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Ardis Butterfield examines the relationship between the poetry and music of medieval France. Beginning when French song was first set into writing in the early thirteenth century, Butterfield describes the wide range of contexts in which secular songs were quoted and copied. Including narrative romances, satires and love poems, the book reveals the development of French song and narrative genres during a significant period of history.
|Publisher:||Cambridge University Press|
|Series:||Cambridge Studies in Medieval Literature Series , #49|
|Product dimensions:||6.00(w) x 8.90(h) x 1.00(d)|
About the Author
Ardis Butterfield is a Lecturer in English at University College, London. She has published widely on French and English literary and musical history. Her articles have appeared in Medium Aevum and Plainsong and Medieval Music.