Not only a lamebrain daughter, but a wife with a major disease! I let my eyes wander toward the two of them. The woman was gazing up into the man's face, pooching her mouth out thoughtfully. The man was holding a packet. He must have pulled it from his car coat: not a manila envelope, which would have been the logical choice, but one of those padded mailers the size of a paperback book. Aha! Padded! So you couldn't feel the contents! And from where I stood, it looked to be stapled shut besides. Watch yourself, lady, I said silently.
As if she'd heard me, she told the man, "I hope this isn't some kind of contraband." Except she pronounced it "counterband," which made me think she must not be a schoolmarm, after all.
"No, no!" the man told her. He gave a huff of a laugh. "No, I can assure you it's not counterband."
Was he repeating her mistake on purpose? I couldn't tell. (Or maybe the word really was "counterband.") Meanwhile, the loudspeaker came to life again. The delayed 10:10 was now boarding. Train wheels squealed below me. "I'll do it," the woman decided.
"Oh, wonderful! That's wonderful! Thanks!" the man told her, and he handed her the packet. She was already rising. Instead of a suitcase, she had one of those tote things that could have been just a large purse, and she fitted the strap over her shoulder and lined up the packet with the book she'd been reading. "So let's see," the man was saying. "You've got light-colored hair, you're wearing a brown print coat. . . . I'll call the pay phone where my daughter's waiting and let her know who to watch for. She'll be standing at Information when you get there. Esther Brimm, her name is--a redhead. You can't miss that hair of hers. Wearing jeans and a blue-jean jacket. Ask if she's Esther Brimm."
He followed the woman through the double doors and down the stairs, although he wasn't supposed to. I was close behind. The cold felt good after the packed waiting room. "And you are?" the man was asking.
Affected way of putting it. They arrived on the platform and stopped short, so that I just about ran over them. The woman said, "I'm Sophia--" and then something like "Maiden" that I couldn't exactly hear. (The train was in place but rumbling, and passengers were clip-clopping by.) "In case we miss connections, though . . . ," she said, raising her voice.
In case they missed connections, he should put his name and phone number on the mailer. Any fool would know that much. But he seemed to have his mind elsewhere. He said, "Um . . . now, do you live in Baltimore? I mean, are you coming back to Baltimore, or is Philly your end destination?"
I almost laughed aloud at that. So! Already he'd forgotten he was grateful; begun to question his angel of mercy's reliability. But she didn't take offense. She said, "Oh, I'm a long-time Baltimorean. This is just an overnight visit to my mother. I do it every weekend: take the ten-ten Patriot Saturday morning and come back sometime Sunday."
"Well, then!" he said. "Well. I certainly do appreciate this."
"It's no trouble at all," she said, and she smiled and turned to board.
I had been hoping to sit next to her. I was planning to start a conversation--mention I'd overheard what the man had asked of her and then suggest the two of us check the contents of his packet. But the car was nearly full, and she settled down beside a lady in a fur hat. The closest I could manage was across the aisle to her left and one row back, next to a black kid wearing earphones. Only view I had was a schoolmarm's netted yellow bun and a curve of cheek.
Well, anyhow, why was I making this out to be such a big deal? Just bored, I guess. I shucked my jacket off and sat forward to peer in my seat-back pocket. A wrinkly McDonald's bag, a napkin stained with ketchup, a newspaper section folded to the crossword puzzle. The puzzle was only half done, but I didn't have a pen on me. I looked over at the black kid. He probably didn't have a pen, either, and anyhow he was deep in his music--long brown fingers tapping time on his knees.
Then just beyond him, out the window, I chanced to notice the passport man talking on the phone. Talking on the phone? Down here beside the tracks? Sure enough: one of those little cell phones you all the time see obnoxious businessmen showing off in public. I leaned closer to the window. Something here was weird, I thought. Maybe he smuggled drugs, or worked for the CIA. Maybe he was a terrorist. I wished I knew how to read lips. But already he was closing his phone, slipping it into his pocket, turning to go back upstairs.
Reading Group Guide
1. "I am a man you can trust." Barnaby begins and ends the novel with this statement. How has Barnaby's understanding of this characterization of himself changed over the course of this story?
2. "Just because we were related didn't mean we were any good at understanding each other, " says Barnaby after yet another frustrating conversation with his mother. Communication problems abound within the families depicted in this novel. Discuss the nature and source of these problems. Why do we often have so much trouble talking to the people we love?
3. Even as adults, many of us, like Barnaby, still view our families through the eyes of a child. How does this blind us? How do we heal the old wounds? Can we?
