Photopoetics at Tlatelolco: Afterimages of Mexico, 1968

Photopoetics at Tlatelolco: Afterimages of Mexico, 1968

by Samuel Steinberg

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In the months leading up to the 1968 Olympic games in Mexico City, students took to the streets, calling for greater democratization and decrying crackdowns on political resistance by the ruling PRI party. During a mass meeting held at the Plaza of the Three Cultures in the Tlatelolco neighborhood, paramilitary forces opened fire on the gathering. The death toll from the massacre remains a contested number, ranging from an official count in the dozens to estimates in the hundreds by journalists and scholars. Rereading the legacy of this tragedy through diverse artistic-political interventions across the decades, Photopoetics at Tlatelolco explores the state’s dual repression—both the massacre’s crushing effects on the movement and the manipulation of cultural discourse and political thought in the aftermath. Examining artifacts ranging from documentary photography and testimony to poetry, essays, chronicles, cinema, literary texts, video, and performance, Samuel Steinberg considers the broad photographic and photopoetic nature of modern witnessing as well as the specific elements of light (gunfire, flares, camera flashes) that ultimately defined the massacre. Steinberg also demonstrates the ways in which the labels of “massacre” and “sacrifice” inform contemporary perceptions of the state’s blatant and violent repression of unrest. With implications for similar processes throughout the rest of Latin America from the 1960s to the present day, Photopoetics at Tlatelolco provides a powerful new model for understanding the intersection of political history and cultural memory.

Product Details

ISBN-13: 9781477307489
Publisher: University of Texas Press
Publication date: 01/15/2016
Series: Border Hispanisms
Edition description: New Edition
Pages: 266
Product dimensions: 6.00(w) x 8.90(h) x 0.80(d)

About the Author

SAMUEL STEINBERGLos Angeles, CaliforniaSteinberg is an assistant professor of Spanish and Portuguese at the University of Southern California.

Table of Contents

AcknowledgmentsIntroduction1. Archive and Event2. Postponed Images: The Plenitude of the Unfinished3. Testimonio and the Future without Excision4. Exorcinema: Spectral Transitions5. Literary Restoration6. An-archaeologies of 1968NotesBibliographyIndex

What People are Saying About This

Ignacio M. Sanchez Prado

"Photopoetics at Tlatelolco will be the fundamental contribution of Latin American studies to scholarship around the global 1968, a field that encompasses a vast group of researchers and students in a wide array of disciplines. This is a revisionist book in the best sense of the word, a challenging, polemic, well-thought, and thoroughly researched cultural history of Mexico in the wake of Tlatelolco. It is truly a major work of scholarship."

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