- Sonata for keyboard in C major, K. 159 (L. 104) "La caccia" - arranged for banjo & mandolin
- Two part invention for keyboard No. 13 in A minor, BWV 784
- Children's Corner, suite for piano (or orchestra), L. 113: Doctor Gradus ad Parnassum
- Mazurka for piano No. 3 in F sharp minor, Op. 59/3, CT 88
- Partita for solo violin No. 3 in E major, BWV 1006: Prelude - arranged for banjo
- Etude for piano in C sharp minor, Op. 10/4, CT. 17
- Mazurka for piano No. 1 in F sharp minor, Op. 6/1, CT 51
- Three-Part Invention (Sinfonia) for keyboard No. 10 in G major, BWV 796 - arranged for banjo, mandolin & bass
- Souvenir d'un lieu cher, for violin & piano (or orchestra), Op. 42: Melody in E flat major - arranged for banjo & piano
- Studies (5) for piano, Anh. 1a/1: Presto No. 1 in G minor after Bach
- Suite for solo cello No. 1 in G major, BWV 1007: Prelude - arranged for banjo
- Three-Part Invention (Sinfonia) for keyboard No. 15 in B minor, BWV 801 - arranged for banjo, violin & marimba
- Allegro vivace a movimento perpetuo in C major for violin & guitar (or orchestra), Op. 11 (MS72) - arranged for banjo & piano
- Sonata for keyboard in D minor, K. 213 (L. 108) "The Lover" - arranged for banjo & mandolin
- Two part invention for keyboard No. 6 in E major, BWV777 - arranged for banjo & bass
- Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2: Adagio sostenuto - arranged for banjo, cello & bass
- Two part invention for keyboard No. 11 in G minor, BWV782 - arranged for banjo & marimba
- Variations for piano in C major on "God Save the King," WoO 78 - arranged for banjo & guitar
- Three-Part Invention (Sinfonia) for keyboard No. 7 in E minor, BWV 793 - arranged for banjo, violin & bass
- Allegro vivace a movimento perpetuo in C major for violin & guitar (or orchestra), Op. 11 (MS72): Bluegrass Version for banjo & guitar
Banjo player Béla Fleck has traveled all over the musical map, having explored jazz, bluegrass, pop, country, and world music. Now he adds classical music to his itinerary with Perpetual Motion, an album that's as fresh and fun as it is serious and sublime. First of all, Fleck's virtuosity is a marvel. The banjo isn't the easiest instrument to get around, but Fleck tosses off the quick, slithering tune of the title track (adapted from a violin showpiece by Paganini) with breathtaking dexterity. At least part of the album's success, though, is due to the clever arrangements. In an excerpt from Debussy's Children's Corner, violinist Joshua Bell plays the melody as Fleck takes on the busily rippling accompaniment -- a beautiful effect. Bell performs on a number of tracks, and in fact the roster of guest artists could be considered an all-star band, including Edgar Meyer (bass and piano), John Williams (guitar), Evelyn Glennie (marimba), Gary Hoffman (cello), and Chris Thile (mandolin). The combination of instruments changes with every track, providing a wide variety of sounds and textures and revealing new aspects of familiar pieces. The mix of banjo, mandolin, and bass in a Bach Three-part Invention, for example, gives the music a jazzy, swinging feel, while the pairing of banjo and marimba in a Bach Allegro creates a thrillingly tactile sonority. A bluegrass version of Paganini's "Perpetual Motion," played as an encore, shows that as far as Fleck is concerned, just about any kind of music is ripe for the pickin'.
Most Helpful Customer Reviews
I was soooo happy to come upon this cd! I have other cd's by Bela Fleck but this classical voyage really shows what a diverse and talented musician can do with any type of music. He's technically a great musician to listen to but also, his arrangements of such famous works are simply innovative and inspiring. I think both classical enthusiasts and Bela lovers will both be pleased.
Marvelously innovative and varied. Particularly impressed with the bluegrass Paganini! Fleck can do any style!!