4. During a family dinner for his birthday, Barnaby asks himself, "How come I always got the feeling that somebody was missing from our family table?" What do you think Barnaby was missing? And why is his mother so insistent upon including his childhood friend, Len Parrish, in the festivities?
5. How does Barnaby's understanding of and relationship with his daughter change over the course of this story? How does it mirror his relationship with his own parents?
6. Barnaby's daughter is upset upon meeting some of his clients, and Barnaby is criticized for this. Do you think he was wrong to bring Opal with him on his rounds?
7. While Barnaby tells us a great deal about his marriage to Natalie, we learn little about her views of things. How do you think Natalie would describe their relationship, and how would it differ from Barnaby's account?
8. "And I was beginning to suspect that it made no difference whether they'd married the right person. Finally, you're just with who you're with. You've signed on with her, put in half a century with her, grown to know her as well as you know yourself or even better, and she's become the right person." Discuss the meaning of this summary of marriage according to Barnaby. Do you agree or disagree?
9. Barnaby's brief career as a juvenile delinquent involves snooping in other people's personal effects and "collecting" their personal mementos. What do you think motivated him to do this? Have you ever felt the compulsion to look in other people's private things? Why or why not?
10. Have you ever encountered a stranger on a train who intrigued you as Sophia intrigued Barnaby? Have you ever done anything about it as Barnaby does?
11. Barnaby seems surrounded by smug and self-satisfied people--his mother, his ex-wife, his brother, to name a few--who he never seems to measure up to. Barnaby feels much less comfortable in his own skin. Do you think this is a trait only he possesses?
12. What motivates Barnaby to re-pay his parents, and why does his mother try to give the money back?
13. This novel explores the bittersweet struggles of older people to maintain their dignity and independence in the face of advancing age. What do you think about the fact that Barnaby knows more about the lives of his clients than many of their own families do? What does this novel suggest about the treatment and place of elderly people in our society?
14. Barnaby's clients deal with the indignities and problems associated with aging--e. g., failing health, isolation--in many different ways. How do their approaches vary, and what accounts for this?
15. Do you think Sophia was actually Barnaby's guardian angel? Why or why not?
16. Why is Barnaby able to overlook attributes in Sophia that infuriate him in other people for so long? How does his attitude change and why?
17. Which character(s) did you find to be the most compelling and why?
18. What is the significance of the title of this novel?
19. Why did your group choose to read this particular work? How does this novel compare with other works your group has read?
Most Helpful Customer Reviews
I really enjoyed this until I came to the last two pages. It leaves you up in the air, just chopped off from all the loose ends. What became of all the relationships? What about the money? It needs about 50 more pages.
This was the second Anne Tyler book i have read, and I loved it. I usually don't like school assigned authors, but Anne Tyler is amazing! I really think she has evolved as a writer since A Tin Can Tree which was the first book i have read by her.
I liked the feeling of "Patchwork Planet", it most defintely has a distinct flow to it. I had never read anything by Anne Tyler before this and I think that I would like to try her other works. An intersting read that makes you think. The ending was a disappointment though.
this book was soooo good, it kept me so interested. i usually can't finish books, but for some reason this book just makes you want to keep going!
This was, without a doubt, fantastic. The first book I have read by this author, I was stunned by how real and true the characters were. It desereves 4 1/2 stars. Its one for everyone. Great!
Even though I find Anne Tyler's characters 'interesting' most of the time I don't like them very much. I LOVED Barnaby!!! He's a lovable looser who finds his niche in the world in spite of family pressures and the fact that hardly anyone trusts him except the old people he serves. What I liked about the book in particular is the descriptions of growing old, what it's like, how difficult it is, how sad, and how fine when it's done with dignity. And I loved the way Barnaby goes from lovable looser to real manhood. Wonderful read!
A Patchwork Planet is no different than life itself. Ups and downs, colors and shapes, certainties and uncertainties are intertwined beautifully by Anne Tyler, the pieces slowly moving together to form a very interesting picture. One minute you love Barnaby Gaitlin, the next you are not so sure. Just like any genuine person you know. The end leaves you with the desire to follow and speculate more about these complex characters. This novel would be great as a movie.
I have read a lot of Anne Tyler, and have learned to stick with her-it always takes a chapter or two to get the whole picture. True for this book as well. At first I had a hard time finding sympathy for her main character, but of course I was won over in the end. As usual, she keeps the reader hanging just a bit at the end, wanting to know more. Loved it anyway.
A Patchwork PLanet has all the makings of a wonderful story, but meanders aimlessly from one 'client' to the next in search of a interesting plot. I had to force myself to finish it. Much like Mrs. Glynn's memory, this book would best be forgotten.