ISBN-10:
1405120231
ISBN-13:
2901405120233
Pub. Date:
12/28/2005
Publisher:
Wiley
Philosophy of Art / Edition 1

Philosophy of Art / Edition 1

by Stephen Davies

Paperback

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Product Details

ISBN-13: 2901405120233
Publisher: Wiley
Publication date: 12/28/2005
Series: Foundations of the Philosophy of the Arts Series
Edition description: REV
Pages: 252
Product dimensions: 6.00(w) x 1.25(h) x 9.00(d)

About the Author

Stephen Davies teaches philosophy at the University of Auckland. He is the author of Definitions of Art (1991), Musical Meaning and Expression (1994), Musical Works and Performances: A Philosophical Exploration (2001), and Themes in the Philosophy of Music (2003), and the editor of Art and Its Messages: Meaning, Morality, and Society (1997) and Art and Essence (2003).

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Table of Contents

List of Figures.

Preface.

Acknowledgments.

Why study the philosophy of art?.

Applications and questions.

References and readings.

Acknowledgements.

1. Evolution and culture.

A biological basis for art.

The cultural invention of art.

The big and the small picture.

"It all depends what you mean by the word art.".

Applications and Connections - the museum, tourist art, popularart, and ancient art.

Questions.

Further reading.

2. Defining art.

Essentialism and anti-essentialism.

Arguments against the project of definition.

If not an essence, what unifies the concept of art?.

Some definitions of art.

Definitions and non-Western art.

Taking stock.

Applications and Connections - intuition versus definition,art's value and definition, Euthyphro and experts.

Questions.

Further reading.

3. Aesthetics and the philosophy of art.

Aesthetic and artistic properties.

An illustration.

The aesthetic attitude and art for art's sake.

Aesthetic theory criticized.

Artworks that pose a challenge to aesthetic theory.

Art's contextually relative properties.

Art for art's sake, again.

Applications and Connections - copies and misattributions,viscera and understanding.

Questions.

Further reading.

4. Varieties of art.

Artworks as public items.

Are artworks created or discovered?.

Are all artworks potentially multiple?.

Multiply instanced artworks.

New works based on old ones.

The ontological variety of works of art.

Is the identity of an artwork fixed or evolving?.

Applications and Connections - musical recordings, the movie ofthe movie, the matter replicator.

Questions.

Further reading.

5. Interpretation.

When is interpretation necessary?.

What is interpreted?.

Actual intentionalism.

Hypothetical intentionalism.

Value maximization.

Uses for interpretation.

Theory-driven interpretation.

Does interpretation change the work's meaning?.

What is interpretation's primary purpose?.

Questions.

Further reading.

6. Expression and emotional responses.

The nature of emotion.

Identifying others' emotions.

Identifying the emotions in art.

The expression of emotion in music and abstract art.

The emotional response of the audience to the work of art.

Responding to fictions.

Responding to tragedies.

Responding to the expressiveness of instrumental music andabstract art.

Questions.

Further reading.

7. Pictorial representation and the visual arts.

The experience of representation.

Representation and resemblance.

Representation — culture and biology again.

Art versus non-art, a matter of style.

Representation in photographs and paintings.

Recognition and representation.

Photography as an art.

Moving images.

Questions.

Further reading.

8. The value of art.

Evaluation and functionality.

Rules, universality, and objectivity in artistic evaluation.

The purpose and form of artistic evaluation.

What is rewarding about the experience of art?.

Value and pleasure.

Art and education.

Messages through art.

The relation between artistic and moral values.

Should a work's immorality undermine its claims to artisticmerit?.

Morality in documentaries and fictions.

Questions.

Further reading.

Index

What People are Saying About This

From the Publisher

"This book is an outstanding achievement in pedagogical clarity andphilosophical argument, and certainly is worth reading by studentswho seek an introduction to philosophy of art as well as byprofessionals who look for a well-argued commentary on...the keyissues in the field. Without hesitation I recommend it toall."
–Thomas Heyd, Philosophy in Review

“A judicious and wide-ranging introduction to contemporaryphilosophy of art by one of its foremost practitioners.Davies’s book is notable for emphasizing both the biologicaland cultural dimensions of artmaking, for regularly keeping in viewnon-Western as well as Western modes of art, and for an exemplarydegree of clarity and reader-friendliness.”
–Jerrold Levinson, University of Maryland

“Davies has contributed to almost every debate incontemporary philosophy of art. Clearly written, with intriguingexamples, this book brings readers to the cutting edge of everycore topic in aesthetics.”
–Dominic McIver Lopes, University of BritishColumbia

“This book sets a new standard for introductory books inaesthetics and philosophy of art. Brief but knowledgeabledescriptions of examples show how philosophical questions arise andillustrate how various views might be challenged. Technical termsfunction as tools, not burdens. Applications and connectionssections at the end of each chapter raise readers’ interestand show how much more there is to the issues discussed.Davies’s book is a pleasure to read and manages to enlivenboth philosophy and the way we think about the arts ingeneral.”
–Susan Feagin, Temple University

"In the first volume in the new Foundations of the Philosophyof the Arts series by Blackwell, which is designed to providecrisp introductions to the fundamental general questions about art,as well as to questions about the several arts, Davies presents aninsightful introduction to central topics and on-going debates inthe philosophy of art."
Pavel Sedlak, Centre for Arts and New Technologies inPraque

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