Popular Modernity in America: Experience, Technology, Mythohistory / Edition 1 available in Paperback
- Pub. Date:
- State University of New York Press
Examines a wide variety of cultural and technological phenomena that have helped shape American popular culture over the last 150 years.
Does technology alter our ways of being in and perceiving the world, or does it merely serve as a conduit for predetermined patterns of culture? In addressing this question, Popular Modernity in America examines a broad range of related cultural and technological phenomenafrom Bing Crosby to Ice Cube, from the invention of the telegraph to the celebratory heralding of the internet in the 1990sthat have helped shape American popular culture over the past 150 years. Throughout, it avoids the binaries that label popular culture as inherently liberatory or subtly oppressive, arguing instead for the triadic relationship of experience, technology, and myth, each of which has an active role to play in how we interact with popular culture.
About the Author
Michael Thomas Carroll is Associate Professor of English at New Mexico Highlands University. He is the editor of No Small World: Visions and Revisions of World Literature, and coeditor of Phenomenological Approaches to Popular Culture.
Table of Contents
1. American Technospace and the Emergence of Popular Modernity
2. The Disembodied Voice: Coughlin, Crosby, and Other Crooners
3. Temporality and Commercial Culture: Nostalgic Entertainments
4. Visuality: The "Scopic Regime" of Popular Modernity
5. Vocality, Visuality, Alterity: Black American Cultural Production
6. The Narrative Imperative